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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms sheep

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Samuel Palmer The Lonely Tower
Samuel Palmer, 1805–1881
The Lonely Tower
1868
Samuel Palmer The Valley of Vision
Samuel Palmer, 1805–1881
The Valley of Vision
undated
Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold: Early Morning
Samuel Palmer, 1805–1881
Opening the Fold: Early Morning
ca. 1880
Samuel Palmer Wilmot's Hill, Kent
Samuel Palmer, 1805–1881
Wilmot's Hill, Kent
ca. 1851
Samuel Palmer Sunset
Samuel Palmer, 1805–1881
Sunset
ca. 1861
Samuel Palmer Tintern Abbey at Sunset
Samuel Palmer, 1805–1881
Tintern Abbey at Sunset
1861
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1850
Samuel Palmer Rustic Contentment
Samuel Palmer, 1805–1881
Rustic Contentment
undated
John Constable Suffolk Landscape
John Constable, 1776–1837
Suffolk Landscape
undated
John Constable Landscape at East Bergholt
John Constable, 1776–1837
Landscape at East Bergholt
ca. 1805
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Mer de Glace, in the Valley of Chamonix
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
Joseph Mallord William Turner Hind Head Hill
Etched by Joseph Mallord William Turner, 1775–1851
Hind Head Hill
1811
Joseph Mallord William Turner Lake Geneva and Mount Blanc
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mount Blanc
1802 to 1805
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Imitation of Eclogue I, Page 14
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Clod & the Pebble (Plate 36)
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
Thomas Hearne View from Skiddaw over Derwentwater
Thomas Hearne, 1744–1817
View from Skiddaw over Derwentwater
between 1772 and 1782
Samuel Howitt Valley Landscape with Sheep
Samuel Howitt, 1756–1822
Valley Landscape with Sheep
undated
William Pars Temple of Venus and Rome from the Colosseum
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
William Callow Landscape with Sheep
William Callow, 1812–1908
Landscape with Sheep
undated
William Byrne The Ruins of the College of Lincluden
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
Cornelius Varley Study of Sheep
Cornelius Varley, 1781–1873
Study of Sheep
undated
Paul Sandby Roslin Castle, Midlothian
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
Paul Sandby Italianate Landscape with Travellers no. 2
Paul Sandby, 1731–1809
Italianate Landscape with Travellers no. 2
ca. 1760
Paul Sandby Ipswich from the Grounds of Christchurch Mansion
Paul Sandby, 1731–1809
Ipswich from the Grounds of Christchurch Mansion
undated
Paul Sandby Landscape with beech trees and man driving cattle and sheep
style of Paul Sandby, 1731–1809
Landscape with beech trees and man driving cattle and sheep
undated
James Moore The Artist Sketching Mlle. de St. Legier as a Shepherdess
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
John Varley Romantic Landscape with Distant Mountains
John Varley, 1778–1842
Romantic Landscape with Distant Mountains
1842
Lewis Vaslet The Spoiled Child, Scene I
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
Henry Tresham Remains of the Temple of Olypian Jove with a View of Ortygia, Syracuse
Henry Tresham, 1751–1814
Remains of the Temple of Olypian Jove with a View of Ortygia, Syracuse
undated
Francis Wheatley Adelaide
Francis Wheatley, 1747–1801
Adelaide
between 1785 and 1786
John Varley Classic Composition
John Varley, 1778–1842
Classic Composition
ca. 1800
John Preston Neale Gaunt's House, Wimborne
John Preston Neale, 1771/80–1847
Gaunt's House, Wimborne
undated
Hugh O'Neill Oxford from Boar's Hill
Hugh O'Neill, 1784–1824
Oxford from Boar's Hill
1811
unknown artist Ram and Two Sheep
unknown artist
Ram and Two Sheep
undated
Thomas Hearne The Trees and River in the Park at Coleorton Hall, Leicestershire
Thomas Hearne, 1744–1817
The Trees and River in the Park at Coleorton Hall, Leicestershire
undated
Samuel Howitt A Park Landscape with Shepherd and Sheep
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
Samuel Jackson The Avon near Bristol
Samuel Jackson, 1794–1869
The Avon near Bristol
undated
Charles Tomkins Hanworth Park, Middlesex
Charles Tomkins, 1757–1823
Hanworth Park, Middlesex
undated
William Beilby Kielder Castle, Northumberland
William Beilby, 1740–1819
Kielder Castle, Northumberland
undated
Julius Caesar Ibbetson Farmyard Animals: Tribulation
Julius Caesar Ibbetson, 1759–1817
Farmyard Animals: Tribulation
1797
Samuel Howitt A Boar and a Ram
Samuel Howitt, 1756–1822
A Boar and a Ram
undated
Samuel Howitt A Bull and a Rabbit
Samuel Howitt, 1756–1822
A Bull and a Rabbit
undated
John Martin Adam and Eve
attributed to John Martin, 1789–1854
Adam and Eve
undated
John Martin Cain and Abel
Attributed to John Martin, 1789–1854
Cain and Abel
undated
Claude Hayes Moorland with Sheep and Shepherd
Claude Hayes, 1852–1922
Moorland with Sheep and Shepherd
undated
Henry Morton St. Thomas' Church, Winchelsea
Henry Morton, ca. 1807–1825
St. Thomas' Church, Winchelsea
undated
William Henry Hunt Bushey Church from the South West
William Henry Hunt, 1790–1864
Bushey Church from the South West
ca. 1820
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
Thomas Hearne The Ruins of the College of Lincluden, near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, near Dumfries
ca. 1806
Thomas Hearne Windsor Castle
Thomas Hearne, 1744–1817
Windsor Castle
undated
John Warwick Smith Convent at Vietri, near Salerno
John Warwick Smith, 1749–1831
Convent at Vietri, near Salerno
1808
Thomas Barker Landscape with Shepherd and Sheep
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
Paul Sandby Italianate Landscape with Travelers, No. 1
Paul Sandby, 1731–1809
Italianate Landscape with Travelers, No. 1
ca. 1765
Richard Brookes Sheep, and Three Animals
Richard Brookes, 1721–1763
Sheep, and Three Animals
ca. 1760
Welby Sherman Shepherd and Shepherdess by Moonlight
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
James Walker Elgin Cathedral, Morayshire
Print made by James Walker, 1748–1808
Elgin Cathedral, Morayshire
1797
James Walker Hampton Court Palace, Herefordshire
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
George Richmond Portrait Head of Samuel Palmer
George Richmond, 1809–1896
Portrait Head of Samuel Palmer
1827
Jonathan Girtin Landscape with an Abbey
Jonathan Girtin, ca.1780–aft.1820
Landscape with an Abbey
1805
Edward Calvert The Chamber Idyll
Print made by Edward Calvert, 1799–1883
The Chamber Idyll
1831
Edward Calvert The Bride
Print made by Edward Calvert, 1799–1883
The Bride
1828
Edward Calvert Ideal Pastoral Life
Print made by Edward Calvert, 1799–1883
Ideal Pastoral Life
1829
Edward Calvert The Brook
Print made by Edward Calvert, 1799–1883
The Brook
1829
Edward Calvert The Sheep of His Pasture
Print made by Edward Calvert, 1799–1883
The Sheep of His Pasture
ca. 1828