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1. Buckfastleigh Abbey, Devonshire

Buckfastleigh Abbey, Devonshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 13 × 15 1/4 inches (33 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Okehampton, Devonshire

Okehampton, Devonshire
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 15 1/2 inches (29.2 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Saltash, Cornwall

Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 12 1/4 inches (25.1 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Fall of the Tees, Yorkshire

Fall of the Tees, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 12 1/4 × 15 1/4 inches (31.1 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof (unfinished) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/4 × 15 3/8 inches (29.8 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door

Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on thin, smooth, blue wove paper
Dimensions:
Sheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Raglan Castle, Monmouthshire, Wales: Details

Raglan Castle, Monmouthshire, Wales: Details
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite and pen and red ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 13/16 x 15 3/16 inches (24.9 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Ramsgate

Ramsgate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1827
Materials & Techniques:
Mezzotint; engraver's proof (between a&b) on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 × 15 1/2 inches (27.9 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Extravaganza's of 1827

Extravaganza's of 1827
Creator:
Print made by Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 x 15 11/16 inches (28 x 39.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Dover

No cover image available
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1827
Materials & Techniques:
Etching and mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 15 1/2 inches (29.8 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund