Collection: Prints and Drawings / On-site Access: Accessible in the Study Room / Height [cm]: 36

1. A Sussex Barn

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1908
Materials & Techniques:: Watercolor and black chalk on thick, smooth, cream card
Dimensions:: Sheet: 14 1/8 x 18 3/8 inches (35.9 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

2. Rome from San Spirito

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Brown wash black chalk and graphite with white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 23 3/8 inches (35.9 x 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Death of the Doe

Creator:: George Stubbs, 1724–1806
Date:: 1817
Materials & Techniques:: Mezzotint, second state
Dimensions:: Sheet: 14 15/16 x 19 3/4in. (38 x 50.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Beer Street

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 19 3/8 inches (66.4 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale Univesrity Art Gallery

5. A Rake's Progress, Plate I: He Takes Possession

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 1/8 inches (35.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A Rake's Progress, Plate II: His Levee

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. A Rake's Progress, Plate V: He Marries

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 inches (35.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A Rake's Progress, Plate III: He Revels

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 inches (35.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. A Rake's Progress, Plate IV: Goes to Court

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 1/4 inches (35.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Enraged Musician

Creator:: William Hogarth, 1697–1764
Date:: 1741
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/8 x 16 1/8in. (35.9 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Analysis of Beauty, Plate I: A Statuary's Yard

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving on paper
Dimensions:: Sheet: 14 1/4 x 19in. (36.2 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Analysis of Beauty, Plate II: A Country Dance

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/4 x 19 3/8in. (36.2 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 11 3/4in. (35.6 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

15. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

16. The Enraged Musician

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving on wove paper
Dimensions:: Sheet: 20 1/2 x 22in. (52.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale School of Music

17. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

18. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1832
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Deluge

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Corpo di Cava, 28 June 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Oil and gouache on moderately thick, moderately textured, green-gray wove paper
Dimensions:: Sheet: 14 1/8 x 9 13/16 inches (35.9 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

21. Santa Decca, Corfu, 28 May 1848 (126)

Creator:: Edward Lear, 1812–1888
Date:: 1848
Materials & Techniques:: Pen and brown ink, and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 14 x 19 7/8 inches (35.6 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

22. Val di Roppa, Corfu, 22 May 1868

Creator:: Edward Lear, 1812–1888
Date:: 1868
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 × 20 inches (35.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

23. Visions of the Daughters of Albion; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "But when the morn arose, her lamentation renewd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Visions of the Daughters of Albion; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "And none but Bromian can hear my lamentations..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

Creator:: Prints made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Volume of 11 relief etchings printed in green ink, with hand coloring in watercolor
Dimensions:: Spine: 14in. (35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Joseph and Potiphar's Wife

Creator:: William Blake, 1757–1827
Date:: 1803 to 1805
Materials & Techniques:: Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Two Standing Youths

Creator:: George Romney, 1734–1802
Date:: late 1770s
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 9 1/4 inches (35.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

32. Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")

Creator:: George Romney, 1734–1802
Date:: late 1770s
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 8 1/8 inches (34 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

33. John Howard Visiting a Lazretto

Creator:: George Romney, 1734–1802
Date:: 1790
Materials & Techniques:: Black ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

34. Prison Scene

Creator:: George Romney, 1734–1802
Date:: 1790
Materials & Techniques:: Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

35. Caulking the Schooner, Falmouth Harbour

Creator:: Joseph Severn, 1793–1879
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper mounted on board
Dimensions:: Sheet: 14 1/4 × 10 1/4 inches (36.2 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Destruction of Sodom and Gomorrah

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 19 × 24 13/16 inches (48.3 × 63 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. No. 7 the interior part of the 3rd temple looking from the west front

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 12 inches (35.6 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Fragments of Architecture at Temple of Thignica Ain Tunga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on moderately textured, moderately thick, cream laid paper
Dimensions:: Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. View of Oxford from the South Side of Heddington Hill

Creator:: Print made by James Basire II, 1769–1822
Date:: 1808
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 17 7/8 inches (36.2 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Pl. VIII Temple of Jupiter at Tebessa

