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Corso Sant'Anastasia, Verona
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1828
Materials & Techniques:
Oil on millboard
Dimensions:
25 5/8 x 17 3/8 inches (65.1 x 44.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view at YUAG
Album of 30 Views in the Tyrol and Italy: City of Verona from the Bridge, 1st Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: City of Verona and Castle of San Pietro from another bridge, 1st Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Verona
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor on medium, smooth, cream laid paper
Dimensions:
Sheet: 4 3/4 x 3 1/8 inches (12.1 x 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Album of 30 Views in the Tyrol and Italy: City of Verona and Church of San Giorgia looking to the left on the Bridge, 1st Nov.r 1840
Creator:
Sir Charles D'Oyly, 1781–1845
Materials & Techniques:
Pen and black ink, and graphite
Dimensions:
Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Verona, Hay Barge on the Medway, and a Calvary (three prints)
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
after 1833
Materials & Techniques:
Transfer lithograph on medium, moderately textured, cream laid paper, with beige chine collé
Dimensions:
Sheet: 10 3/8 x 8 1/8 inches (26.4 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ponte Pietra, Verona
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1928
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/16 x 8 3/4 inches (30.6 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Reconciliation of the Montagues and the Capulets
Creator:
Frederic Leighton, 1830–1896
Date:
1854
Materials & Techniques:
Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Ponte Pietra, Verona
Creator:
circle of John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor, graphite and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/4 x 8 7/8 inches (14.6 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
From the Top of the Arena, Verona
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1783
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 9 3/4 inches (22.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Verona

Verona
Creator:
Clarkson Stanfield, 1793–1867
Date:
1833
Materials & Techniques:
Watercolor over graphite touched with white gouache on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 13 3/4in. (21.9 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 18 7/8 x 13 3/8 inches (48 x 33.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery