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Collection
Prints and Drawings
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51
Creator
Blake, William, 1757–1827
20
Thornton, Robert John, 1768–1837
20
Bain, Iain, active 1977
18
British, Museum Publications
18
Chambers, David, active 1977
18
Unknown artist
16
Sutherland, Thomas, ca. 1785–1838
7
Alken, Henry Thomas, 1784–1851
6
Pollard, James, 1792–1867
4
Sartorius, John Nost, 1759–1828
4
Blake, T., active 1821–1831
1
CORDWELL, J., active 1821
1
Fisher, Samuel, 1806–1851
1
Lawrence, Thomas, Sir, 1769–1830
1
Reinagle, Philip, 1749–1833
1
Reynolds, Joshua, Sir, 1723–1792
1
Sharp, William, active 1819–ca. 1837
1
Turner, Charles, 1774–1857
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Ward, James, 1769–1859
1
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1821
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48
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On-site Access
Accessible by appointment in the Study Room
51
Image Use
Free to Use
49
Under Certain Circumstances
2
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51
Classification
Prints
38
Drawings & Watercolors
13
Creator Gender
male
37
unknown
16
Collective Title
The Wood Engravings of William Blake for Thorton's Virgil
18
The Pastorals of Virgil
2
Period
19th century
50
19th century-20th century
1
Materials & Techniques
wood engraving (process)
20
hosho
18
letterpress printing
2
wove paper
2
etching (printing process)
1
graphite
1
line engraving
1
touched proof
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54
Unknown
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105
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1
Work Type
relief print
20
frontispiece
3
intaglio print
1
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literary theme
18
genre subject
2
marine art
1
Subject Terms
genre subject
2
man
2
robe
2
sheep
2
shepherds
2
sunrise
2
tree
2
feast
1
house
1
walking
1
woman
1
Associated Places
Devon
1
Devonshire
1
England
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
4
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
4
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
James Ward (Yale Center for British Art, 2004-05-21 - 2004-08-22)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
47
Yale Center for British Art
1
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art; Gift of Herman W. Liebert
1
Yale Center for British Art; Gift of Mr. George L. Green
1
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1
Wood block engraved by William Blake, 1757–1827
For Him Our Yearly Wakes and Feasts We Hold; Imitation of Eclogue I
1821, reprinted 1977
2
Wood block engraved by William Blake, 1757–1827
Thenot and Colinet at Supper; Imitation of Eclogue I
1821, reprinted 1977
3
Wood block engraved by William Blake, 1757–1827
And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I
1821, reprinted 1977
4
Wood block engraved by William Blake, 1757–1827
With Songs the Jovial Hinds Return from Plow; Imitation of Eclogue I
1821, reprinted 1977
5
Wood block engraved by William Blake, 1757–1827
A Rolling Stone is Ever Bare of Moss; Imitation of Eclogue I
1821, reprinted 1977
6
Wood block engraved by William Blake, 1757–1827
Thenot and Colinet Folding their Flocks together at Sunset; Imitation of Eclogue I
1821, reprinted 1977
7
Wood block engraved by William Blake, 1757–1827
Colinet Rests by a Stream at Night; Imitation of Eclogue I
1821, reprinted 1977
8
Wood block engraved by William Blake, 1757–1827
Colinet with his Shepherd's Pipe, Mocked by Two Boys; Imitation of Eclogue I
1821, reprinted 1977
9
Wood block engraved by William Blake, 1757–1827
Sabrina's Silvery Flood; Imitation of Eclogue I
1821, reprinted 1977
10
Wood block engraved by William Blake, 1757–1827
Colinet's Fond Desire Strange Lands to Know; Imitation of Eclogue I
1821, reprinted 1977
11
Wood block engraved by William Blake, 1757–1827
Thenot, with Colinet Waving his Arms in Sorrow; Imitation of Eclogue I
1821, reprinted 1977
12
Wood block engraved by William Blake, 1757–1827
The Blighted Corn; Imitation of Eclogue I
1821, reprinted 1977
13
Wood block engraved by William Blake, 1757–1827
Thenot Remonstrates with Colinet; Imitation of Eclogue I
1821, reprinted 1977
14
Wood block engraved by William Blake, 1757–1827
Thenot and Colinet Converse Seated between Two Trees; Imitation of Eclogue I
1821, reprinted 1977
15
Wood block engraved by William Blake, 1757–1827
Thenot Remonstrates with Colinet, Lightfoot in the Distance; Imitation of Eclogue I
1821, reprinted 1977
16
Wood block engraved by William Blake, 1757–1827
Nor Fox, nor Wolf, nor Rat among Our Sheep; Imitation of Eclogue I
1821, reprinted 1977
17
Wood block engraved by William Blake, 1757–1827
Thenot and Colinet, Frontispiece; Imitation of Eclogue I
1821, reprinted 1977
18
Wood blocks engraved by William Blake, 1757–1827
The Wood Engravings of William Blake for Thornton's 'Pastorals of Virgil'
1821, reprinted 1977
19
William Blake, 1757–1827
The Pastorals of Virgil, Volume 1
1821
20
Print made by William Blake, 1757–1827
The Pastorals of Virgil, Volume 2
1821
21
Thomas Sutherland, ca. 1785–1838
The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth
1821
22
unknown artist
Three figures set between a tree and a small house, with boats on the sea in the distance
ca. 1826
23
unknown artist
View from Putney Bridge, of several figures in sailboats on a river
ca. 1826
24
unknown artist
Study of the Ruins of Brambletye House, Sussex
ca. 1826
25
unknown artist
Kirstall Abbey, near Leeds Yorkshire
ca. 1826
26
unknown artist
View of a City Street with Houses and a Church
ca. 1826
27
unknown artist
Study for a willow tree branch
ca. 1826
28
unknown artist
Study of a tree top
ca. 1826
29
unknown artist
Scene of woman walking down lane towards house, in Ashcoombe, Devonshire
ca. 1826
30
unknown artist
Preston Church
ca. 1826
31
unknown artist
House beside a river dam (?)
ca. 1826
32
unknown artist
Study of a ruined abbey
ca. 1826
33
unknown artist
Landscape with trees set at base of low hills
ca. 1826
34
unknown artist
Alter in the Chapel of St. Blase at Westminster Abbey
1821
35
James Ward, 1769–1859
Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
1821
36
Print made by William Sharp, active 1819–ca. 1837
Maternal Affection (Volume of 102 lithographs)
between 1821 and 1838
37
unknown artist
Two women standing in gateway at Salisbury
ca. 1826
38
James Pollard, 1792–1867
Racing [set of four]: Coursing. Plate 3. View of Lord Arden's, Epsom
1821
39
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
40
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
41
James Pollard, 1792–1867
Racing [set of four]: Coursing. Plate 2. View of Epsom Race Course
1821
42
James Pollard, 1792–1867
Racing [set of four]: Coursing. Plate 4. View near Epsom
1821
43
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
44
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
45
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
46
Charles Turner, 1774–1857
The Interior of the Fives Court with Randall and Turner Sparring
1821
47
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
48
unknown artist
Set of eight, printed wrappers, two sheets of text: 'Drawings from Original pictures of Philip Reinangle Esq. by an Amateur
ca. 1826
49
James Pollard, 1792–1867
Racing [set of four]: Coursing. Plate 1. View of the Warren, Epsom
1821
50
unknown artist
Samuel Johnson
1821
51
Print made by Samuel Fisher, 1806–1851
Sheerness and the Isle of Sheppey, with the Junction of the Thames and Medway, from the Nore
between 1821 and 1851