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Creator Gender male

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Creator Lawrence, Thomas, Sir, 1769–1830

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Height [cm] 65

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Countess Gower and Her Daughter Lady Elizabeth Leveson Gower
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1832
Materials & Techniques:
Mezzotint (engraved proof) on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 30 3/4 × 21 inches (78.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Georgiana Elizabeth Duchess of Newcastle
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1825
Materials & Techniques:
Mezzotint (state unknown) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 21 7/16 inches (76.2 × 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Wellesley-Pole Sisters
Creator:
Sir Thomas Lawrence, 1769–1830
Date:
1814
Materials & Techniques:
Graphite, black chalk, red chalk and watercolor on medium, smooth, cream wove paper
Dimensions:
Frame: 25 1/2 × 21 7/16 × 1 3/4 inches (64.8 × 54.5 × 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Charles Turner, 1774–1857
Date:
1817
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 25 1/2 × 18 13/16 inches (64.8 × 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Charles Turner, 1774–1857
Date:
1814
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 25 7/16 × 19 inches (64.6 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1831
Materials & Techniques:
Mezzotint (third state) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 25 1/2 × 19 7/8 inches (64.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund