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Collection Prints and Drawings

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View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Creator:
Print made by unknown artist
Date:
between 1720 and 1750
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rue du Gros-Horloge, Rouen
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:
Sheet: 13 3/8 x 19 3/4 inches (34 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund
Façade St. Jean
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1824
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 15/16 x 18 3/8 inches (30.4 x 46.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rue du Gros Horloge
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 13 x 13 15/16 inches (33 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eglise de St. Jean a Lyons
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1824
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper pasted on contemporary mount
Dimensions:
Sheet: 8 7/8 × 11 15/16 inches (22.5 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crowded Improvised Air Raid Shelter in Liverpool Street Tube Tunnel
Creator:
Bill Brandt, 1904–1983
Date:
1940
Materials & Techniques:
Gelatin silver print on moderately thick, gloss photographic paper mounted on thick, slightly textured, white card
Dimensions:
Mount: 20 x 15 15/16 inches (50.8 x 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Parnassus Foundation, courtesy of Jane and Raphael Bernstein
People Sheltering in the Tube, Elephant and Castle Underground Station, circa 1939
Creator:
Bill Brandt, 1904–1983
Date:
ca. 1939
Materials & Techniques:
Gelatin silver print on moderately thick, gloss photographic paper mounted on thick, slightly textured, white card
Dimensions:
Mount: 20 x 16 inches (50.8 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Parnassus Foundation, courtesy of Jane and Raphael Bernstein
The Canongate Tollbooth
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1906
Materials & Techniques:
Etching and drypoint on Japanese paper
Dimensions:
Sheet: 15 7/8 × 7 inches (40.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Ouse Bridge, York
Creator:
Thomas Girtin, 1775–1802
Date:
1800
Materials & Techniques:
Watercolor with pen and brown ink over graphite, with scratching out on medium, rough, beige wove paper
Dimensions:
Sheet: 12 15/16 x 20 5/8 inches (32.9 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scouts at Waterloo Station, London
Creator:
Emil Otto Hoppé, 1878–1972
Date:
1933
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 4 × 3 inches (10.2 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Graham Howe