Collection: Prints and Drawings / Date: 1830 - YCBA Collections Search Search Results

301. Naples

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 1/8 inches (38.4 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Temples of Paestum

Creator:: Print made by John Pye, 1782–1874
Date:: 1830
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 1/8 inches (38.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Galileo's Villa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 inches (37.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. The Junction of the Severn and the Wye with Chepstow in the Distance

Creator:: David Cox, 1783–1859
Date:: 1830
Materials & Techniques:: Watercolor with stopping out, scraping out, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 31 x 42 inches (78.7 x 106.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

305. Alnwick Castle, Northumberland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1830
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 5/8 inches (26.8 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Winchelsea, Sussex

Creator:: Print made by Josiah Henshall, 1806–1869
Date:: 1830
Materials & Techniques:: Etching and engraving with chine collé; second state on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. St. Mawes, Cornwall

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1830
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and engraving with chine collé; second state on moderatle thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 1/2 inches (27.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. The Forum Romanum

Creator:: Print made by Josiah Henshall, 1806–1869
Date:: 1830
Materials & Techniques:: Etching and engraving on medium, smooth, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 3/4 inches (11.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Hospice of the Great St. Bernard

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 1/8 inches (38.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Aosta

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1830
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 inches (37.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Marengo

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 1/4 inches (38.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Martigny

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1830
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 1/8 inches (37.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. The Lake of Geneva

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 9 7/8 inches (38.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Florence

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 inches (38.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Venice

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 inches (38.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Priam. The Winner of the Derby Stakes at Epsom

Creator:: Edward Duncan, 1803–1882
Date:: 1830
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Coaching: The Royal Mails Starting from the General Post Office, London

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1830
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 27 x 20in. (68.6 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. View of the Architectural Improvements, in the Vicinity of the Bank, and the Mansion House. The proposed site for the Wellington Monument.

Creator:: Thomas Higham, 1796–1844
Date:: 1830
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 9 1/8 x 16 1/8in. (23.2 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1830
Materials & Techniques:: Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 14 9/16 inches (27.8 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Dunstanborough Castle

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1830
Materials & Techniques:: Etching and engraving; third state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 14 15/16 inches (27.5 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1830
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Stamford, Lincolnshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1830
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 9/16 inches (26.8 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Alnwick Castle, Northumberland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1830
Materials & Techniques:: Etching and engraving with chine collé; second state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Stoneyhurst, Lancashire

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1830
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 14 13/16 inches (27.5 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Salisbury, Wiltshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1830
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 9/16 inches (27.1 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Hospice of the Great St. Bernard II (The Dead-House)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 inches (38.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 inches (37.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Lake of Como, I

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 10 inches (38.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Hadleigh Castle, Large Plate

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830-1832
Materials & Techniques:: Mezzotint and etching; proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 18 inches (33 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. The Sporting Parson: "He Trieth a Little 'High Church' Style"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 11/16 × 14 13/16 inches (27.1 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. The Sporting Parson: "He Sends Mother Eve's Apples Flying"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor, and gouache on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and white gouache on medium, slightly textured, gray-green, wove paper
Dimensions:: Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, watercolor, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 9/16 inches (28.4 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. A Farm Horse, Harnessed to a Cart, Executed at or Near Canterbury, c. 1835

Creator:: Thomas Sidney Cooper, 1803–1902
Date:: ca. 1835
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/16 × 8 3/4 inches (18.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Putney from the River Side

Creator:: Henry Ogg, active 1830
Date:: 1830
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Shewing St. Michael's Church, Cooked Lane, since taken down taken on the spot, June, 1830

Creator:: George Johann Scharf, 1788–1860
Date:: 1830
Materials & Techniques:: Hand colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. A View of the Northern Approach to London Bridge while in a state of Progress

Creator:: George Johann Scharf, 1788–1860
Date:: 1830
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 21 1/8 x 29 5/8in. (53.7 x 75.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. William Tell's Chapel

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 12 1/8 inches (43.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Figures on a Terrace

Creator:: Alfred Elmore, 1815–1881
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 7 5/8 inches (19.4 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dorcas Hardin

345. The Connoisseur

Creator:: Print made by G. E. Madeley, active 1840–1859
Date:: 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, smooth, beige wove paper
Dimensions:: Sheet: 9 3/8 x 7 3/8 inches (23.8 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara and Max Wilk, Yale BA 1941

346. Sir Astley Cooper, Bart.

Creator:: Samuel Cousins, 1801–1887
Date:: 1830
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 20 1/2 x 15 3/16in. (52.1 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

347. The Sanctuary

Creator:: Print made by J. W. Watts, 1815–1895
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 7/8 x 31 13/16in. (42.9 x 80.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson

348. John Bacon, R. A.

Creator:: William Camden Edwards, 1777–1855
Date:: 1830
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, laid in mount
Dimensions:: Sheet: 5 1/2 × 3 1/4 inches (13.9 × 8.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Sir Thomas Lawrence

Creator:: Richard James Lane, 1800–1872
Date:: 1830
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare

Creator:: Richard James Lane, 1800–1872
Date:: 1830
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Sir Thomas Lawrence P. R. A.

