Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
undated
6
Augustus Welby Northmore Pugin, 1812–1852
Design for Inkstand for Westminster No. 1, End Elevation
undated
7
Augustus Welby Northmore Pugin, 1812–1852
Design for Branch for the Speaker's Chair
undated
8
Print made by James Tibbits Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
9
Print made by James Tibbits Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
10
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
11
Print made by Day & Co., 1824–1913
Chimney piece, Star Chamber, Westminster
ca. 1845
12
Print made by John Thomas Smith, 1766–1833
Four Illustrations of Westminster
1804
13
Print made by Day & Co., 1824–1913
Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
ca. 1845
14
Print made by Day & Co., 1824–1913
North side of the Star Chamber, Westminster
ca. 1845
15
Print made by B. Winkles, active 1830–1840
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
16
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
17
Print made by Andrew Picken, 1815–1845
St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834
ca. 1835
18
Print made by John Thomas Smith, 1766–1833
Cotton Garden, Westminster
1804
19
Print made by James Basire II, 1769–1822
South West view of St. Stephen's Chapel Westminster, Restored 1800
1801
20
Print made by William Francis Starling, active first half 19th century
Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
1843
21
Print made by John Thomas Smith, 1766–1833
Eight Illustrations of Westminster
1806
22
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
23
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
24
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
25
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
26
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
27
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
28
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
29
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
30
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
31
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
32
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
33
Print made by Thomas A. Woolnoth, 1785–1857
Plate III: Crypt under St Stephen's Chapel
ca. 1836
34
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
35
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
36
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
37
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
38
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
39
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
40
Print made by Herbert Railton, 1857–1910
Henry VII's Shrine
ca. 1890
41
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
42
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
43
Print made by unknown artist
Henry VII Chapel (Exterior)
ca. 1890
44
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
45
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
46
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
47
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
48
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
49
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
50
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
51
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
52
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
53
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
54
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
55
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
56
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
57
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
58
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
59
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
60
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
61
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
62
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
63
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
64
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
65
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
66
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
67
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
68
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
69
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
70
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
71
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
72
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
73
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
74
Print made by T. Kearnan, active 1821–1850
The House of Lords, as Restored after the Fire
1835
75
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
76
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
77
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
78
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
79
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
80
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
81
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
82
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
83
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
84
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
85
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
86
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
87
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
88
Print made by William Deeble, active 1814–1849
The Parliament House, from Old Palace Yard, Westminster
1829
89
Print made by William Deeble, active 1814–1849
The King's Entrance to the House of Lords, From Poets Corner
1829
90
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
91
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
92
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
93
Print made by M. Gauci, 1810–1846
The Destruction by Fire of the Houses of Parliament
after 1834
94
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
95
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
96
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
97
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
98
Print made by unknown artist
Chance. The London Firemen's Dog
1834
99
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench