Collection: Prints and Drawings / Date: 1827 / Height [cm]: 24

Print made by William Blake, 1757–1827

The Baffled Devils Fighting (Plate 3)

1827

Print made by William Blake, 1757–1827

The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

1827

Print made by William Blake, 1757–1827

The Whirlwind of Lovers (Plate 1)

1827

Print made by William Blake, 1757–1827

Ciampolo the Barrator Tormented by the Devils (Plate 2)

1827

Print made by William Blake, 1757–1827

The Pit of Disease: The Falsifiers (Plate 6)

1827

Print made by William Blake, 1757–1827

Dante Striking against Bocca Degli Abati (Plate 7)

1827

Print made by William Blake, 1757–1827

The Serpent Attacking Buoso Donati (Plate 5)

1827

Augustus Welby Northmore Pugin, 1812–1852

Design for Gothic Ornamentation

undated

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827-1838

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827-1838

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827-1838

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827-1838

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827-1838

Print made by Robert Wallis, 1794–1878

Lancaster from the Aqueduct Bridge

1827-1838

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827-1838

Richard Parkes Bonington, 1802–1828

Trees and a Cottage by a River

1827

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1827-1838

Print made by William Radclyffe, 1780–1855

Louth, Lincolnshire

1827-1838

Print made by J. C. Varrall, active 1815–1827

Malmsbury Abbey, Wiltshire

1827-1838

Print made by William Radclyffe, 1780–1855

Louth, Lincolnshire

1827-1838

Print made by William Radclyffe, 1780–1855

Louth, Lincolnshire

1827-1838

Print made by William Radclyffe, 1780–1855

Louth, Lincolnshire

1827-1838

Print made by Charles Westwood, active 1819–1838

Hampton Court Palace

1827-1838

Print made by Charles Westwood, active 1819–1838

Hampton Court Palace

1827-1838

Print made by Robert Wallis, 1794–1878

Cowes, Isle of Wight

1827-1838

Print made by William Miller, 1796–1882

Stamford, Lincolnshire

1827-1838

Print made by William Miller, 1796–1882

Stamford, Lincolnshire

1827-1838

Print made by Robert Wallis, 1794–1878

Trematon Castle, Cornwall

1827-1838

Print made by Josiah Henshall, 1806–1869

Winchelsea, Sussex

1827-1838

Robert Wallis, 1794–1878

Trematon Castle, Cornwall

1827-1838

Print made by Robert Wallis, 1794–1878

Trematon Castle, Cornwall

1827-1838

Print made by J. C. Varrall, active 1815–1827

Walton Bridge on Thames, Surrey

1827-1838

Print made by J. C. Varrall, active 1815–1827

Walton Bridge on Thames, Surrey

1827-1838

Print made by J. C. Varrall, active 1815–1827

Walton Bridge on Thames, Surrey

1827-1838

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827-1838

Print made by Robert Wallis, 1794–1878

Lancaster from the Aqueduct Bridge

1827-1838

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Capt. Thomas Hastings, 1778–1854

Shanklin, Isle of Wight

1827

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

James Ward, 1769–1859

A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery

1827

Print made by George Cruikshank, 1792–1878

Blear-Eyed Moll

ca. 1832

Print made by Augustus Welby Northmore Pugin, 1812–1852

Designs for Architectural Ornamentation: Columns, Capitals and Pilasters

undated

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Richard Parkes Bonington, 1802–1828

Campos sur les bords du Rio das Velhas

1827

T. Levens

Ancient Sculpture on the Walls of St. Dunstans Stebenlethe

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827-1838

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827-1838

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1827-1838

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1827-1838

Print made by J. C. Varrall, active 1815–1827

Malmsbury Abbey, Wiltshire

1827-1838

Print made by James Baylis Allen, 1803–1876

Stoneyhurst, Lancashire

1827-1838

Print made by William Tombleson, ca.1795–1835

Holy Island, Northumberland

1827-1838

Print made by Josiah Henshall, 1806–1869

Winchelsea, Sussex

1827-1838

George Gladwin, active 1820s–1830s

York House: Longitudinal Section from North to South

1827

George Gladwin, active 1820s–1830s

York House: Plan of the Ground Floor

1827

Print made by Henry Heath, active 1824–1835

Extravaganza's of 1827

1827

Shakspeare

1827

Shakspeare

1827

Charles Picart, c.1780–1837

William Shakspeare

1827

Print made by Henry Heath, active 1824–1835

Diogenes in Search of an Honest Ministry

1827

Print made by Henry Heath, active 1824–1835

A Complete Turn-Out among the Cabinet-Makers

1827

Print made by William Blake, 1757–1827

The Baffled Devils Fighting (Plate 3)

1827

Print made by William Blake, 1757–1827

The Pit of Disease: The Falsifiers (Plate 6)

1827

Print made by William Blake, 1757–1827

The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

1827

Print made by William Blake, 1757–1827

The Serpent Attacking Buoso Donati (Plate 5)

1827

Print made by William Blake, 1757–1827

Dante Striking against Bocca Degli Abati (Plate 7)

1827

Print made by William Blake, 1757–1827

The Whirlwind of Lovers (Plate 1)

1827

Print made by William Blake, 1757–1827

Ciampolo the Barrator Tormented by the Devils (Plate 2)

1827

Print made by John Phillips, active 1840–1852

The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage

1827

Print made by Charles Williams, active 1796–1830

Tears of Repentance. Cabinet In's and Out's

1827

Print made by John Phillips, active 1840–1852

Removing Rubbish. Cabinet In's and Out's

1827

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Collection Prints and Drawings

Date 1827

Height [cm] 24

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Collection Prints and Drawings

Date 1827

Height [cm] 24

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