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Collection Prints and Drawings

Date 1802

Sir Robert Smirke the younger Sketch of a Building

Sir Robert Smirke the younger, 1781–1867

Sketch of a Building

1802-1804

Sir Robert Smirke the younger An Official Building

Sir Robert Smirke the younger, 1781–1867

An Official Building

1802-1804

Sir Robert Smirke the younger Partial View of a Building With Arched Entrances

Sir Robert Smirke the younger, 1781–1867

Partial View of a Building With Arched Entrances

1802-1804

Sir Robert Smirke the younger Sketch of a Manor House

Sir Robert Smirke the younger, 1781–1867

Sketch of a Manor House

1802-1804

Sir Robert Smirke the younger Charles Bridge in Prague

Sir Robert Smirke the younger, 1781–1867

Charles Bridge in Prague

1802-1804

Sir Robert Smirke the younger Landscape

Sir Robert Smirke the younger, 1781–1867

Landscape

1802-1804

Sir Robert Smirke the younger Sketch of the Finished Part of One of the Public Buildings

Sir Robert Smirke the younger, 1781–1867

Sketch of the Finished Part of One of the Public Buildings

1802-1804

Sir Robert Smirke the younger Interior of a Temple

Sir Robert Smirke the younger, 1781–1867

Interior of a Temple

1802-1804

unknown artist Light Head Dress and Long Petticoats

unknown artist

Light Head Dress and Long Petticoats

1802

James Hook A Regency Pair: Man with Walking Stick

James Hook, ca. 1772–1828

A Regency Pair: Man with Walking Stick

1802

James Hook A Regency Pair

James Hook, ca. 1772–1828

A Regency Pair

1802

Thomas Hearne The Poor House, Hadley, Hertfordshire

Thomas Hearne, 1744–1817

The Poor House, Hadley, Hertfordshire

1802

Samuel William Reynolds Lord Hugh Seymour

Samuel William Reynolds, 1773–1835

Lord Hugh Seymour

1802

William Daniell Sir Charles Bingham, first Earl of Lucan

Print made by William Daniell, 1769–1837

Sir Charles Bingham, first Earl of Lucan

between 1802 and 1814

John Glover The Thames at Isleworth

John Glover, 1767–1849

The Thames at Isleworth

ca. 1807

Samuel De Wilde Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

Samuel De Wilde, 1748–1832

Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

1802

Cornelius Varley Tygwyn Ferry

Cornelius Varley, 1781–1873

Tygwyn Ferry

1802

Thomas Girtin The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

Thomas Girtin, 1775–1802

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

1802

Sir George Howland Beaumont seventh Baronet Lane with Figures, May 1802

Sir George Howland Beaumont seventh Baronet, 1753–1827

Lane with Figures, May 1802

1802

Patrick Nasmyth Battersea Fields, Painted for Charles Matthews, Esq.

Patrick Nasmyth, 1787–1831

Battersea Fields, Painted for Charles Matthews, Esq

undated

Cornelius Varley Carnarvon

Cornelius Varley, 1781–1873

Carnarvon

1802

William Etty Sheet of sketches

Attributed to William Etty, 1787–1849

Sheet of sketches

undated

Thomas Girtin View of the Pantheon, Paris

Thomas Girtin, 1775–1802

View of the Pantheon, Paris

1802

John William Upham The Abbey Barn, Abbotsbury

John William Upham, 1772–1828

The Abbey Barn, Abbotsbury

1802

James Malton Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

1802

Patrick Nasmyth Cloud Study

Patrick Nasmyth, 1787–1831

Cloud Study

undated

James Malton Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

James Malton, 1761–1803

Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

1802

James Malton Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

1802

James Malton Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

1802

James Malton Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

1802

James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

James Malton, 1761–1803

Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

1802

John Varley View of Chepstow Castle, Monmouthshire, from Under the Bridge

John Varley, 1778–1842

View of Chepstow Castle, Monmouthshire, from Under the Bridge

1802

Thomas Girtin View of the Pantheon from the Arsenal

Thomas Girtin, 1775–1802

View of the Pantheon from the Arsenal

1802

Paul Sandby A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

Paul Sandby, 1731–1809

A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

1802

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

unknown artist Changing Horses Near Clermont

unknown artist

Changing Horses Near Clermont

1802

unknown artist Returning from a Review...Paris

unknown artist

Returning from a Review...Paris

1802

unknown artist Inn Yard at Calais

unknown artist

Inn Yard at Calais

1802

William Ward Sailors Conversation

William Ward, 1766–1826

Sailors Conversation

1802

unknown artist Proclamation of Peace at the Royal Exchange, London, April 29th, 1802

unknown artist

Proclamation of Peace at the Royal Exchange, London, April 29th, 1802

1802

Francesco Bartolozzi The Distinguishing Characteristic of Masonry

Francesco Bartolozzi, 1728–1815

The Distinguishing Characteristic of Masonry

1802

Richard Earlom Vulcan's Forge

Print made by Richard Earlom, 1743–1822

Vulcan's Forge

1802

James Godby The Drinking Well in Hyde Park

James Godby, 1767–1849

The Drinking Well in Hyde Park

1802

Patrick Nasmyth Netley Abbey

Patrick Nasmyth, 1787–1831

Netley Abbey

undated

James Godby The Drinking Well in Hyde Park

James Godby, 1767–1849

The Drinking Well in Hyde Park

1802

James Godby The Dipping Well in Hyde Park

James Godby, 1767–1849

The Dipping Well in Hyde Park

1802

Charles Williams The Tractors

Charles Williams, active 1796–1830

The Tractors

1802

Joseph Constantine Stadler Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Joseph Constantine Stadler, active 1780–1812

Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

1802

Francesco Bartolozzi Angelica Catalani

Francesco Bartolozzi, 1728–1815

Angelica Catalani

1802

Benjamin Comte Tynemouth Castle and Priory, Northumberland

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

William Daniell An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

Print made by William Daniell, 1769–1837

An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

1802

Thomas Girtin View of the Tuilleries and Bridge taken from the Quay D'Orsai

Print made by Thomas Girtin, 1775–1802

View of the Tuilleries and Bridge taken from the Quay D'Orsai

1802

Thomas Girtin View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

Print made by Thomas Girtin, 1775–1802

View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

1802

Thomas Girtin View of the City with the Louvre taken from Pont Marie

Print made by Thomas Girtin, 1775–1802

View of the City with the Louvre taken from Pont Marie

1802

Patrick Nasmyth An Open Road

Patrick Nasmyth, 1787–1831

An Open Road

undated

Joseph Constantine Stadler Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Joseph Constantine Stadler, active 1780–1812

Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

1802

Joseph Constantine Stadler Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Joseph Constantine Stadler, active 1780–1812

Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

1802

Joseph Constantine Stadler Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Joseph Constantine Stadler, active 1780–1812

Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

1802

William Daniell Thomas Hardwick

Print made by William Daniell, 1769–1837

Thomas Hardwick

between 1802 and 1814

Samuel Howitt Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home

Samuel Howitt, 1756–1822

Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home

1802

Samuel Howitt Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check

Samuel Howitt, 1756–1822

Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check

1802

Samuel Howitt Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry

Samuel Howitt, 1756–1822

Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry

1802

William Daniell Edmund Garvey, R.A.

Print made by William Daniell, 1769–1837

Edmund Garvey, R.A

between 1802 and 1814

Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Print made by Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame taken from the Arsenal

1802

Benjamin Baker Plan of the West India Docks

Print made by Benjamin Baker, 1766–1841

Plan of the West India Docks

1802

Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Print made by Thomas Girtin, 1775–1802

View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

1802

unknown artist Taking Leave

unknown artist

Taking Leave

1802

unknown artist John Bull and the A-assa-r!!

unknown artist

John Bull and the A-assa-r!!

1802

unknown artist The Imperial Dilly!!

unknown artist

The Imperial Dilly!!

1802

Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Thomas Girtin, 1775–1802

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

1802

James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

unknown artist A View of the East-India House, Leadenhall Street, London

unknown artist

A View of the East-India House, Leadenhall Street, London

1802

unknown artist The Remarkable Dirty Warehouse in Leadenhall Street

unknown artist

The Remarkable Dirty Warehouse in Leadenhall Street

1802

Charles Williams A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting

Charles Williams, active 1796–1830

A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting

1802

Thomas Girtin A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal

Thomas Girtin, 1775–1802

A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal

1802

Edward Harding Thomas Holles, Duke of Newcastle

Print made by Edward Harding, 1755–1840

Thomas Holles, Duke of Newcastle

1802

Edward Harding Thomas Holles, Duke of Newcastle

Print made by Edward Harding, 1755–1840

Thomas Holles, Duke of Newcastle

1802

Thomas Medland Loch-Kaitrin, East End

Print made by Thomas Medland, 1755–1823

Loch-Kaitrin, East End

1802

Thomas Medland Windings of the Tay, Looking toward the Mountains of Athol

Print made by Thomas Medland, 1755–1823

Windings of the Tay, Looking toward the Mountains of Athol

1802

Samuel Alken Taymouth

Print made by Samuel Alken, 1756–1815

Taymouth

1802

W. Pickett Loch-leven

Print made by W. Pickett, active 1792–1820

Loch-leven

1802

W. Pickett Loch-erin-head

Print made by W. Pickett, active 1792–1820

Loch-erin-head

1802

Thomas Medland Fall of the Brahan

Print made by Thomas Medland, 1755–1823

Fall of the Brahan

1802

Francis Jukes Loch-vana-choir

Print made by Francis Jukes, 1747–1812

Loch-vana-choir

1802

Francis Jukes Loch-tay, from Killin

Print made by Francis Jukes, 1747–1812

Loch-tay, from Killin

1802

W. Pickett St. Andrews from the East

Print made by W. Pickett, active 1792–1820

St. Andrews from the East

1802

Samuel Alken Cori-nan-Urischin

Print made by Samuel Alken, 1756–1815

Cori-nan-Urischin

1802