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1830
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 20 1/16 x 15 13/16 inches (50.9 x 40.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. The Sower

Creator:: George Richmond, 1809–1896
Date:: 1830
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 7 1/4 inches (35.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

353. James Northcote

Creator:: Print made by James Lonsdale, 1777–1839
Date:: 1830
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 14 1/2 inches (53.3 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. A View in Western Australia

Creator:: Print made by John S. Templeton, active 1830–1857
Date:: 1830
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

355. Wolsey's Well at Esher, Surrey

Creator:: Print made by George Cooke, 1781–1834
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

356. Cottage and Trees

Creator:: David Cox, 1783–1859
Date:: 1830s
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 9 3/4 inches (28.9 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Military Frieze

Creator:: Edward Henry Corbould, 1815–1905
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 19 5/8 inches (10.2 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

358. Figure of Natural History

Creator:: Edward Henry Corbould, 1815–1905
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 6 inches (16.5 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

359. Segment of Military Frieze

Creator:: Edward Henry Corbould, 1815–1905
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 15 5/8 inches (14 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

360. Study for John Russell, the 6th Duke of Bedford

Creator:: Sir George Hayter, 1792–1871
Date:: ca. 1835
Materials & Techniques:: Black chalk, white chalk, and graphite on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 5 1/4 × 4 1/8 inches (13.3 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

361. River Scene with Church, Cottage and Windmill

Creator:: John Collet, ca. 1725–1780
Date:: undated
Materials & Techniques:: Black ink, brown ink, gray wash and brown wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 5 3/4 inches (9.8 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Goldsmith's Hall, Foster Lane

Creator:: Print made by W. E. Albutt, active 1836–1863
Date:: ca. 1835
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

363. Holy Loch, Heart of Mid-Lothian

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

364. Mr. William Armstrong's Design for a Chain Bridge across the River Avon, from St. Vincents Rock to Leigh Down

Creator:: R. Martin, active 1823–1840
Date:: 1830
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 8 1/2 x 12in. (21.6 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

365. Young Woman

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Watercolor on ivory
Dimensions:: Overall: 6 × 4 7/8 inches (15.2 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

366. William Cavendish, first Duke of Newcastle-upon-Tyne

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Line engraving, stipple engraving, and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 8 11/16 inches (29.8 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

367. Mirkwood Mere

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1830
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

368. Mirkwood Mere

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1830
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

369. L'Institut de France, Paris

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1830
Materials & Techniques:: Watercolor, with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 14 x 10 7/16 inches (35.6 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Study for Nelson Sealing the Copenhagen Letter

Creator:: Commenced by Sir David Wilkie, 1785–1841
Date:: ca. 1835
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 3/4 × 5 1/4 inches (7 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, John F. O'Brien Fund

371. Don-Key

Creator:: unknown artist
Date:: 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 15/16 x 11 inches (38 x 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

372. Sea Study with Hulk, Sailing Boat and Rowing Boat

Creator:: David Cox, 1783–1859
Date:: 1830s
Materials & Techniques:: Black chalk, watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 7 inches (20.3 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. School of St. Rocco, Venice, Study of Curved Decoration

Creator:: Thomas Hartley Cromek, 1809–1873
Date:: ca. 1835
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 8 15/16 x 7 1/4in. (22.7 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Landscape with Gypsies and Wagon

Creator:: follower of David Cox, 1783–1859
Date:: mid-19th century
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 4 5/8 x 6 3/4 inches (11.7 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Group of Peasants with Musical Instruments

Creator:: Attributed to John Absolon, 1815–1895
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, pen, and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. The Pauper Family and Footman. A Steam Packet Cabin.

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1830
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 7 5/8 x 6 1/8in. (19.4 x 15.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

377. Richmond Hill

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1830
Materials & Techniques:: Watercolor with scraping on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 12 inches (16.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. The Terrace

Creator:: Alfred Elmore, 1815–1881
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 8 1/4 inches (28.6 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. The Poet. The Sailor's Ballast

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1830
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 7 3/4 x 6 1/16in. (19.7 x 15.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

380. The Needless Alarm. A Smoking Party

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1830
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 7 11/16 x 6 1/16in. (19.5 x 15.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

381. The Gouty Merchant and Stranger. A Card Party.

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1830
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 7 11/16 x 6 1/8in. (19.5 x 15.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

382. Admiral Van Tromp's Duel. Comforts of a Wife.

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1830
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 7 9/16 x 6 1/8in. (19.2 x 15.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

383. The Englishman in France. A Cold Duck.

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1830
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 7 5/8 x 6 3/16in. (19.4 x 15.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

384. The Angler's Going Out. The Pleasures of Angling.

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1830
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 7 5/8 x 6 3/16in. (19.4 x 15.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

385. Going Out. Going Home.

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1830
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 7 1/2 x 5 15/16in. (19.1 x 15.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

386. None but the Brave deserve the Fair. Honour.

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1830
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 7 5/8 x 6 1/8in. (19.4 x 15.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

387. Lobster Sauce. The Unexpected Visit.

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1830
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 7 3/4 x 6 1/8in. (19.7 x 15.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

388. Being well lather'd from a dish or tub./Hodge new began with grinning pain to grub. Sirrah! I tell you you're a knave. To cry up razors that can't shave.

