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Ben Nicholson 1951 (still life – sweet peas)
Ben Nicholson, 1894–1982
1951 (still life – sweet peas)
1951
Not on view
Francis Danby The Avon Gorge
Francis Danby, 1793–1861
The Avon Gorge
between 1816 and 1818
Not on view
John Constable Golding Constable's House, East Bergholt: the Artist's birthplace
John Constable, 1776–1837
Golding Constable's House, East Bergholt: the Artist's birthplace
ca. 1809
Not on view
John Constable Bardon Hill, Coleorton Hall
John Constable, 1776–1837
Bardon Hill, Coleorton Hall
ca. 1823
Not on view
Edward Lear Zagori, Greece
Edward Lear, 1812–1888
Zagori, Greece
1860
Not on view
John R. Skeaping Arab Stallion
John R. Skeaping, 1901–1980
Arab Stallion
1968
Not on view
John R. Skeaping Indian Rhinoceros
John R. Skeaping, 1901–1980
Indian Rhinoceros
Cast 1990 (original model 1915)
Not on view
George Morland A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
George Morland, 1763–1804
A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
ca. 1795
Not on view
unknown artist Building with Trees
unknown artist
Building with Trees
1825 to 1827
Not on view
Julius Caesar Ibbetson A Married Sailor's Adieu
Julius Caesar Ibbetson, 1759–1817
A Married Sailor's Adieu
ca. 1800
Not on view
George Arnald A Western View of part of Westminster and Bird Cage Walk taken from the Mill House...,
George Arnald, 1763–1841
A Western View of part of Westminster and Bird Cage Walk taken from the Mill House...,
1808
Not on view
Joseph Edgar Boehm Study of a Coat Belonging to John, 11th Earl of Westmorland
Joseph Edgar Boehm, 1834–1890
Study of a Coat Belonging to John, 11th Earl of Westmorland
mid-19th century
Not on view
Edmund Bristow The Rat Trap
Edmund Bristow, 1787–1876
The Rat Trap
early to mid-nineteenth century
Not on view
Sir David Wilkie Sketch for 'The Reading of a Will'
Sir David Wilkie, 1785–1841
Sketch for 'The Reading of a Will'
1820
Not on view
John Fisher Osmington: A View to the Village
John Fisher, 1788–1832
Osmington: A View to the Village
ca. 1820
Not on view
William J. Shayer Steeplechasing: At the Start
William J. Shayer, 1811–c.1885
Steeplechasing: At the Start
1869
Not on view
William J. Shayer Steeplechasing: The Hurdle
William J. Shayer, 1811–c.1885
Steeplechasing: The Hurdle
1869
Not on view
Dean Wolstenholme An Angler's Catch of Coarse Fish
Dean Wolstenholme, 1798–1882
An Angler's Catch of Coarse Fish
ca. 1850
Not on view
Frederick W. Watts A View in Suffolk
Frederick W. Watts, 1800–1862
A View in Suffolk
ca. 1830
Not on view
John Martin Kensington Gardens
John Martin, 1789–1854
Kensington Gardens
between 1815 and 1816
Not on view
Thomas Stothard The Return of Othello, 'Othello,' Act II, Scene II
Thomas Stothard, 1755–1834
The Return of Othello, 'Othello,' Act II, Scene II
ca. 1799
Not on view
John Varley Westminster Abbey from Tothill Fields
John Varley, 1778–1842
Westminster Abbey from Tothill Fields
1832
Not on view
Abraham Solomon First Class—The Meeting. "And at first meeting loved."
Abraham Solomon, 1823–1862
First Class—The Meeting. "And at first meeting loved."
1855
Not on view
John Wells Painting on Red
John Wells, 1907–2000
Painting on Red
1947
Not on view
Abraham Solomon Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
Abraham Solomon, 1823–1862
Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
1855
Not on view
Benjamin Barker A Landscape at Wick, Gloucestershire, 'Below the Rocks'
Benjamin Barker, 1776–1838
A Landscape at Wick, Gloucestershire, 'Below the Rocks'
ca. 1824
Not on view
James Ward A Harvest Scene with Workers Loading Hay on to a Farm Wagon
James Ward, 1769–1859
A Harvest Scene with Workers Loading Hay on to a Farm Wagon
ca. 1800
Not on view
unknown artist Yacht Racing on the Solent
unknown artist
Yacht Racing on the Solent
ca. 1827
Not on view
Agostino Brunias West Indian Man of Color, Directing Two Carib Women with a Child
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
Agostino Brunias Planter and his Wife, with a Servant
Agostino Brunias, 1728–1796
Planter and his Wife, with a Servant
ca. 1780
Not on view
Agostino Brunias West Indian Women of Color, with a Child and Black Servant
Agostino Brunias, 1728–1796
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
John Hoyland Sweet Valley 20.6.96
John Hoyland, 1934–2011
Sweet Valley 20.6.96
1996
Not on view
John Hoyland Friendly Ghost 15.6.96
John Hoyland, 1934–2011
Friendly Ghost 15.6.96
1996
Not on view
John Hoyland Space Warrior 13.11.92
John Hoyland, 1934–2011
Space Warrior 13.11.92
1992
Not on view
John Hoyland The Window 14.6.96
John Hoyland, 1934–2011
The Window 14.6.96
1996
Not on view
Charles Brooking A Lugger and a Smack in Light Airs
Charles Brooking, 1723–1759
A Lugger and a Smack in Light Airs
ca. 1750
Not on view
Charles Brooking A Cutter in a Strong Breeze
Charles Brooking, 1723–1759
A Cutter in a Strong Breeze
ca. 1750
Not on view
Agostino Brunias Free West Indian Dominicans
Agostino Brunias, 1728–1796
Free West Indian Dominicans
ca. 1770
