Collection: Prints and Drawings / Date: 1802 / Classification: Prints

1. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

Date:: 1802
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire II, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Durham Cathedral

Creator:: Print made by S. Porter, active 1802
Date:: 1802
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 6 3/8 inches (24.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Cupid in Search of Venus' Dove, Prior's Poems, Vol. II

Creator:: unknown artist
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

5. Tiger Hunting in the East Indies

Creator:: Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Stipple engraving, mezzotint, and etching with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 29 1/8 inches (52.1 x 74 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Snake in the Grass

Creator:: Print made by William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint (second state) on thick, rough, cream laid paper
Dimensions:: Sheet: 20 × 14 1/16 inches (50.8 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Prior, Love Disarmed, vol. II

Creator:: John Scott, 1774–1828
Date:: 1802
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

11. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Right Honourable Lady Catherine Howard

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1802
Materials & Techniques:: Stipple engraving (proof without letters) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 8 7/8 inches (28.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

14. The Right Honourable The Countess of Euston

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1802
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 8 13/16 inches (28.1 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. The Cottar's Door

Creator:: Print made by William Say, 1768–1834
Date:: 1802
Materials & Techniques:: Mezzotint, proof before all letters on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 15/16 × 29 inches (55.7 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. Vice Admiral Lord Hugh Seymour

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 9/16 inches (39.4 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Shakespeare, Macbeth Act IV, Scene I

Creator:: Robert Thew, 1758–1802
Date:: 1802
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 15/16 × 25 1/16 inches (50.6 × 63.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)

Creator:: Samuel Rawle, 1771–1860
Date:: 1802
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Characters from a German Production of Macbeth (one of six etchings)

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Etching with aquatint on paper
Dimensions:: Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. Characters from a German Production of Macbeth (one of six etchings)

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Etching with aquatint on paper
Dimensions:: Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. Characters from a German Production of Macbeth (one of six etchings)

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Etching with aquatint on paper
Dimensions:: Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

22. Characters from a German Production of Macbeth (one of six etchings)

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Etching with aquatint on paper
Dimensions:: Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. Characters from a German Production of Macbeth (one of six etchings)

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Etching with aquatint on paper
Dimensions:: Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Characters from a German Production of Macbeth (one of six etchings)

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Etching with aquatint on paper
Dimensions:: Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

25. "Then go, bid the huntsmen wake them with their horns"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 13/16 x 12 15/16 inches (42.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

26. "Hubert, let me not be bound!"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 13/16 x 12 15/16 inches (42.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. Heads of Two Proboscis Monkeys

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Engraving on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/8 x 5 3/16in. (8.6 x 13.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 x 13 inches (42.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. General James Stuart

Creator:: George Clint, 1770–1854
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/8 × 13 13/16 inches (49.2 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Light Head Dress and Long Petticoats

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 14 x 9 3/4in. (35.5 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Lord Hugh Seymour

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1802
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 10 1/4 x 14 1/8in. (26 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

32. Sir Charles Bingham, first Earl of Lucan

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 5 1/2 inches (22.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

33. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 18 1/8 inches (14.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. View of the Pantheon, Paris

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/8 x 21 inches (23.8 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 7/8 x 13 inches (42.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. Changing Horses Near Clermont

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 7/8 × 26 7/8 inches (47.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Returning from a Review...Paris

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Inn Yard at Calais

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Sailors Conversation

Creator:: William Ward, 1766–1826
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 22 15/16 inches (48.3 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Proclamation of Peace at the Royal Exchange, London, April 29th, 1802

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Distinguishing Characteristic of Masonry

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 23 x 28in. (58.4 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Vulcan's Forge

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

43. The Drinking Well in Hyde Park

Creator:: James Godby, 1767–1849
Date:: 1802
Materials & Techniques:: Colored stipple engraving
Dimensions:: Sheet: 21 1/8 x 25 7/8in. (53.7 x 65.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Drinking Well in Hyde Park

Creator:: James Godby, 1767–1849
Date:: 1802
Materials & Techniques:: Hand-colored stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Dipping Well in Hyde Park

Creator:: James Godby, 1767–1849
Date:: 1802
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Tractors

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 13 3/8in. (25.1 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 17 x 25in. (43.2 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Angelica Catalani

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Tynemouth Castle and Priory, Northumberland

Creator:: Print made by Benjamin Comte, 1760–1851
Date:: 1802
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/4 inches (15.5 x 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

Creator:: Print made by William Daniell, 1769–1837
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 32 3/4 inches (49.5 × 83.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. View of the Tuilleries and Bridge taken from the Quay D'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. View of the City with the Louvre taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 17 x 25in. (43.2 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 17 x 25in. (43.2 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 17 x 25in. (43.2 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Thomas Hardwick

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 11/16 x 9 11/16 inches (32.3 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home

Creator:: Samuel Howitt, 1756–1822
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check

Creator:: Samuel Howitt, 1756–1822
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry

Creator:: Samuel Howitt, 1756–1822
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Edmund Garvey, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 x 11 5/16 inches (43.2 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 17 1/2 inches (14.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Plan of the West India Docks

Creator:: Print made by Benjamin Baker, 1766–1841
Date:: 1802
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 16 1/4 inches (30.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Taking Leave

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 11 13/16in. (21.6 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. John Bull and the A-assa-r!!

