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Collection Prints and Drawings

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Date 1831

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Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Samuel Palmer Shoreham, Kent
Samuel Palmer, 1805–1881
Shoreham, Kent
between 1831 and 1832
John Constable Dawn
John Constable, 1776–1837
Dawn
1831-1832
Edward Lear Knowsley Hall
Edward Lear, 1812–1888
Knowsley Hall
undated
Thomas Shotter Boys Notre Dame, Paris
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
John Chessell Buckler Costessy Hall, Norfolk
John Chessell Buckler, 1793–1894
Costessy Hall, Norfolk
1831
John Varley London from the South West
John Varley, 1778–1842
London from the South West
1831
Capt. Thomas Hastings Near Millfield, East Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Near Millfield, East Cowes, Isle of Wight
1831
Henry Heath Ominum Gatherum, Second Series, No. 5
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 5
1831
unknown artist The Temple 1722; This View of the Temple, as it appeared in 1722, was re-engraved (from a print presented to the honourable society of the Inner Temple) in the year 1831
unknown artist
The Temple 1722; This View of the Temple, as it appeared in 1722, was re-engraved (from a print presented to the honourable society of the Inner Temple) in the year 1831
1831
S. G. Hughes Travelling on the Liverpool & Manchester Railway: A Train of the First Class Carrriages, with the Mail and A Train of the Second Class for Outside Passengers, Plate I (one of a pair)
S. G. Hughes, active 1832
Travelling on the Liverpool & Manchester Railway: A Train of the First Class Carrriages, with the Mail and A Train of the Second Class for Outside Passengers, Plate I (one of a pair)
1831
Augustus William Reeve A Fort Near Montmartre
Augustus William Reeve, active 1831–1888
A Fort Near Montmartre
undated
Edward Duncan Spaniel. The Winner of the Derby Stakes at Epsom 1831
Edward Duncan, 1803–1882
Spaniel. The Winner of the Derby Stakes at Epsom 1831
1831
Richard Gilson Reeve Angling: Anglers Packing Up
Richard Gilson Reeve, 1803–1889
Angling: Anglers Packing Up
1831
Thomas Higham St. Mary, Lambeth
Thomas Higham, 1796–1844
St. Mary, Lambeth
1831
George Hunt [Coaching]: Highgate Tunnel
George Hunt, active 1820–1840
[Coaching]: Highgate Tunnel
1831
William Miller Windsor Castle, Berkshire
Print made by William Miller, 1796–1882
Windsor Castle, Berkshire
1831
Edward Goodall Florence, from the Chiesa al Monte
Print made by Edward Goodall, 1795–1870
Florence, from the Chiesa al Monte
1831
Edward Goodall Florence, from the Chiesa al Monte
Print made by Edward Goodall, 1795–1870
Florence, from the Chiesa al Monte
1831
David Lucas Summer Evening
Print made by David Lucas, 1802–1881
Summer Evening
1831
Edward Calvert The Chamber Idyll
Print made by Edward Calvert, 1799–1883
The Chamber Idyll
1831
John Scott [Shooting] The Pointer
Print by John Scott, 1774–1828
[Shooting] The Pointer
1831
Samuel Cousins Mary Elizabeth, Countess Grey, with Her Two Children
Print made by Samuel Cousins, 1801–1887
Mary Elizabeth, Countess Grey, with Her Two Children
1831
Augustus William Reeve In the Channel
Augustus William Reeve, active 1831–1888
In the Channel
undated
Charles Rosenberg Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..
Charles Rosenberg, active 1828–1848
Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.
1831
John Martin Pandemonium
Print made by John Martin, 1789–1854
Pandemonium
1831
Henry Ninham At Hellesdon
Henry Ninham, 1793–1874
At Hellesdon
1831
S. Lacey Sessions House, Clerkenwell Green
S. Lacey, active 1830s
Sessions House, Clerkenwell Green
1831
John Buckler FSA South East View of Crest Park, Bedfordshire
John Buckler FSA, 1770–1851
South East View of Crest Park, Bedfordshire
1831
Philip Audinet James Northcote
Print made by Philip Audinet, 1766–1837
James Northcote
1831
Richard Dagley Paul Sandby
Print made by Richard Dagley, ca. 1765–1841
Paul Sandby
1831
John Buckler FSA North East View of Crest Park, Bedfordshire
John Buckler FSA, 1770–1851
North East View of Crest Park, Bedfordshire
1831
Benjamin Holl James Northcote
Benjamin Holl, 1808–1884
James Northcote
1831
John Horsburgh Folkestone Harbour and Coast to Dover
Print made by John Horsburgh, 1791–1869
Folkestone Harbour and Coast to Dover
1831
Robert Wallis St. Germain-en-Laye
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1831
Frederick Christian Lewis the Elder Sir Thomas Lawrence P.R.A. Aged 35
Print made by Frederick Christian Lewis the Elder, 1779–1856
Sir Thomas Lawrence P.R.A. Aged 35
1831
Thomas Anthony Dean Portrait of Lawrence When a Boy
Print made by Thomas Anthony Dean, 1801–1860
Portrait of Lawrence When a Boy
1831
James Tibbits Willmore Folkestone Harbour and Coast to Dover
Print made by James Tibbits Willmore, 1800–1863
Folkestone Harbour and Coast to Dover
1831
James Thomson John Jackson, R. A.
James Thomson, 1789–1850
John Jackson, R. A
1831
Rev. James Bulwer [One from] A Volume of Drawings and Prints
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1831
William Day Return of their most Gracious Majesties King William and Queen Adelaide to Somerset House after the Opening of London Bridge
William Day, 1764–1807
Return of their most Gracious Majesties King William and Queen Adelaide to Somerset House after the Opening of London Bridge
1831
William Day Procession of their Most Gracious Majesties King William and Queen Adelaide to London Bridge
William Day, 1764–1807
Procession of their Most Gracious Majesties King William and Queen Adelaide to London Bridge
1831
Samuel Cousins Miss Macdonald
Print made by Samuel Cousins, 1801–1887
Miss Macdonald
1831
David Lucas A Lock on the Stour, Suffolk
Print made by David Lucas, 1802–1881
A Lock on the Stour, Suffolk
1831
William Miller Marly
Print made by William Miller, 1796–1882
Marly
1831
David Lucas Summer Morning
Print made by David Lucas, 1802–1881
Summer Morning
1831
David Lucas Vignette, Hampstead Heath, Middlesex
Print made by David Lucas, 1802–1881
Vignette, Hampstead Heath, Middlesex
1831
David Lucas Summer Afternoon, After a Shower
Print made by David Lucas, 1802–1881
Summer Afternoon, After a Shower
1831
Augustus Welby Northmore Pugin Grecian Frieze Ornament
Print made by Augustus Welby Northmore Pugin, 1812–1852
Grecian Frieze Ornament
1831
unknown artist Portrait of a Child
unknown artist
Portrait of a Child
1831
Frederick James Havell Coaching: The Blenheim, Leaving the Star Hotel, Oxford
Frederick James Havell, 1801–1840
Coaching: The Blenheim, Leaving the Star Hotel, Oxford
1831
Frederick Rosenberg Coaching: The Royal Mails Preparing to Start for the West of England
Frederick Rosenberg, active 1816–1832
Coaching: The Royal Mails Preparing to Start for the West of England
1831
George Hunt Coaching: The Cambridge Telegraph, Starting from the White Horse
George Hunt, active 1820–1840
Coaching: The Cambridge Telegraph, Starting from the White Horse
1831
Robert Wallis Coteaux de Mauves
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1831
Robert Wallis Coteaux de Mauves
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1831
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
unknown artist Raglan Castle, Monmouthshire, Wales: Details of Entrance to Grand Staircase
unknown artist
Raglan Castle, Monmouthshire, Wales: Details of Entrance to Grand Staircase
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Elevation and Details of Door in Grand Staircase
unknown artist
Raglan Castle, Monmouthshire, Wales: Elevation and Details of Door in Grand Staircase
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Elevation of Entrance Gateway
unknown artist
Raglan Castle, Monmouthshire, Wales: Elevation of Entrance Gateway
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Longitudinal Section of Grand Staircase
unknown artist
Raglan Castle, Monmouthshire, Wales: Longitudinal Section of Grand Staircase
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Fireplace at Top of Great Staircase
unknown artist
Raglan Castle, Monmouthshire, Wales: Fireplace at Top of Great Staircase
1831
unknown artist Raglan Castle, Monmouthshire, Wales: East Elevation of Hall
unknown artist
Raglan Castle, Monmouthshire, Wales: East Elevation of Hall
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Plan of Turret
unknown artist
Raglan Castle, Monmouthshire, Wales: Plan of Turret
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Details of Doorway to the Hall
unknown artist
Raglan Castle, Monmouthshire, Wales: Details of Doorway to the Hall
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Elevations and Section Great Window in Ante Room
unknown artist
Raglan Castle, Monmouthshire, Wales: Elevations and Section Great Window in Ante Room
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Plan and Details of Great Window in Ante Room
unknown artist
Raglan Castle, Monmouthshire, Wales: Plan and Details of Great Window in Ante Room
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Details of Windows of Principal Apartments
unknown artist
Raglan Castle, Monmouthshire, Wales: Details of Windows of Principal Apartments
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Details of Columns at Entrance Gateway
unknown artist
Raglan Castle, Monmouthshire, Wales: Details of Columns at Entrance Gateway
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Details of Entrance Gateway
unknown artist
Raglan Castle, Monmouthshire, Wales: Details of Entrance Gateway
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Elevation and Section of Fireplace in Ante Room
unknown artist
Raglan Castle, Monmouthshire, Wales: Elevation and Section of Fireplace in Ante Room
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Cross Section of Entrance Gateway
unknown artist
Raglan Castle, Monmouthshire, Wales: Cross Section of Entrance Gateway
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Longitudinal Section of Great Hall
unknown artist
Raglan Castle, Monmouthshire, Wales: Longitudinal Section of Great Hall
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Front Elevation
unknown artist
Raglan Castle, Monmouthshire, Wales: Front Elevation
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Plan of Entrance Gateway
unknown artist
Raglan Castle, Monmouthshire, Wales: Plan of Entrance Gateway
1831
David Lucas River Stour, Suffolk
Print made by David Lucas, 1802–1881
River Stour, Suffolk
1831
David Lucas River Stour, Suffolk
Print made by David Lucas, 1802–1881
River Stour, Suffolk
1831
William Radclyffe Eaton College, Berkshire
Print made by William Radclyffe, 1780–1855
Eaton College, Berkshire
1831
William Radclyffe Eaton College, Berkshire
Print made by William Radclyffe, 1780–1855
Eaton College, Berkshire
1831
Thomas Jeavons Pembroke Castle, Wales
Print made by Thomas Jeavons, ca. 1800–1867
Pembroke Castle, Wales
1831
David Lucas Summer Morning
Print made by David Lucas, 1802–1881
Summer Morning
1831
unknown artist An Alcove of Old London Bridge
unknown artist
An Alcove of Old London Bridge
1831
Edward William Cooke Part of Old London Bridge, St. Magnus and the Monument
Edward William Cooke, 1811–1880
Part of Old London Bridge, St. Magnus and the Monument
1831
unknown artist The Opening of London Bridge with the Old Bridge in the Background
unknown artist
The Opening of London Bridge with the Old Bridge in the Background
1831
Thomas Allom The Ceremony of Opening London Bridge with the Old London Bridge in the Background
Thomas Allom, 1804–1872
The Ceremony of Opening London Bridge with the Old London Bridge in the Background
1831
Charles E. P. Motte The Opening of the New London Bridge
Charles E. P. Motte, 1785–1836
The Opening of the New London Bridge
1831
Edward William Cooke The Southwark End of Old London Bridge
Edward William Cooke, 1811–1880
The Southwark End of Old London Bridge
1831
Edward William Cooke Steps of New London Bridge, St. Magnus, the Monument and Part of Old Bridge
Edward William Cooke, 1811–1880
Steps of New London Bridge, St. Magnus, the Monument and Part of Old Bridge
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Detail of the Fountain Court
unknown artist
Raglan Castle, Monmouthshire, Wales: Detail of the Fountain Court
1831
unknown artist Raglan Castle, Monmouthshire, Wales: Details of Small Windows in Servants' Hall
unknown artist
Raglan Castle, Monmouthshire, Wales: Details of Small Windows in Servants' Hall
1831