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1
- View Towards the Rectory, East Bergholt
- 1813
- Not on view
2
- Oberon and Titania from "A Midsummer Night's Dream," Act IV, Scene i
- 1806
- Not on view
3
- Man on a White Horse
- early 19th century
- Not on view
4
- Self-Portrait
- 1823
- Not on view
5
- Southdown Ewe: Sandringham Ewe
- cast 1963 (original model 1933)
- Not on view
6
- East Bergholt Church, Looking Out the South Archway of the Ruined Tower
- 1806
7
- Carlisle
- ca. 1832
8
- Below Rabat, Malta
- 1866
9
- Massa Forno, Gozo
- 1866
10
- Near Eb-bosh
- 1867
11
- Shelaal
- 1867
12
- Between Ibreem and Wady Halfeh, 2:45 pm, 2 February 1867 (328)
- 1867
13
- Philae, 6:00-6:15 am, 31 January 1867 (277)
- 1867
14
- Philae
- 1867
15
- Boats
- 1867
16
- "Her voice pierc'd Albions clay cold ear..." (Plate 95)
- 1804 to 1820
17
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
18
- "Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
- 1804 to 1820
19
- "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
- 1804 to 1820
20
- Job's Despair
- 1825
21
- The Ecchoing Green (Plate 10)
- 1789
22
- The Little Boy Lost (Plate 20)
- 1789
23
- Nurse's Song (Plate 22)
- 1789
24
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
25
- Infant Joy (Plate 14)
- 1789
26
- On Anothers Sorrow (Plate 24)
- 1789
27
- Laughing Song (Plate 28)
- 1789
28
- Introduction (Plate 3)
- 1789
29
- A Dream (Plate 4)
- 1789
30
- Spring (Plate 26)
- 1789
31
- The Little Girl Found (Plate 6)
- 1789
32
- The Lamb (Plate 8)
- 1789
33
- The Divine Image (Plate 12)
- 1789
34
- Night (Plate 16)
- 1789
35
- A Cradle Song (Plate 18)
- 1789
36
- Songs of Innocence, Title Page (Plate 2)
- 1789
37
- The Little Black Boy (Plate 30)
- 1789
38
- The Death of Juliet
- 1799
39
- A Visionary Head
- 1819 to 1820
40
- A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
- 1804
41
- Figure Composition Study 6
- undated
42
- Figure Composition Study 20
- undated
43
- Richard Cumberland Frontispiece
- undated
44
- Study of an Animal
- undated
45
- Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
- undated
46
- Possibly a Fight Scene
- undated
47
- Caladon and Amelia (So-called)
- undated
48
- Children and a Goat
- undated
49
- Prison Scene
- undated
50
- Seated Figure
- undated
51
- Charity
- undated
52
- Female Figures
- undated
53
- Seated Woman
- undated
54
- Jeptha and His Daughter
- undated
55
- Possibly One Reclining Figure and One Dancing Figure
- undated
56
- Two Sketches of a Female Figure
- undated
57
- Rape
- undated
58
- Noah's Children Rejoicing
- undated
59
- Profile of a Grotesque Head Facing Right
- undated
60
- Sibyl
- undated
61
- Mother and Child
- undated
62
- Couple Reading a Book
- undated
63
- Two Heads Looking Up
- undated
64
- Burial of Sarah
- 1833
65
- The Rescue of Lot
- 1833
66
- Fashionable Men and Women Conversing
- ca. 1827
67
- Scenes from Life in Paris: Man Seated and Man Carrying Basket
- ca. 1835
68
- Sketches from Life in Paris: Two Women
- ca. 1835
69
- Sketches from Life in Paris: Woman and Man Carrying Buckets
- ca. 1835
70
- Studies of Ships
- undated
71
- Man Playing a Harp
- undated
72
- Cortes and Pizarro
- 1834
73
- A Village – Evening
- 1834
74
- The Gipsy
- 1834
75
- Leaving Home
- 1834
76
- St. Pierre's Cottage
- 1834
77
- Shipbuilding (An Old Oak Dead)
- 1834
78
- Edinburgh Castle
- 1826
79
- Edinburgh Castle
- 1826
80
- Martigny
- 1830
81
- Nantes
- 1833
82
- Orleans
- 1833
83
- Blois
- 1833
84
- Palais at Blois
- 1833
85
- Amboise
- 1833
86
- Villa Madama, Moonlight
- 1830
87
- Tours, Looking Backwards
- 1833
88
- Rietz, near Saumur
- 1833
89
- Saumur
- 1833
90
- Montjen
- 1833
91
- William Tell's Chapel
- 1829
92
- Hospice of the Great St. Bernard II (The Dead-House)
- 1829
93
- St. Maurice
- 1829
94
- Marengo
- 1830
95
- Lillebonne, Château
- 1834
96
- Rouen, Looking Down the River
- 1834
97
- Between Quilleboeuf and Villequier
- 1834
98
- Vernon
- 1835
99
- Quilleboeuf
- 1834
100
- Mantes
- 1835