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Collection Prints and Drawings

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Date 1818

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Fulham Church from across the River
Creator:
John Constable, 1776–1837
Date:
1818
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Mawes, Cornwall
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1823
Materials & Techniques:
Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 5/8 inches (14.3 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch of Two Ships on a Catalogue Page
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1823
Materials & Techniques:
Graphite on medium, slightly textured cream wove paper, adhered to medium, slightly textured cream laid paper
Dimensions:
Sheet: 8 7/8 x 16 5/8 inches (22.5 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ploughing, Eton
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1818
Materials & Techniques:
Etching and mezzotint, printed in brown ink; second plate, reprinted for Rawlinson on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 16 5/8 inches (29.2 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Herstmonceux Castle for the history and description of the Sussex Coast
Creator:
Charles John Smith, 1803–1838
Date:
undated
Materials & Techniques:
Engraving, with graphite on smooth, medium, beige wove paper
Dimensions:
Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ilfracombe, North Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ilfracombe, North Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Forum Romanum
Creator:
Engraved by George Hollis, 1792–1842
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 14 7/16 inches (29.4 × 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome from Monte Testaccio
Creator:
Print made by John Byrne, 1786–1847
Date:
1818-1820
Materials & Techniques:
Etching; open etched state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome from Monte Mario
Creator:
Print made by John Byrne, 1786–1847
Date:
1818-1820
Materials & Techniques:
Etching; open etched state on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from Fiesoli
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1820
Materials & Techniques:
Etching; open etched state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Isola Bella, on the Lago Maggiore
Creator:
Print made by James Fittler, 1758–1835
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 15/16 × 12 5/8 inches (25.2 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from Fiesoli
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1820
Materials & Techniques:
Line engraving, and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/8 × 17 1/4 inches (28.3 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Isola Bella, on the Lago Maggiore
Creator:
Print made by James Fittler, 1758–1835
Date:
1818-1820
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 15 inches (26.8 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Antiquities at Pola, Frontispiece
Creator:
Print made by George Cooke, 1781–1834
Date:
1818
Materials & Techniques:
Line engraving and etching engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Antiquities at Pola, Frontispiece
Creator:
Print made by George Cooke, 1781–1834
Date:
1818
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Etching on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 11 1/8 inches (20.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Agatha's Abbey, Easby
Creator:
Print made by John Le Keux, 1783–1846
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 9/16 inches (38.1 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
High Force or Fall of Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1818-1823
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/16 × 18 3/4 inches (33.2 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Aske Hall

Aske Hall
Creator:
Print made by John Scott, 1774–1828
Date:
1818-1823
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/16 × 19 7/16 inches (33.2 × 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Egglestone Abbey, near Barnard Castle
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1818-1823
Materials & Techniques:
Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 11 inches (19.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/16 inches (30.2 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Egglestone Abbey, near Barnard Castle
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 19 1/2 inches (33.7 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 17 11/16 inches (34 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 17 7/8 inches (29.4 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brignall Church
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1823
Materials & Techniques:
Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Mount: 11 13/16 × 16 3/4 inches (30 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wycliffe, near Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wycliffe, near Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 11 7/16 inches (21.6 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wycliffe, near Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof (aa) on very thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 5/8 × 19 7/8 inches (34.6 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Merrick Abbey, Swaledale
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 16 inches (26.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aysgarth Force
Creator:
Print made by John Scott, 1774–1828
Date:
1818-1823
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 15/16 inches (29.8 × 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aysgarth Force
Creator:
Print made by John Scott, 1774–1828
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 1/16 × 12 3/16 inches (23 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Simmer Lake, near Askrig
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 19 15/16 inches (39.4 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kirkby Lonsdale Churchyard
Creator:
Print made by Charles Heath, 1785–1848
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 5/16 × 21 1/4 inches (38.9 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kirkby Lonsdale Churchyard
Creator:
Print made by Charles Heath, 1785–1848
Date:
1818-1823
Materials & Techniques:
Etching; open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heysham and Cumberland Mountains
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/16 × 11 3/16 inches (20.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
East and West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
East and West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching; early first proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tintagel Castle, Cornwall
Creator:
Print made by George Cooke, 1781–1834
Date:
1818
Materials & Techniques:
Etching and engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 7/16 inches (30.2 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vale of Heathfield, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cascade of Terni
Creator:
Print made by John Landseer, 1769–1852
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/8 × 11 3/4 inches (44.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge at Narni
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1818-1820
Materials & Techniques:
Line engraving, and etching, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 7/16 inches (29.8 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Roman Forum, from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:
Sheet: 11 1/2 × 17 7/16 inches (29.2 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome, Bridge, and Castle of St. Angelo, on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Line engraving and etching, first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome, Bridge, and Castle of St. Angelo, on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:
Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Roman Forum, from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Roman Forum, from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Etching; first etched state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 3/4 inches (30.2 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wycliffe, near Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Line engraving and etching False proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ingleborough, from Hornby Castle Terrace
Creator:
Print made by Charles Heath, 1785–1848
Date:
1818-1823
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hornby Castle from Tatham Church
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1818-1823
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 15/16 × 19 3/8 inches (30.3 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heysham and Cumberland Mountains
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof (b) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 19 5/8 inches (33.7 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Forum Romanum
Creator:
Engraved by George Hollis, 1792–1842
Date:
1818-1820
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Taj Mahal from the River
Creator:
unknown artist
Date:
1818
Materials & Techniques:
Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 18 7/8 inches (30.2 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Rocks Covered with Seaweed
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Watercolor, graphite and gum arabic on moderately thick, moderately textured, blue wove paper
Dimensions:
Sheet: 6 x 14 3/8 inches (15.2 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Strand with Astley's Theatre
Creator:
Robert Bremmel Schnebbelie, active 1803–1849
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 9 1/4 inches (11.7 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Interior of Pitlessie Mill with a Man Sieving Corn
Creator:
Sir David Wilkie, 1785–1841
Date:
1818
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 11 1/2 inches (19 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sailing Barge at Sea
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 12 5/8 inches (23.5 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Pollarded Tree - a Willow
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 11 1/8 inches (22.5 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Caves of Syrini - Sorrento/ Bay of Naples
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 15/16 × 12 9/16 inches (20.2 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arco di Druso
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, with pen and brown ink, graphite and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/16 x 8 inches (17.9 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Street Scene at Stratford by Bow
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 8 1/4 inches (12.1 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fountain in the Gardens, Paris: Evening
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/8 x 8 1/4 inches (14.3 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weeke's Museum, Coventry Street, London
Creator:
Robert Bremmel Schnebbelie, active 1803–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 × 5 1/8 inches (12.7 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Windsor Castle, Berkshire
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
ca. 1823
Materials & Techniques:
Watercolor over graphite and pen on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Roman Villa
Creator:
Lewis Vulliamy, 1791–1871
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 10 3/8 × 16 5/8 inches (26.4 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Etching and line engraving; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 9/16 inches (27.9 × 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Etching; engraver's proof, 2nd state on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Roman Forum, from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Etching and line engraving; early touched engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 13/16 × 17 3/8 inches (30 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Roman Forum, from the Tower of the Capitol
Creator:
Print made by William Richardson, active 1842–1877
Date:
1818-1820
Materials & Techniques:
Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Roman Forum, from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818
Materials & Techniques:
Line engraving, and etching, engraver's proof (very early) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome from the Farnesean Gardens
Creator:
Print made by John Le Keux, 1783–1846
Date:
1818-1820
Materials & Techniques:
Etching; open etched state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/4 × 15 1/4 inches (27.3 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome from Monte Testaccio
Creator:
Print made by John Byrne, 1786–1847
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tomb of Cecilia Metella
Creator:
Print made by John Byrne, 1786–1847
Date:
1818-1820
Materials & Techniques:
Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 13 5/8 inches (26.8 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake of Nemi
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1818-1820
Materials & Techniques:
Etching and line engraving; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 11 5/8 inches (19.1 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tomb of Cecilia Metella
Creator:
Print made by John Byrne, 1786–1847
Date:
1818-1820
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 7/8 × 14 3/8 inches (25.1 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; touched engraver's proof on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Agatha's Abbey, Easby
Creator:
Print made by John Le Keux, 1783–1846
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Agatha's Abbey, Easby
Creator:
Print made by John Le Keux, 1783–1846
Date:
1818-1823
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
High Force or Fall of Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/16 × 19 5/8 inches (35.7 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome from the Farnesean Gardens
Creator:
Print made by John Le Keux, 1783–1846
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 19 1/2 inches (33.7 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Whittington Stone by Moonlight
Creator:
Robert Bremmel Schnebbelie, active 1803–1849
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 13 inches (18.7 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. James Market, Saturday
Creator:
Robert Bremmel Schnebbelie, active 1803–1849
Date:
1818
Materials & Techniques:
Graphite, gray wash, and pen and black ink on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 7/8 inches (16.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Joshua Commanding the Sun to Stand Still
Creator:
John Martin, 1789–1854
Date:
1818
Materials & Techniques:
Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Oxford from the Abingdon Road
Creator:
Print made by John Pye, 1782–1874
Date:
1818
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 1/2 × 28 1/2 inches (57.2 × 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Oxford from the Abingdon Road
Creator:
Print made by John Pye, 1782–1874
Date:
1818
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 11 5/8 inches (23 × 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 10 7/8 inches (21.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Filho da Puta and Sir Joshua
Creator:
Print made by William Ward, 1766–1826
Date:
1818
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 1/2 × 23 1/4 inches (49.5 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Right Honorable Edward Lord Viscount Exmouth
Creator:
Charles Turner, 1774–1857
Date:
1818
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 16 1/2 x 27 1/2in. (41.9 x 69.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
Venus Bathing
Creator:
Print made by James Johnson, 1803–1834
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 × 13 1/2 inches (50.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund