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Collection
Prints and Drawings
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29
Creator
Cumberland, George, 1754–1848
15
Powell, Joseph, 1780–1834
5
Blake, William, 1757–1827
2
O'Keefe, William, active 1794–1807
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Unknown artist
2
Farington, Joseph, 1747–1821
1
Maverick, Peter, 1780–1831
1
Sandby, Paul, 1731–1809
1
Sherlock, William P., c.1780–1850
1
Stadler, Joseph Constantine, active 1780–1812
1
Walker, James, 1748–1808
1
Widnell, J., Active 1795
1
Date
1826
48
1888
47
1834
43
1827
41
1800
40
1802
33
1960
32
1745
31
2004
31
1770
30
1828
30
1795
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29
1803
28
1823
28
1993
25
1771
24
1804
23
1896
22
0
20
1808
20
1817
19
1772
18
1760
17
1764
17
1775
17
1791
17
1793
17
1784
16
1788
16
1813
16
1871
16
1995
16
2000
16
1700
15
1790
15
1833
15
1855
15
1996
15
2003
15
1799
14
1801
14
1807
14
1809
14
1836
14
1994
14
1754
13
1805
13
1830
13
1845
13
1765
12
1910
12
1992
12
1998
12
1748
11
1780
11
1792
11
1814
11
1820
11
1825
11
1955
11
1794
10
1810
10
1824
10
1839
10
1909
10
1999
10
1738
9
1783
9
1787
9
1789
9
1797
9
1798
9
1818
9
1867
9
1891
9
1968
9
1756
8
1796
8
1811
8
1835
8
1837
8
1889
8
1911
8
1923
8
1963
8
1717
7
1767
7
1782
7
1786
7
1859
7
1870
7
1890
7
1912
7
1928
7
1965
7
1990
7
1715
6
1740
6
1749
6
1768
6
On-site Access
Accessible in the Study Room
29
Image Use
Free to Use
29
Image Available
Unavailable
15
Available
14
Classification
Prints
21
Drawings & Watercolors
8
Creator Gender
male
28
unknown
2
Collective Title
Thoughts on Outline
14
'The Copper-Plate Magazine' and 'The Itinerant,' 1794-1798
2
Period
18th century
21
18th century-19th century
8
Materials & Techniques
wove paper
20
etching (printing process)
15
graphite
7
watercolor
7
laid paper
3
brown ink
2
line engraving
2
pen
2
aquatint
1
black chalk
1
gray ink
1
gray wash
1
hand coloring
1
Height [cm]
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–
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Current results range from
7
to
34
Width [cm]
Width [cm] range begin
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Current results range from
11
to
51
Work Type
intaglio print
18
drawing
8
watercolor
8
Genre
landscape
9
literary theme
9
marine art
4
religious and mythological subject
4
architectural subject
3
animal art
2
cityscape
1
genre subject
1
Subject Terms
landscape
8
trees
4
castle
3
hill
3
marine art
3
architectural subject
2
figures
2
river
2
riverbank
2
arch
1
barn
1
bay
1
beach
1
boat
1
boats
1
branches
1
bridge
1
church
1
cityscape
1
cliffs
1
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Subject Terms
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Associated Places
United Kingdom
5
England
4
Europe
3
Borrowdale
1
Carmarthenshire
1
Carreg Cennan Castle
1
Cumbria
1
Cymru
1
Derbyshire
1
Derwent
1
Llandeilo
1
Matlock
1
Matlock Bridge
1
North Yorkshire
1
Nottingham
1
Nottingham Castle
1
Nottinghamshire
1
Robin Hood's Bay
1
Trent
1
Wales
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
28
Yale Center for British Art; Gift of Herman W. Liebert
1
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Collection
Prints and Drawings
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Date
1795
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1
Paul Sandby, 1731–1809
Carreg Cennen Castle
ca. 1800
2
Joseph Powell, 1780–1834
In Borrowdale
undated
3
Joseph Powell, 1780–1834
Fisherman's Quarters, Robin Hood's Bay
undated
4
William P. Sherlock, c.1780–1850
View on the Thames at Batersea
undated
5
Joseph Powell, 1780–1834
Thatched Cottage and Adjoining Barn
undated
6
Joseph Powell, 1780–1834
Farmhouse with Figures at Door and Window
undated
7
Joseph Powell, 1780–1834
Fishing Smacks
undated
8
Joseph Constantine Stadler, active 1780–1812
Battersea, Chelsea and London from Mr. Rucker's Villa
1795
9
Print made by James Walker, 1748–1808
Nottingham
1795
10
Print made by J. Widnell, Active 1795
Matlock
1795
11
William O'Keefe, active 1794–1807
A Contest between Oppression and Reason, On the Best Way of Settleing Debates
1795
12
William O'Keefe, active 1794–1807
How to Attack, Defeat, and Destroy all France
1795
13
Peter Maverick, 1780–1831
Dr. Johnson
undated
14
unknown artist
Landscape with Trees and a Distant Castle
ca. 1800
15
Print made by William Blake, 1757–1827
Aristophanes Clouds. Scene I
1795
16
Print made by William Blake, 1757–1827
Anacreon Ode LII
1795
17
Print made by George Cumberland, 1754–1848
Paris is Fifth from Jove, but Helen First
1795
18
Print made by George Cumberland, 1754–1848
O Be Thy Mouth with Figs Ægilean Filled
1795
19
Print made by George Cumberland, 1754–1848
Aerial Clouds thro' Heavens' Resplendent Plains
1795
20
Print made by George Cumberland, 1754–1848
Think You, the Happy in the Shades Below
1795
21
Print made by George Cumberland, 1754–1848
Anacreon. Ode LX. Epithalamium
1795
22
Print made by George Cumberland, 1754–1848
Paris is Fifth from Jove, but Helen First
1795
23
Print made by George Cumberland, 1754–1848
Aerial Clouds thro' Heavens' Resplendent Plains
1795
24
Attributed to George Cumberland, 1754–1848
Inventions by G. Cumberland, Title Page to 'Thoughts on Outline'
1795
25
Print made by George Cumberland, 1754–1848
Nor Swords were Forged but Void of Care and Crime
1795
26
Print made by George Cumberland, 1754–1848
Content with Food which Nature Freely Bred
1795
27
Print made by George Cumberland, 1754–1848
Lytierses
1795
28
Print made by George Cumberland, 1754–1848
Anacreon. Ode XXXIX. Drinking Scene
1795
29
Attributed to George Cumberland, 1754–1848
Inventions by G. Cumberland, Title Page to 'Thoughts on Outline'
1795