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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
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18
Creator
Borra, Giovanni Battista, 1713–1770
18
Date
1745
18
On-site Access
Accessible by appointment in the Study Room
18
Image Use
Free to Use
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Image Available
Available
18
Classification
Drawing & Watercolors-Architectural
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Creator Gender
male
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Period
18th century
18
Materials & Techniques
graphite
18
laid paper
18
gray wash
17
black ink
16
brown ink
9
gray ink
1
watercolor
1
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Work Type
drawing
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watercolor
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Genre
architectural subject
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landscape
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Subject Terms
architectural subject
18
capitals
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columns
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friezes
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moldings
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temple
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Ionic
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ruins
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scale (rule)
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theater
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Corinthian order
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ancient Greek
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amphitheater
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entablature
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Composite order
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Lydian
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arches
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circus (Roman arena)
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entablatures
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site plan
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Associated Places
Turkey
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18
Asia
17
Ege kiyilari
15
Denizli Ili
6
Izmir Ili
4
Laodicea
4
Aphrodisias
3
Aydin Ili
3
Marmara
3
Sakarya
3
Ephesus
2
Milâs
2
Mugla Ili
2
Pamukkale
2
Priene
2
Hierapolis
1
Miletus
1
Pergamon
1
Teos
1
Exhibition History
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
18
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capitals
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1
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
2
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
3
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
4
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
5
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
6
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
7
Giovanni Battista Borra, 1713–1770
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
8
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
9
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
10
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
11
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
12
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
13
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
14
Giovanni Battista Borra, 1713–1770
Reconstruction of the Second Theatre at Laodicea
ca. 1750
15
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
16
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
17
Giovanni Battista Borra, 1713–1770
Members of an Ionic Temple at Teos
ca. 1750
18
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750