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Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Robert Polhill Bevan A Harrow in the Orchard
Robert Polhill Bevan, 1865–1925
A Harrow in the Orchard
ca. 1896
Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
Samuel Palmer The Bright Cloud
Samuel Palmer, 1805–1881
The Bright Cloud
undated
Joseph Mallord William Turner Weymouth
Joseph Mallord William Turner, 1775–1851
Weymouth
ca. 1811
Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner Teignmouth, Devonshire
Joseph Mallord William Turner, 1775–1851
Teignmouth, Devonshire
ca. 1813
Edward Lear Lago d'Iseo
Edward Lear, 1812–1888
Lago d'Iseo
1867
Edward Lear Avenue of Trees
Edward Lear, 1812–1888
Avenue of Trees
1867
Edward Lear Sheikh El Wachshee, El Luxor
Edward Lear, 1812–1888
Sheikh El Wachshee, El Luxor
1867
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
Edward Lear Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
Edward Lear, 1812–1888
Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
1867
William Blake Title Page, The First Book of Urizen (Plate 1)
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
William Blake "In living creations appear'd..." (Plate 6)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 7)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
William Blake Urizen (Plate 14)
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
William Blake From a Globe of Blood Rises Enitharmon (Plate 16)
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 16)
1794
William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
William Blake Urizen (Plate 22)
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
William Blake Chapter IX, "They lived a period of years..." (Plate 25)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake "Los howld in a dismal stupor..." (Plate 10)
Print made by William Blake, 1757–1827
"Los howld in a dismal stupor..." (Plate 10)
1794
William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
1794
William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
William Blake "In living creations appear'd..." (Plate 8)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
William Blake "They call'd her Pity, and fled..." (Plate 19)
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
1794
William Blake "The Ox in the slaughter house moans..." (Plate 26)
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 26)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake Chapter IX, "They lived a period of years..." (Plate 27)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 27)
1794
William Blake The First Book of Urizen, Plate 28 (Bentley 27)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
William Blake The First Book of Urizen, Plate 4 (Bentley 24)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
William Blake From a Globe of Blood Rises Enitharmon (Plate 11)
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 11)
1794
William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)
Print made by William Blake, 1757–1827
Chapter IV, "Los smitten with astonishment..." (Plate 12)
1794
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
1794
William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
William Blake Los Falls through Fire (Plate 21)
Print made by William Blake, 1757–1827
Los Falls through Fire (Plate 21)
1794
William Blake The First Book of Urizen, Plate 23 (Bentley 9)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
1794
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake Urizen (Plate 8)
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
William Blake Praying Child and Howling Dog (Plate 24)
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
George Harley Landscape with a Boatshed
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
George Pyne Design for Gameskeeper's Cottage
George Pyne, 1800–1884
Design for Gameskeeper's Cottage
undated
William James Muller Alpine Landscape, possibly the Matterhorn
William James Muller, 1812–1845
Alpine Landscape, possibly the Matterhorn
ca. 1834
George Barret Jr. Figures on the Bank of a Wooded Lane, with Sea in Distance Left
George Barret Jr., 1767–1842
Figures on the Bank of a Wooded Lane, with Sea in Distance Left
undated
Robert Brandard Coast Scene with Figures
Robert Brandard, 1805–1862
Coast Scene with Figures
undated
John Inigo Richards Maxstoke Priory, Warwickshire
John Inigo Richards, 1730/31?–1810
Maxstoke Priory, Warwickshire
undated
Hercules Brabazon Brabazon Vesuvius
Hercules Brabazon Brabazon, 1821–1906
Vesuvius
undated
George Barret Jr. A Cottage in the Isle of Wight
George Barret Jr., 1767–1842
A Cottage in the Isle of Wight
undated
Jonathan Skelton Canterbury Castle
Jonathan Skelton, active 1754, died 1758
Canterbury Castle
1757
Thomas Girtin The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
Lt. Paul Sandby Carlisle Bay, Barbados
Lt. Paul Sandby, ca. 1820
Carlisle Bay, Barbados
ca. 1820
James Wyatt Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
John Thomas Serres Gibraltar, The Signal House
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
undated
Thomas Stothard Charity Children and Little Vagabonds
Thomas Stothard, 1755–1834
Charity Children and Little Vagabonds
undated
Sir James Thornhill Diana and Actaeon: A Study for a Panel on a Staircase
follower of Sir James Thornhill, 1675–1734
Diana and Actaeon: A Study for a Panel on a Staircase
undated
James Ward Cottage and Farm Buildings
James Ward, 1769–1859
Cottage and Farm Buildings
undated
Edward Calvert 'I have formed thee for my praise'
Edward Calvert, 1799–1883
'I have formed thee for my praise'
undated
Thomas Girtin View of the Pantheon from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
John Varley Two Donkeys in a Landscape
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
James Roberts Officer with Cockade and Sword
James Roberts, active 1766–1809
Officer with Cockade and Sword
undated
James Roberts Woman and Child
James Roberts, active 1766–1809
Woman and Child
undated
Samuel Scott Two Boats with Crews, Study for The Royal William at Sea
Samuel Scott, 1701/2–1772
Two Boats with Crews, Study for The Royal William at Sea
undated
Sir James Thornhill The Fall of Phaeton: A Study for a Ceiling
follower of Sir James Thornhill, 1675–1734
The Fall of Phaeton: A Study for a Ceiling
undated
John Varley Classic Composition
John Varley, 1778–1842
Classic Composition
ca. 1800
James Ward Scottish Peasant Women
James Ward, 1769–1859
Scottish Peasant Women
undated
James Malton Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
Isaac Oliver Classical Study with Numerous Nude Figures
Isaac Oliver, ca. 1565–1617
Classical Study with Numerous Nude Figures
undated
George Morland Peasants Resting
George Morland, 1763–1804
Peasants Resting
1795
William Payne Distant View of Exmouth from Exeter
William Payne, active 1850s
Distant View of Exmouth from Exeter
undated
George Morland A Hop Kiln
George Morland, 1763–1804
A Hop Kiln
1795
William Payne On the River Tivy, near Cardigan, Wales
William Payne, active 1850s
On the River Tivy, near Cardigan, Wales
1826
Giles F. Phillips Storm Over a Coast
Giles F. Phillips, 1780–1867
Storm Over a Coast
undated
John Nixon On the Sands at Brighton: Figures Walking on the Shore
John Nixon, ca. 1760–1818
On the Sands at Brighton: Figures Walking on the Shore
undated
unknown artist Harbor
unknown artist
Harbor
undated
John Hassell The Entrance to King John's Palace, Eltham, Kent
John Hassell, 1767–1825
The Entrance to King John's Palace, Eltham, Kent
ca. 1812
John Hassell Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq.
John Hassell, 1767–1825
Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq
ca. 1812
Charles Green The Visiting Card - Langham Sketching Club Subject
Charles Green, 1840–1898
The Visiting Card - Langham Sketching Club Subject
undated
Julius Caesar Ibbetson Title page for "The Guardian"
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
Thomas Carwitham Ceres and Abas: Ovid, Metamorphoses, Book 5
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
Samuel Howitt Deer Before a Thicket
Samuel Howitt, 1756–1822
Deer Before a Thicket
undated