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Collection
Prints and Drawings
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62
Creator
Lane, Richard James, 1800–1872
11
Blake, William, 1757–1827
10
Alighieri, Dante, 1265–1321
9
CUNDY, Thomas, 1790–1867
8
Jones, Samuel John Egbert, active 1820–1845
6
Chalon, Henry Bernard, 1771–1849
5
Hunt, George, active 1820–1840
5
Alken, George, 1794–active 1837
4
Chalon, Alfred Edward, 1780–1860
4
Humphrey, George, ca. 1773–ca. 1831
3
Unknown artist
3
Alken, Henry Thomas, 1784–1851
2
Fairburn, John, active 19th century
2
Lawrence, Thomas, Sir, 1769–1830
2
Newton, Gilbert Stuart, 1794–1835
2
Phillips, John, active 1840–1852
2
Turner, Charles, 1774–1857
2
Dearn, T. D. W. (Thomas Downes Wilmot), 1777–1853
1
Fores, S. W., 1761–1838
1
Gainsborough, Thomas, 1727–1788
1
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1791
608
1802
402
1800
369
1853
236
1546
179
1782
156
1955
145
1870
138
1739
134
1773
131
1968
121
1877
118
1840
117
2006
115
1989
108
1808
107
1799
95
1742
93
1855
93
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2004
80
1754
79
1834
76
1868
76
1830
66
1839
65
1730
64
1889
64
1752
63
1827
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62
1869
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1793
59
1888
57
1998
57
0
56
1815
56
1745
55
1835
55
1807
53
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46
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46
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41
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37
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36
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36
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36
1563
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32
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32
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31
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31
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1568
30
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30
1794
30
1777
29
1789
29
1822
29
1896
29
1993
29
1725
28
1749
28
On-site Access
Accessible in the Study Room
62
Image Use
Free to Use
61
Under Certain Circumstances
1
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62
Classification
Prints
49
Drawing & Watercolors-Architectural
8
Drawings & Watercolors
4
Manuscripts
1
Creator Gender
male
61
unknown
3
Collective Title
Blake's Illustrations of Dante
9
The Ports of England
1
Period
19th century
62
Materials & Techniques
wove paper
17
watercolor
15
graphite
10
black ink
7
etching (printing process)
7
hand coloring
7
pen
7
mezzotint
4
laid paper
3
aquatint
2
scratching out
2
China paper
1
engraver's proof
1
gouache
1
line engraving
1
touched proof
1
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88
Unknown
1
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93
Unknown
2
Work Type
intaglio print
19
drawing
10
watercolor
1
Genre
architectural subject
9
literary theme
9
landscape
2
animal art
1
genre subject
1
marine art
1
portrait
1
sporting art
1
Subject Terms
architectural subject
9
design
8
house
6
Plan
5
floor plan
2
animal art
1
birds
1
bridles
1
bugle
1
carriage
1
coach (carriage)
1
coachman
1
cottage
1
driver
1
dust
1
floor plans
1
genre subject
1
harness
1
hats
1
horses (animals)
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Associated Places
England
8
Europe
8
London
8
United Kingdom
8
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
39
Yale Center for British Art; Gift of Mr. George L. Green
10
Yale Center for British Art, Gift of Godfrey Pearlson
5
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art; Yale University Art Gallery Collection
2
Yale Center for British Art, Gift of Godfrey Pearlson.