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 21 1/2 inches (36.2 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Pl. IX Arch of Caracalla at Tebessa

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, gray wash, pen and black, brown ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 21 3/8 inches (36.2 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Old Church and House

Creator:: Amelia Long, 1762–1837
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 10 1/4in. (36.4 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Street in Florence with the Duomo and Campanile in the Background

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 18 1/4 x 22 1/2 inches (46.3 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A Sportsman Loading His Gun

Creator:: George Morland, 1763–1804
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 9 1/4in. (35.6 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Landscape with Cottage and Figures on Horseback

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/2 x 20 9/16 inches (39.4 x 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Ruskin's Residence, "Brandtwood", from Lake Coniston

Creator:: Arthur Severn, 1842–1931
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 20 inches (35.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. James T. Babb

47. Unidentified Country House: Ground Floor Plan

Creator:: Attributed to John Sanderson, active 1730; died 1774
Date:: undated
Materials & Techniques:: Pen and black ink with gray and brown wash on moderately thick, slightly textured, white laid paper
Dimensions:: Sheet: 14 1/4 × 19 3/4 inches (36.2 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Hartwell, Buckinghamshire

Creator:: Cornelius Varley, 1781–1873
Date:: 1833
Materials & Techniques:: Brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 21 1/16 inches (36.4 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Cave of the Golden Calf: Study of Geometric Figures

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

50. A Jack in Office

Creator:: Robert Dighton, 1752–1814
Date:: 1793
Materials & Techniques:: Etching, hand-colored on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 1/16 x 9 11/16 inches (35.7 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Miss Meux

Creator:: John Faber the Younger, ca. 1695–1756
Date:: 1755
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Elizabeth, Countess of Northumberland

Creator:: Edward Fisher, 1722–1785
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Sir Harry Burrard-Neale, 2nd Baronet

Creator:: Charles Turner, 1774–1857
Date:: 1812
Materials & Techniques:: Mezzotint with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 10 1/2 inches (37 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. John Willett Payne

Creator:: Print made by unknown artist
Date:: 1813
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 × 11 15/16 inches (39.5 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Sir Home Popham

Creator:: Anthony Cardon, 1772–1813
Date:: 1807
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 × 12 15/16 inches (43.2 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Charles Rogers, Esq.

Creator:: after Sir Joshua Reynolds, 1723–1792
Date:: 1778
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 10 5/16 inches (36.2 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Mantilla

Creator:: John Henry Robinson, 1796–1871
Date:: 1838
Materials & Techniques:: Engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 1/4 × 18 inches (61.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Cave of the Golden Calf: Study of Dancers

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite and pastel on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 1/8 inches (35.6 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

59. Light Head Dress and Long Petticoats

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 14 x 9 3/4in. (35.5 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Old Téméraire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1845
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 5/8 × 24 3/4 inches (47.3 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Right Honorable Jospeh Addison, Esqr.

Creator:: John Simon, 1675–1751
Date:: undated
Materials & Techniques:: Mezzotint on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 14 × 10 1/8 inches (35.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Mr. Alexander Pope

Creator:: John Simon, 1675–1751
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Admiralty Office

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: 1731
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. One of Eleven Designs for Houses and Shops

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and black ink, gouache and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 11/16 x 16 5/16 inches (47.5 x 41.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People

Creator:: Spencer Frederick Gore, 1878–1914
Date:: 1912
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick Gore

66. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1845
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 23 3/4 × 34 1/2 inches (60.3 × 87.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Joseph Addison Esq.

Creator:: John Faber the Younger, ca. 1695–1756
Date:: 1733
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 5/16 × 10 1/8 inches (36.4 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch

Creator:: Print made by William Baillie, 1723–1810
Date:: 1774
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 1/2 × 17 1/2 inches (41.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Edward Harley, 2nd Earl of Oxford and Earl of Mortimer

Creator:: George Vertue, 1684–1756
Date:: 1745
Materials & Techniques:: Etching, engraving, and stipple on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/16 × 8 1/2 inches (35.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Dr. John Reynolds, S.T.B.

Creator:: James McArdell, ca. 1729–1765
Date:: 1757
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Charles Lennox, 1st Duke of Richmond

Creator:: John Faber the Younger, ca. 1695–1756
Date:: 1731
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 3/16 inches (35.9 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Dr. Thomas Sherlock, Lord Bishop of London

Creator:: James McArdell, ca. 1729–1765
Date:: 1757
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/16 × 10 1/16 inches (36 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Sir John Suckling

Creator:: George Vertue, 1684–1756
Date:: 1744
Materials & Techniques:: LIne engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 9 3/8 inches (38.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Thomas Tomkins

Creator:: Charles Turner, 1774–1857
Date:: 1805
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 17 5/8 × 13 inches (44.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Maria, Countess Waldegrave

Creator:: Richard Houston, ca. 1721–1775
Date:: ca.1762
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 10 7/8 inches (39.4 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Sitting Up and Taking Nourishment

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, blue chalk and graphite on moderately thick, slightly textured, cream wove paper, mounted on card
Dimensions:: Mount: 14 1/8 × 19 1/8 inches (35.9 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Anthony Monaghan

77. Cobham Hall, Kent: Cornice Full Size for the Chimney of the Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1795
Materials & Techniques:: Pen and black and brown ink over traces of graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 22 3/4 inches (35.6 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Cobham Hall, Kent: Section of a Turret

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 7/8 inches (36.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. H.M.S. 'Time' in Deptford Dry Dock

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 14 1/2 × 19 inches (36.8 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Arundinaria alpina K. Schum. (African Bamboo): finished drawing of sections of stem and of shoot with leaves

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Back view of the same circular temple in its present state

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured,cream laid paper
Dimensions:: Sheet: 14 1/4 × 11 1/8 inches (36.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. View of Westminster Hall and Abbey from the Bridge

Creator:: John Gendall, 1790–1865
Date:: 1818
Materials & Techniques:: Watercolor with white gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 3/4 inches (35.6 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Mount Palatine

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1783
Materials & Techniques:: Graphite and gray wash on moderately thick, slightly textured cream laid paper mounted on card
Dimensions:: Sheet: 7 1/8 x 10 3/16 inches (18.1 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Head of a Woman (The Artist's First Wife?)

Creator:: Augustus Edwin John, 1878–1961
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Philip L. Goodwin, Yale BA 1907, transfer from the Yale University Art Gallery

85. Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View

Creator:: Attributed to Sir Nicholas Hawksmoor, ca. 1662–1736
Date:: ca. 1690
Materials & Techniques:: Pen and brown ink with brown and gray wash over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/16 × 20 1/8 inches (36 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Cottage

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Study of a Lioness

Creator:: John Frederick Lewis, 1804–1876
Date:: ca. 1824
Materials & Techniques:: Watercolor and gouache over graphite on buff wove paper
Dimensions:: Sheet: 14 5/16 x 16 9/16 inches (36.4 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Apollo and Daphne

Creator:: Master of the Giants, active 1779
Date:: between 1770 and 1799
Materials & Techniques:: Pen and black ink with gray washes and graphite; verso: pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 x 21 inches (35.9 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Notes at an Irish Election

Creator:: Samuel Lover, 1797–1868
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 22 inches (36.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

90. Unidentified Country House

Creator:: unknown artist
Date:: between 1700 and 1715
Materials & Techniques:: Black ink with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/16 x 21 1/4 inches (38.3 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Ganges

Creator:: William Simpson, 1823–1899
Date:: 1863
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 14 1/2 x 20 5/8 inches (36.8 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Landscape Set in an Oval (Mountain Landscape Through an Oval Window)

Creator:: George Barret, ca. 1728/32–1784
Date:: ca. 1775
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 18 1/2 × 23 1/2 inches (47 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Cascade at Chiswick House, Middlesex: Elevation and Plan

Creator:: William Kent, ca.1686–1748
Date:: between 1720 and 1735
Materials & Techniques:: Pen and gray ink with brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 5/8 inches (36.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Monument of Thomas Fiennes