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 11 7/8in. (21.6 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Imperial Dilly!!

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/16 x 12 3/4in. (21.4 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A View of the East-India House, Leadenhall Street, London

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Remarkable Dirty Warehouse in Leadenhall Street

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 13/16 x 13 3/4in. (22.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etching with gray, green, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 17 5/16 inches (14.9 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Thomas Holles, Duke of Newcastle

Creator:: Print made by Edward Harding, 1755–1840
Date:: 1802
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

74. Thomas Holles, Duke of Newcastle

Creator:: Print made by Edward Harding, 1755–1840
Date:: 1802
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

75. Loch-Kaitrin, East End

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

76. Windings of the Tay, Looking toward the Mountains of Athol

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

77. Taymouth

Creator:: Print made by Samuel Alken, 1756–1815
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

78. Loch-leven

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

79. Loch-erin-head

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

80. Fall of the Brahan

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

81. Loch-vana-choir

Creator:: Print made by Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

82. Loch-tay, from Killin

Creator:: Print made by Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

83. St. Andrews from the East

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

84. Cori-nan-Urischin

Creator:: Print made by Samuel Alken, 1756–1815
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

85. Wemyss Castle

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

86. View on the Water of Lieth

Creator:: Print made by Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

87. The Windings of the Forth

Creator:: Print made by Samuel Alken, 1756–1815
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

88. Inverkeithing Bay

Creator:: Print made by Samuel Alken, 1756–1815
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

89. Attacking Stag

Creator:: Print made by William Finden, 1787–1852
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

90. View in the Carse of Gowrie

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

91. Ruins of Castle-Gloom

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

92. Loch-Lubnaig, East End

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

93. Kinloch Rannoch

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

94. Loch-Lubnaig, West End

Creator:: Published by Longman, active 1804–1914
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

95. Hill of Binion from the Lake

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

96. Pass of Killicrankie

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

97. Loch Tay Looking toward Killin

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

98. Down Castle, Craigforth and Stirling in the Distance

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

99. View from the Heights of Dunkeld

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

100. Benledi

Creator:: Print made by Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

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Collection Prints and Drawings

Date 1802

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1. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

2. Inside View of the East End of Merton College Chapel

3. Durham Cathedral

4. Cupid in Search of Venus' Dove, Prior's Poems, Vol. II

5. Tiger Hunting in the East Indies

6. The Snake in the Grass

7. View of the City with the Louvre & Taken from Pont Marie

8. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

9. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

10. Prior, Love Disarmed, vol. II

11. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

12. View of St. Cloud and Mt. Calvary taken from Pont de Seve

13. The Right Honourable Lady Catherine Howard

14. The Right Honourable The Countess of Euston

15. The Cottar's Door

16. Vice Admiral Lord Hugh Seymour

17. Shakespeare, Macbeth Act IV, Scene I

18. A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)

19. Characters from a German Production of Macbeth (one of six etchings)

20. Characters from a German Production of Macbeth (one of six etchings)

21. Characters from a German Production of Macbeth (one of six etchings)

22. Characters from a German Production of Macbeth (one of six etchings)

23. Characters from a German Production of Macbeth (one of six etchings)

24. Characters from a German Production of Macbeth (one of six etchings)

25. "Then go, bid the huntsmen wake them with their horns"

26. "Hubert, let me not be bound!"

27. Heads of Two Proboscis Monkeys

28. "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

29. General James Stuart

30. Light Head Dress and Long Petticoats

31. Lord Hugh Seymour

32. Sir Charles Bingham, first Earl of Lucan

33. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

34. View of the Pantheon, Paris

35. "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

36. Changing Horses Near Clermont

37. Returning from a Review...Paris

38. Inn Yard at Calais

39. Sailors Conversation

40. Proclamation of Peace at the Royal Exchange, London, April 29th, 1802

41. The Distinguishing Characteristic of Masonry

42. Vulcan's Forge

43. The Drinking Well in Hyde Park

44. The Drinking Well in Hyde Park

45. The Dipping Well in Hyde Park

46. The Tractors

47. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

48. Angelica Catalani

49. Tynemouth Castle and Priory, Northumberland

50. An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

51. View of the Tuilleries and Bridge taken from the Quay D'Orsai

52. View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

53. View of the City with the Louvre taken from Pont Marie

54. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

55. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

56. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

57. Thomas Hardwick

58. Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home

59. Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check

60. Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry

61. Edmund Garvey, R.A.

62. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

63. Plan of the West India Docks

64. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

65. Taking Leave

66. John Bull and the A-assa-r!!

67. The Imperial Dilly!!

68. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

69. A View of the East-India House, Leadenhall Street, London

70. The Remarkable Dirty Warehouse in Leadenhall Street

71. A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting

72. A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal

73. Thomas Holles, Duke of Newcastle