A Bridge near Salisbury Court, Perhaps Milford Bridge
ca. 1829
2
Samuel Palmer, 1805–1881
Cornfields with Barn, Shoreham
ca. 1829
3
Samuel Palmer, 1805–1881
A Cow Lodge with a Mossy Roof
ca. 1829
4
Joseph Mallord William Turner, 1775–1851
Folkestone Harbour and Coast to Dover
ca. 1829
5
Frederick Christian Lewis the Elder, 1779–1856
H. Bone, Esqr., R.A
1824
6
Anne Rushout, ca. 1768–1849
Collection of Drawings Volume 1
1824 to 1832
7
Emily Calmady, 19th century
Sir Thomas Lawrence's Painting Room in 1824
1824
8
Alfred Diston, active 1818–1829
Walking Dress, Tenerife
1824
9
Sir John Frederick William Herschel, first Baronet, 1792–1871
The Coliseum, Rome
1824
10
Sir John Frederick William Herschel, first Baronet, 1792–1871
Antwerp Cathedral
1824
11
Print made by John Gendall, 1790–1865
Mausoleum, at Trentham (the Seat of the Marquis of Stratford)
1824
12
Print made by Henry Adlard, active 19th century
The Gothic Bridge of Eudes, Tours
between 1824 and 1848
13
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 3
1824
14
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock
1824
15
Print made by Robert Scott, 1771–1841
View from the Cowgate of the Buildings on the South of the Parliament Close
1824
16
Print made by James C. Allen, active 1821–1831
Covent Garden Market
1824
17
Print made by John Young, 1755–1825
Cuyp
1824
18
James Fahey, 1804–1885
Shakspeare's Desk
1824
19
Print made by unknown artist
Sydney, New South Wales, S. View
1824
20
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 16
1824
21
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 12
1824
22
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 15
1824
23
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 13
1824
24
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 9
1824
25
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 8
1824
26
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 6
1824
27
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 5
1824
28
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 14
1824
29
Thomas Hartley Cromek, 1809–1873
Turk on a Horse
undated
30
Print made by unknown artist
Elevations and Plans of the Court of Kings Bench
ca. 1827
31
Henry Heath, active 1824–1835
An Irish Tilting Match, or the Poissardes against the Poignards
1824
32
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
1824
33
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
1824
34
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
1824
35
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
1824
36
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
1824
37
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
1824
38
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
1824
39
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
1824
40
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
1824
41
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
1824
42
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
1824
43
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
1824
44
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
1824
45
J. W. Wageman, active 1824
Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
1824
46
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
1824
47
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
1824
48
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
1824
49
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
1824
50
William Evans of Bristol, 1809–1858
Study of Country Boys
undated
51
John Linnell, 1792–1882
Study for Master William Wilberforce
1824
52
William Daniell, 1769–1837
A High Caste Woman Standing by a Wall
ca. 1829
53
unknown artist
Bramber Castle
between 1824 and 1835
54
John Coney, 1786–1833
Hotel de Ville, Bruges
1824
55
George Richmond, 1809–1896
Figure Studies
between 1824 and 1896
56
David Cox, 1783–1859
Entrance to Calais Harbour
ca. 1829
57
Anne Rushout, ca. 1768–1849
Collection of Drawings Volume 2
1824 to 1832
58
Anne Rushout, ca. 1768–1849
Collection of Drawings Volume 3
1824 to 1832
59
Joseph Stannard, 1797–1830
Heads of Fisherman
1824
60
William Rider, active 1824–1849
Mount Honey, Fonthill, Wiltshire
undated
61
Sir Charles D'Oyly, 1781–1845
The Summer Room in the Artist's House at Patna
1824
62
William Henry Bartlett, 1809–1854
Entrance to the Hudson Highlands
undated
63
Sir Charles D'Oyly, 1781–1845
The Winter Room in the Artist's House at Patna
1824
64
Print made by Edward Radclyffe, 1809–1863
Peat-Gatherers
undated
65
Print made by Edward Radclyffe, 1809–1863
A Welsh Funeral
undated
66
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
67
Print made by Edward Radclyffe, 1809–1863
Outskirts of the Forest
undated
68
Print made by Edward Radclyffe, 1809–1863
Changing Pasture
undated
69
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
70
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
71
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
72
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
73
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
74
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
75
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
76
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
77
Peter Pasquin, active 1824–1826
One of a set of 6 (3): A Day's Journal of a Sponge
1824
78
Peter Pasquin, active 1824–1826
One of a set of 6 (4): A Day's Journal of a Sponge
1824
79
Peter Pasquin, active 1824–1826
One of a set of 6 (6): A Day's Journal of a Sponge
1824
80
Print made by William Miller, 1796–1882
Clovelly Bay and Lundy Island
1824
81
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
82
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
83
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
84
Print made by George Cooke, 1781–1834
Hythe, Kent
1824
85
Print made by James C. Allen, active 1821–1831
Dunbar
1824
86
Print made by James C. Allen, active 1821–1831
Dunbar
1824
87
Print made by Robert Isaac Cruikshank, 1789–1856
A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles
1824
88
Henry Thomas Alken, 1785–1851
Set of Seven: Shakespeare's Seven Ages of Man
1824
89
Peter Pasquin, active 1824–1826
One of a set of 6: A Day's Journal of a Sponge
1824
90
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
91
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
92
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
93
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
94
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
95
Peter Pasquin, active 1824–1826
One of a set of 6 (2): A Day's Journal of a Sponge
1824
96
Peter Pasquin, active 1824–1826
One of a set of 6 (5): A Day's Journal of a Sponge
1824
97
unknown artist
St. James Pentonville (Middlesex)
1824
98
Frederick Christian Lewis the Elder, 1779–1856
The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821
1824
99
Robert Havell II, 1793–1878
The Royal Banquet, the Bringing Up of the First Course, 19th July 1821