Creator:: James Lambert of Lewes, 1725–1788
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor within triple-ruled pen and wash border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/4 × 18 1/4 inches (64.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. View of Exeter College, All Saints Church, &c. from the Turl

Creator:: Print made by James Basire II, 1769–1822
Date:: 1806
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 × 18 1/8 inches (35.6 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A View of Worcester College &c.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1804
Materials & Techniques:: Etching and engraving; published state, late impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 18 1/4 inches (36.2 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Dover from Shakespeare's Cliff

Creator:: Print made by William Chapman, 1817–1879
Date:: 1860
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 16 1/2 inches (36.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Memorial to Thomas Bonde from Fulham Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watecolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 10 1/2 inches (35.9 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Gipsy

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 9 1/8 inches (35.6 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

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1. A Sussex Barn

2. Rome from San Spirito

3. Death of the Doe

4. Beer Street

5. A Rake's Progress, Plate I: He Takes Possession

6. A Rake's Progress, Plate II: His Levee

7. A Rake's Progress, Plate V: He Marries

8. A Rake's Progress, Plate III: He Revels

9. A Rake's Progress, Plate IV: Goes to Court

10. The Enraged Musician

11. Analysis of Beauty, Plate I: A Statuary's Yard

12. Analysis of Beauty, Plate II: A Country Dance

13. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

14. The Fourth Stage of Cruelty: The Reward of Cruelty

15. The First Stage of Cruelty: Children Torturing Animals

16. The Enraged Musician

17. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

18. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

19. The Deluge

20. Corpo di Cava, 28 June 1838

21. Santa Decca, Corfu, 28 May 1848 (126)

22. Val di Roppa, Corfu, 22 May 1868

23. Visions of the Daughters of Albion; Title Page (Plate 2)

24. "But when the morn arose, her lamentation renewd..." (Plate 8)

25. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

26. Visions of the Daughters of Albion; Frontispiece (Plate 1)

27. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

28. "And none but Bromian can hear my lamentations..." (Plate 6)

29. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

30. Joseph and Potiphar's Wife

31. Two Standing Youths

32. Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")

33. John Howard Visiting a Lazretto

34. Prison Scene

35. Caulking the Schooner, Falmouth Harbour

36. The Destruction of Sodom and Gomorrah

37. No. 7 the interior part of the 3rd temple looking from the west front

38. Fragments of Architecture at Temple of Thignica Ain Tunga

39. View of Oxford from the South Side of Heddington Hill

40. Pl. VIII Temple of Jupiter at Tebessa

41. Pl. IX Arch of Caracalla at Tebessa

42. Old Church and House

43. A Street in Florence with the Duomo and Campanile in the Background

44. A Sportsman Loading His Gun

45. Landscape with Cottage and Figures on Horseback

46. Ruskin's Residence, "Brandtwood", from Lake Coniston

47. Unidentified Country House: Ground Floor Plan

48. Hartwell, Buckinghamshire

49. Cave of the Golden Calf: Study of Geometric Figures

50. A Jack in Office

51. Miss Meux

52. Elizabeth, Countess of Northumberland

53. Sir Harry Burrard-Neale, 2nd Baronet

54. John Willett Payne

55. Sir Home Popham

56. Charles Rogers, Esq.

57. The Mantilla

58. Cave of the Golden Calf: Study of Dancers

59. Light Head Dress and Long Petticoats

60. The Old Téméraire

61. The Right Honorable Jospeh Addison, Esqr.

62. Mr. Alexander Pope

63. The Admiralty Office

64. One of Eleven Designs for Houses and Shops

65. Cave of the Golden Calf: Design for a Decorative Doorway, Primitive People

66. Ehrenbreitstein

67. Joseph Addison Esq.

68. James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch

69. Edward Harley, 2nd Earl of Oxford and Earl of Mortimer

70. Dr. John Reynolds, S.T.B.

71. Charles Lennox, 1st Duke of Richmond

72. Dr. Thomas Sherlock, Lord Bishop of London

73. Sir John Suckling