1
Yale Center for British Art, Gift of Mr. George L. Green
1
Yale Center for British Art, Gift of Rosemarie Haag Bletter and Martin Filler in memory of Paul Mellon, Yale College, Class of 1929
1
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1
Prints made by William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
2
Prints made by William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
3
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
4
Print made by William Blake, 1757–1827
Dante Striking against Bocca Degli Abati (Plate 7)
1827
5
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
6
Print made by William Blake, 1757–1827
The Baffled Devils Fighting (Plate 3)
1827
7
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
8
Print made by William Blake, 1757–1827
The Pit of Disease: The Falsifiers (Plate 6)
1827
9
Print made by William Blake, 1757–1827
The Whirlwind of Lovers (Plate 1)
1827
10
George Hunt, active 1820–1840
1st of October
1827
11
George Hunt, active 1820–1840
1st of September
1827
12
George Hunt, active 1820–1840
1st of October
1827
13
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans
1827
14
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
15
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
16
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor Plan
1827
17
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
18
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor Plan
1827
19
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
20
unknown artist
Vine Cottage
1827
21
Print made by Charles Turner, 1774–1857
Robert Dundas, second Viscount Melville
1827
22
Print made by John Phillips, active 1840–1852
The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
1827
23
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
24
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV
1827
25
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV
1827
26
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV
1827
27
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV
1827
28
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
29
Print made by unknown artist
The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery
1827
30
Print made by unknown artist
Achilles in the Sulks after his Retreat, or, The Great Captain on the Stool of Repentance!!
1827
31
Print made by Charles Williams, active 1796–1830
Tears of Repentance. Cabinet In's and Out's
1827
32
Print made by John Phillips, active 1840–1852
Removing Rubbish. Cabinet In's and Out's
1827
33
Print made by Thomas Jones, active 1828
Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing
1827
34
Print made by Charles Turner, 1774–1857
Robert Dundas, second Viscount Melville
1827
35
Richard James Lane, 1800–1872
Study for a Principal Figure in the Picture of 'The Parish Beadle' (Volume of 102 lithographs)
1827
36
Richard James Lane, 1800–1872
Don Quixote and Sancho Panza (Volume of 102 lithographs)
1827
37
Richard James Lane, 1800–1872
Love, Jealously, Revenge and Despair
1827
38
Richard James Lane, 1800–1872
La Rosa Parlante (Volume of 102 lithographs)
1827
39
Richard James Lane, 1800–1872
Modesty/ Modestie (Volume of 102 lithographs)
1827
40
Richard James Lane, 1800–1872
Impudence/ Impudence (Volume of 102 lithographs)
1827
41
Richard James Lane, 1800–1872
Joshua Commanding the Sun to Stand Still (Volume of 102 lithographs)
1827
42
Richard James Lane, 1800–1872
Madame Ronzi de Begnis as Fatima (Volume of 102 lithographs)
1827
43
Richard James Lane, 1800–1872
Girl and Parrot (Volume of 102 lithographs)
1827
44
Richard James Lane, 1800–1872
A Girl at her Devotions (Volume of 102 Lithographs)
1827
45
Richard James Lane, 1800–1872
The Orphans (Volume of 102 Lithographs)
1827
46
Henry Thomas Alken, 1785–1851
The Eagle Paris and Dover [sic] Coach
1827
47
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
48
Samuel William Reynolds, 1773–1835
Meditation
1827
49
Thomas D. W. Dearn, 1777–1853
Woman by a Fence outside a Thatched Cottage
1827
50
Henry Harris Lines, 1801–1899
Album of 50 sketches made in the years 1827 and 1828 for H.C
1827-1828
51
George Alken, 1794–active 1837
Set of Four - Racing: Exercising
1827
52
George Alken, 1794–active 1837
Set of Four - Racing: Preparing to Start
1827
53
George Alken, 1794–active 1837
Set of Four - Racing: Running
1827
54
George Alken, 1794–active 1837
Set of Four - Racing: Coming In
1827
55
after Henry Thomas Alken, 1785–1851
Fox Hunting: Leicestershire - Getting Away
1827
56
Octavius Oakley, 1800–1867
Agnes and Emma Coke and Sarah Salmond in a Park
1827
57
George Hunt, active 1820–1840
1st of September
1827
58
George Hunt, active 1820–1840
Stage Coach
1827
59
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV
1827
60
Text by Frederick Tatham, 1805–1878
Life of Blake
ca. 1832
61
Charles Hunt, 1803–1877
[Coaching]: Royal Mails, starting from the Post Office, Lombard Street
1827
62
Frederick Rosenberg, active 1816–1832
Coaching: The Mail Coach in a Flood
1827