Collection: Prints and Drawings / Date: 1791 / Classification: Prints

George Stubbs, 1724–1806

Hay-Makers

1791

Print made by George Stubbs, 1724–1806

A Sleeping Leopard

1791

J. Barlow, active 1791

Merchant of Venice, Act III, Sc. I

1791

Page, fl. 1784–1803

Taming...Act III, Scene I

1791

John Jones The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

John Jones, ca. 1745–1797

The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ..

1791

Print made by John Jones, ca. 1745–1797

Lady Gertrude Fitzpatrick as Sylvia

1791

Print made by unknown artist

Christopher Smart, A.M

1791

John Jones, ca. 1745–1797

Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I

1791

John Keyse Sherwin, c.1751–1790

Mary Isabella Manners (née Somerset), Duchess of Rutland

1791

William Dickinson, 1746–1823

The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian

1791

James Barry, 1741–1806

Elysium and Tartarus or the State of Final Retribution

1791

unknown artist

A Memorial to Shakespeare

1791

John Jones, ca. 1745–1797

Sylvia

1791

John Keyse Sherwin, c.1751–1790

Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

1791

John Raphael Smith, 1752–1812

Madona Col Bambino

1791

Print made by Joseph Grozer, ca. 1755–1798

The Honorable Miss Harris

1791

Print made by Francesco Bartolozzi, 1728–1815

Peniston, William, and Frederick James Lamb: The Affectionate Brothers

1791

Print made by Charles Knight, 1743–c.1826

Miss Farren

1791

Print made by Charles Knight, 1743–c.1826

Miss Farren

1791

Print made by John Young, 1755–1825

Mrs. Gwyn

1791

Print made by Charles Wilkin, 1750–1814

Lady Cockburn and Children

1791

Print made by John Raphael Smith, 1752–1812

Madona col Bambino

1791

Print made by John Young, 1755–1825

Mrs. Bunbury

1791

Print made by John Jones, ca. 1745–1797

Caroline, Duchess of Marlborough

1791

John Chapman, active ca. 1792–1823

Black-George

1791

Page, fl. 1784–1803

Taming... Act II, Sc. I

1791

George Morland, 1763–1804

Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc

1791-1795

George Morland, 1763–1804

Set of Five: Studies of Laborers

1791-1795

George Morland, 1763–1804

Set of Five: Five studies of Peddlers

1791-1795

Print made by John Keyse Sherwin, c.1751–1790

Mary Isabella, Duchess of Rutland

1791

Print made by Charles Knight, 1743–c.1826

Miss Farren

1791

Print made by John Jones, ca. 1745–1797

The Roguish Boy

1791

Print made by Thomas Cheesman, 1760–1834/35

Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip

1791

Print made by Richard Earlom, 1743–1822

A Brewhouse Yard

1791

John Jones, ca. 1745–1797

Rear Admiral Sir Charles Douglas

1791

John Jones, ca. 1745–1797

Admiral Edward Vernon

1791

W. Taylor, active 1790–1810

All's Well... Act III, Sc. V

1791

George Morland, 1763–1804

Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc

1791-1795

George Morland, 1763–1804

Set of Five: Studies of Children, a Dog, a Cat, etc

1791-1795

unknown artist

Memorial to Theodore King of Corsica in St. Ann, Westminster

1791

unknown artist

Newgate

1791

Samuel William Reynolds, 1773–1835

A Young Lady

ca. 1796

George Keating, 1762–1842

The Deserter, 29 July 1791

1791

Jacob C. Schnebbelie, 1760–1792

Painting on the South Side Severts Tomb

1791

unknown artist

Speed's Monument in the Chancel of St. Giles, Cripplegate

1791

unknown artist

Samuel Cooper's Monument in St. Pancras Church

1791

unknown artist

Stowe's Monument in St. Andrew, Undershaft

1791

unknown artist

A Curious Pump

1791

Francis Jukes, 1747–1812

North End, Hampstead

1791

William Ellis, 1747–1810

Hornsey

1791

Alfred William Warren, active 1791–1809

George Horne D.D. Late Lord Bishop of Norwich

undated

unknown artist

In St. Mary Overie's or St. Saviour's, Southwark

1791

James Gillray, 1756–1815

The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."

1791

Isaac Cruikshank, 1764–1811

A Disunion or the Family Compact Disturbed

1791

James Gillray, 1756–1815

Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service

1791

James Gillray, 1756–1815

The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes

1791

James Gillray, 1756–1815

The Introduction

1791

Isaac Cruikshank, 1764–1811

Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match)

1791

Isaac Cruikshank, 1764–1811

A Stroke at the Plenipo or Mary's Mistake

1791

Isaac Cruikshank, 1764–1811

Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) ( from: Caricature, vol. 3)

1791

Print made by Francesco Bartolozzi, 1728–1815

Miss Gunning

ca. 1796

William Dent, active 1784–1793

The Flattering Glass, or Nell's Mistake

1791

William Dent, active 1784–1793

Grand and Effectual Attack in the Baltic

1791

William Dent, active 1784–1793

Story of *Nell's Coach made good by the Cunning Man. Addressed to the Ducal Conjurer and Dutchess of [chamber pot] *in The Devil to Pay

1791

unknown artist

A Bouilli in the Newest Taste a-la-Francois!

1791

Attributed to George Townshend, 1724–1807

The Quarrel between the Political Builders, Or, Opinions Diametrically Opposite

1791

Richard Newton, 1777–1798

A Visit to the R---l Cole Pit

1791

unknown artist

A Race on the Sands at Weymouth

1791

William Dent, active 1784–1793

The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers

1791

James Gillray, 1756–1815

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

1791

James Gillray, 1756–1815

Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family

1791

James Gillray, 1756–1815

The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"

1791

William Hincks Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

William Hincks, 1752–1797

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

1791

William Hincks, 1752–1797

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

1791

William Hincks Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

William Hincks, 1752–1797

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it

1791

William Hincks, 1752–1797

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

1791

William Hincks Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

William Hincks, 1752–1797

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

1791

William Hincks Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

William Hincks, 1752–1797

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water

1791

William Hincks, 1752–1797

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

1791

William Hincks Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

William Hincks, 1752–1797

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

1791

William Hincks Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

William Hincks, 1752–1797

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

1791

William Hincks Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

William Hincks, 1752–1797

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..

1791

William Hincks Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

William Hincks, 1752–1797

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

1791