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1
- Sussex Cart Horse
- between 1905 and 1906
2
- Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
- undated
3
- Cobham Hall, Kent: Section of the Dining Parlor
- ca. 1790
4
- Hilly Landscape with Horse-Drawn Cart in Foreground
5
- Landscape with Crumbling Building atop a Cliff
6
- Mountainous Sketch
7
- Three Figures Illuminated in Dark Scene
8
- Landscape of Steep Hills with Building on one Summit
9
- Mining Scene: Buildings and Standing Figure Set Against Dark Mountainside
10
- Mountain Landscape with Building on one Peak
11
- Landscape with Houses set at the Foot of Hills
12
- Sketch of Mountains, with House in the Foreground on right
13
- Faint Sketch of Mountains
14
- Hillside Landscape with River Winding Around Bottom
15
- Faint landscape Sketch
16
- Step Mountain Landscape with Prominent Pine Tree
17
- Full-length Portrait of Man Holding a Top Hat and Walking Stick
18
- Landscape with Grazing Cows and Watermill
19
- Cityscape from a Distance, with Church Towers and Smokestacks
20
- Landscape with Houses Set into a Hillside
21
- Mountain Landscape with Building on one Peak
22
- Grassy Ravine with Grazing Sheep
23
- Faint Sketch of Mountains and Ravines
24
- Coal Mining Posts and Houses Set Against a Dark Mountainside
25
- Hillside Entrance to a Mine, with Figure Standing in Front
26
- View up a River at the Base of a Steep Mountain Range
27
- Two Sketches of Mountains
28
- Study of head from classical figure
- between 1730 and 1768
29
- Study of head from classical figure
- between 1730 and 1768
30
- Study of head from classical figure
- between 1730 and 1768
31
- Study of head from classical figures
- between 1730 and 1768
32
- Study of head of man with helmet
- between 1730 and 1768
33
- Study of head from classical figure
- between 1730 and 1768
34
- Two studies of head from classical figure
- between 1730 and 1768
35
- Study of head from classical figure
- between 1730 and 1768
36
- Study of head from classical figure
- between 1730 and 1768
37
- Study of head from classical figure
- between 1730 and 1768
38
- Study of head from classical figure
- between 1730 and 1768
39
- Study of head from classical figure
- between 1730 and 1768
40
- Study of head from classical figure
- between 1730 and 1768
41
- Study of head from classical figure
- between 1730 and 1768
42
- Study of head from classical figure
- between 1730 and 1768
43
- Study of head from classical figure
- between 1730 and 1768
44
- [Fox-Hunting]
- 1783
45
- Corpus Christi College, Cambridge
- 1836
46
- New Building of St. John's from the Gardens, Cambridge
- ca. 1830
47
- Newlyn from Penzance
- undated
48
- Newlyn Town
- undated
49
- Robert Blair, The Grave, Title Page
- 1808
50
- The Meeting of a Family in Heaven
- 1808
51
- Death of the Strong Wicked Man
- 1808
52
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808
53
- The Descent of Man into the Vale of Death
- 1808
54
- The Day of Judgment
- 1808
55
- William Blake, Frontispiece
- 1808
56
- Robert Blair, The Grave, Title Page
- 1808
57
- [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
- 1836
58
- View of the Ruins of the Temple of Peace
59
- Portrait of Sofonisba Angusciola Pittrice
- between 1761 and 1786
60
- The Strawberry Girl
- 1774
61
- Miss C. Spencer
- 1771
62
- Benjamin Johnson
- 1738
63
- Heidelberg from the Opposite Bank of the Neckar
- 1846
64
- Catherine Macaulay (née Sawbridge)
- 1764
65
- [One of] 25 drawings and prints for ceilings
- undated
66
- [One of] 25 drawings and prints for ceilings
- undated
67
- Via dei Girolami, Florence
- 1891
68
- Cries of London. No.5: Water Cresses
- 1799
69
- Juliet House
- undated
70
- Study of head from classical figure
- between 1730 and 1768
71
- Study of head from classical figure
- between 1730 and 1768
72
- Four chalk studies of heads
- between 1730 and 1768
73
- Four Studies of heads from classical figures
- between 1730 and 1768
74
- Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1
75
- Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3
76
- Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6
77
- Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
78
- Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12
79
- Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11
80
- A View of the House of Peers
81
- Etchings for the Art Union of London by the Etching Club: Going to the Park, Number 2
- 1872
82
- Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
83
- Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5
84
- Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10
85
- Etchings for the Art Club of London by the Etching Club: Undercliff, Number 15
- 1868
86
- Etchings for the Art Union of London by the Etching Club: Habilants of our Shores, Number 14
87
- Etchings for the Art Union of London by the Etching Club: Silver Thames, Number 17
- 1867
88
- Nicolaus Boileau Despreaux
- 1704
89
- His Royal Highness George Prince of Wales
- 1786-1787
90
- Mambrino
- 1788
91
- Abraham Lincoln
- 1908
92
- William Blake, Frontispiece
- 1808
93
- The Counsellor, King, Warrior, Mother & Child, in the Tomb
- 1808
94
- The Soul Exploring the Recesses of the Grave
- 1808
95
- The Death of the Good Old Man
- 1808
96
- Death's Door
- 1808
97
- The Reunion of the Soul & the Body
- 1808
98
- Yachts at Torquay
- 1925
99
- Mail Coach Behind Time
- 1827
100
- Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &
- 1821