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1830
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 7 11/16 x 6 1/8in. (19.5 x 15.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

389. £/Pounds. s/Shillings. p/Pence. Dancing Bears.

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1830
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 7 11/16 x 6 1/16in. (19.5 x 15.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

390. Arcades: of Interlaced Mouldings

Creator:: C. Hacker
Date:: 1830
Materials & Techniques:: Pen and brown ink, graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 7 inches (26.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Religious Ceremony in Ancient Greece

Creator:: Francis Oliver Finch, 1802–1862
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 5/16 × 25 5/16 inches (46.5 × 64.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Field of Waterloo

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/8 × 34 3/8 inches (58.7 × 87.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint, with graphite, white chalk, and scraping out; touched engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 25 1/8 inches (47 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint with white chalk; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/4 × 23 1/8 inches (46.4 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint, with graphite and white chalk; touched engraver's proof (b) on medium, slightly textured, cream wove paper, mounted on cream card
Dimensions:: Sheet: 19 × 25 3/4 inches (48.3 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 38 5/8 × 26 inches (98.1 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/2 × 33 5/8 inches (57.2 × 85.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 32 3/4 × 22 1/8 inches (83.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Stables at Grittleton House, Wiltshire

Creator:: unknown artist
Date:: ca. 1835
Materials & Techniques:: Graphite, watercolor, pen and black ink on medium, smooth, white wove paper
Dimensions:: Sheet: 7 7/8 × 7 1/4 inches (20 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

Date 1830

Search Results

301. Naples

302. Temples of Paestum

303. Galileo's Villa

304. The Junction of the Severn and the Wye with Chepstow in the Distance

305. Alnwick Castle, Northumberland

306. Winchelsea, Sussex

307. St. Mawes, Cornwall

308. Saumur

309. The Forum Romanum

310. Hospice of the Great St. Bernard

311. Aosta

312. Marengo

313. Martigny

314. The Lake of Geneva

315. Florence

316. Venice

317. Priam. The Winner of the Derby Stakes at Epsom

318. Coaching: The Royal Mails Starting from the General Post Office, London

319. Saumur

320. View of the Architectural Improvements, in the Vicinity of the Bank, and the Mansion House. The proposed site for the Wellington Monument.

321. Devonport and Dockyard, Devonshire

322. Dunstanborough Castle

323. Devonport and Dockyard, Devonshire

324. Stamford, Lincolnshire

325. Alnwick Castle, Northumberland

326. Stoneyhurst, Lancashire

327. Salisbury, Wiltshire

328. Hospice of the Great St. Bernard II (The Dead-House)

329. Hannibal Passing the Alps

330. Lake of Como, I

331. Hadleigh Castle, Large Plate

332. The Sporting Parson: "He Trieth a Little 'High Church' Style"

333. The Sporting Parson: "He Sends Mother Eve's Apples Flying"

334. The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"

335. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

336. The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"

337. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

338. "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

339. A Farm Horse, Harnessed to a Cart, Executed at or Near Canterbury, c. 1835

340. Putney from the River Side

341. Shewing St. Michael's Church, Cooked Lane, since taken down taken on the spot, June, 1830

342. A View of the Northern Approach to London Bridge while in a state of Progress

343. William Tell's Chapel

344. Figures on a Terrace

345. The Connoisseur

346. Sir Astley Cooper, Bart.

347. The Sanctuary

348. John Bacon, R. A.

349. Sir Thomas Lawrence

350. Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare

351. Sir Thomas Lawrence P. R. A.

352. The Sower

353. James Northcote

354. A View in Western Australia

355. Wolsey's Well at Esher, Surrey

356. Cottage and Trees

357. Military Frieze

358. Figure of Natural History

359. Segment of Military Frieze

360. Study for John Russell, the 6th Duke of Bedford

361. River Scene with Church, Cottage and Windmill

362. Goldsmith's Hall, Foster Lane

363. Holy Loch, Heart of Mid-Lothian

364. Mr. William Armstrong's Design for a Chain Bridge across the River Avon, from St. Vincents Rock to Leigh Down

365. Young Woman

366. William Cavendish, first Duke of Newcastle-upon-Tyne

367. Mirkwood Mere

368. Mirkwood Mere

369. L'Institut de France, Paris

370. Study for Nelson Sealing the Copenhagen Letter

371. Don-Key

372. Sea Study with Hulk, Sailing Boat and Rowing Boat

373. School of St. Rocco, Venice, Study of Curved Decoration

374. Landscape with Gypsies and Wagon