Not on view
Agostino Brunias A West Indian Creole Woman Attended by her Black Servant
Agostino Brunias, 1728–1796
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
John Kirby Looking On
John Kirby, born 1949
Looking On
1999
Not on view
Walter Richard Sickert La Belle Alliance
Walter Richard Sickert, 1860–1942
La Belle Alliance
ca. 1916
Not on view
Walter Richard Sickert Venice, the Rialto Bridge and the Palazzo dei Camerlenghi
Walter Richard Sickert, 1860–1942
Venice, the Rialto Bridge and the Palazzo dei Camerlenghi
1895 to 1896
Not on view
Walter Richard Sickert A View of France
Walter Richard Sickert, 1860–1942
A View of France
ca. 1900
Not on view
Agostino Brunias A West Indian Flower Girl and Two other Free Women of Color
Agostino Brunias, 1728–1796
A West Indian Flower Girl and Two other Free Women of Color
ca. 1769
Not on view
Agostino Brunias A Leeward Islands Carib family outside a Hut
Agostino Brunias, 1728–1796
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
Agostino Brunias Free West Indian Creoles in Elegant Dress
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
William James Muller An Enslaved African
William James Muller, 1812–1845
An Enslaved African
1838
Not on view
William Mulready Lock gate
Attributed to William Mulready, 1786–1863
Lock gate
undated
Not on view
John Linnell Sheep Grazing
John Linnell, 1792–1882
Sheep Grazing
1835
Not on view
Balthazar Nebot Fishmonger's stall
Balthazar Nebot, active 1730–1762
Fishmonger's stall
1737
Not on view
Sir George Hayter Queen Victoria Taking the Coronation Oath, June 28, 1838
Sir George Hayter, 1792–1871
Queen Victoria Taking the Coronation Oath, June 28, 1838
1850
Not on view
Sir Edwin Henry Landseer A Highland Landscape
Sir Edwin Henry Landseer, 1802–1873
A Highland Landscape
ca. 1830
Not on view
Geoffrey Tiney Duncan's Horses
Geoffrey Tiney, active 1984
Duncan's Horses
1984
Not on view
Alfred Turner Charlotte Turner (née Gavin)
Alfred Turner, 1874–1940
Charlotte Turner (née Gavin)
ca. 1910 or ca. 1930, exhibited 1930
Not on view
Herbert Haseltine Middle-White Boar: Wharfedale Deliverance
Herbert Haseltine, 1877–1962
Middle-White Boar: Wharfedale Deliverance
1984
Not on view
Michael Lyons Lady Zhen's Well: The Fall into Darkness
Michael Lyons, 1943–2019
Lady Zhen's Well: The Fall into Darkness
2001
Not on view
Lynn Chadwick Two Figures
Lynn Chadwick, 1914–2003
Two Figures
1971
Not on view
unknown artist Augustus
unknown artist
Augustus
early 19th century
Not on view
Robert Polhill Bevan A Harrow in the Orchard
Robert Polhill Bevan, 1865–1925
A Harrow in the Orchard
ca. 1896
Robert Polhill Bevan Huntsman and Hounds
Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
ca. 1896
Robert Polhill Bevan The Horse Mart (with further sketches in the margin)
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
Robert Polhill Bevan Woman Ironing
Robert Polhill Bevan, 1865–1925
Woman Ironing
ca. 1895
Robert Polhill Bevan Study of a Woman Sewing
Robert Polhill Bevan, 1865–1925
Study of a Woman Sewing
undated
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
John Constable Trees in a Meadow
John Constable, 1776–1837
Trees in a Meadow
ca. 1805
John Constable A Recollection of the New R.A.
John Constable, 1776–1837
A Recollection of the New R.A
1837
John Constable Two Ships at Anchor
John Constable, 1776–1837
Two Ships at Anchor
1803
George Stubbs Owl Standing, Anterior View
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
Robert Wallis Taj Mahal, Agra
Print made by Robert Wallis, 1794–1878
Taj Mahal, Agra
1831
On view at YUAG
William Hogarth Benjamin Read
William Hogarth, 1697–1764
Benjamin Read
ca. 1757
Joseph Mallord William Turner The Stork and Aqueduct
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
Joseph Mallord William Turner The Stork and Aqueduct
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
Joseph Mallord William Turner The Stork and Aqueduct
Print made by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
Joseph Mallord William Turner Catania, Sicily
Print made by Joseph Mallord William Turner, 1775–1851
Catania, Sicily
ca. 1825
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Joseph Mallord William Turner The Bridge and Goats
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge and Goats
1812
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Joseph Mallord William Turner Chrichton Castle with a Rainbow; Color Study
Joseph Mallord William Turner, 1775–1851
Chrichton Castle with a Rainbow; Color Study
ca. 1818
Joseph Mallord William Turner High Street, Edinburgh
Joseph Mallord William Turner, 1775–1851
High Street, Edinburgh
ca. 1818
Joseph Mallord William Turner Shields Lighthouse
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
between 1820 and 1826
Joseph Mallord William Turner Gloucester Cathedral
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
William Blake Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
Edward Lear Entrance to the Port of Marseille
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated