Creator Gender: male / Genre: literary theme - YCBA Collections Search Search Results

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

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Print made by Peter Simon, 1750–1810

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

1791

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

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Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'

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Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

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Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'

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Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'

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Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page

undated

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

Print made by George Cruikshank, 1792–1878

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

Robert Smirke, 1752–1845

Olivia and Maria

1822

Print made by John Raphael Smith, 1752–1812

Serena

1782

Print made by William Miller, 1796–1882

Edinburgh from Blackford Hill

1834

Print made by William Miller, 1796–1882

Skiddaw

1834

Print made by John Horsburgh, 1791–1869

Dryden's Monument

1834

Print made by William Miller, 1796–1882

Scott's Birthplace, No. 39, Castle Street, Edinburgh

1839

Print made by William Miller, 1796–1882

Abbotsford

1841

Print made by William Miller, 1796–1882

Scott's Birthplace, No. 39, Castle Street, Edinburgh

1839

Print made by William Miller, 1796–1882

Abbotsford from the Northern Bank of the Tweed

1839

Print made by William Bernard Cooke, 1778–1855

Newark Castle

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by William Bernard Cooke, 1778–1855

Newark Castle

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834

Print made by William Finden, 1787–1852

Col. Mannering, Hazlewood, and Smugglers

1836

Print made by William Finden, 1787–1852

Col. Mannering, Hazlewood, and Smugglers

1836

Print made by James H. Kernot, 1802–1858

Wolf's Hope

1836

Print made by Edward Goodall, 1795–1870

Summer Eve, the Rainbow

1837

Print made by Robert Wallis, 1794–1878

Sinai's Thunder

1837

Print made by Edward Goodall, 1795–1870

Battle of the Baltic

1837

Print made by Robert Wallis, 1794–1878

Hohenlinden

1837

Print made by William John Cooke, 1797–1865

Newark Castle

1854 reprint

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Francesco Bartolozzi, 1728–1815

Concert Ticket For The Benefit of Madame Banti

1795

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

Print made by Robert Wallis, 1794–1878

Kelso

1834

Print made by Edward Goodall, 1795–1870

O'Connor's Child

1837

Print made by Edward Goodall, 1795–1870

Gertrude of Wyoming - The Waterfall

1837

Print made by Edward Goodall, 1795–1870

Rolandseck

1837

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Print made by William Miller, 1796–1882

Loch Katrine

1834

Print made by William Miller, 1796–1882

Loch Achray

1834

Print made by William Miller, 1796–1882

Sandy Knowe, or Smailholm Tower

1839

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by Edward Webb, active 1805–1854

Bowes Tower

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834, reprinted 1851

Print made by Edward Francis Finden, 1791–1857

Bally-Burgh Ness

1836

Print made by William Finden, 1787–1852

Col. Mannering, Hazlewood, and Smugglers

1836

Print made by William Finden, 1787–1852

Col. Mannering, Hazlewood, and Smugglers

1836

Print made by James Charles Armytage, 1802–1897

"It's Auld Ailie Hersell"

1836

Print made by Edward Francis Finden, 1791–1857

Bally-Burgh Ness

1836

Print made by Frederick Bacon, 1803–1887

The Temptation of the Pinnacle

1835

Print made by Edward Goodall, 1795–1870

The Andes Coast

1837

Print made by Edward Goodall, 1795–1870

O'Connor's Child

1837

Print made by Edward Goodall, 1795–1870

O'Connor's Child

1837

Print made by Edward Goodall, 1795–1870

Lochiel's Warning

1837

Print made by Edward Goodall, 1795–1870

Lochiel's Warning

1837

Print made by Edward Goodall, 1795–1870

A Swiss Valley

1837

Print made by Edward Goodall, 1795–1870

Battle of the Baltic

1837

Print made by Robert Wallis, 1794–1878

Hohenlinden

1837

Print made by Edward Goodall, 1795–1870

The Last Man

1837

Print made by Edward Goodall, 1795–1870

The Soldier's Dream

1837

Print made by Edward Goodall, 1795–1870

Gertrude of Wyoming - The Valley

1837

Print made by Edward Goodall, 1795–1870

Gertrude of Wyoming - The Waterfall

1837

Print made by Robert Wallis, 1794–1878

Lord Ullin's Daughter

1837

Print made by Edward Goodall, 1795–1870

Rolandseck

1837

Print made by Edward Goodall, 1795–1870

The Beech Tree's Petition

1837

Print made by Edward Goodall, 1795–1870

Gertrude of Wyoming - The Valley

1837

Print made by Edward Goodall, 1795–1870

Gertrude of Wyoming - The Waterfall

1837

Print made by Edward Francis Finden, 1791–1857

The School of Homer, Scio

1833

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

Print made by Edward Goodall, 1795–1870

Caerlaverock Castle

1834

Print made by William Miller, 1796–1882

Loch Achray

1853 reprint

Print made by Edward Goodall, 1795–1870

Summer Eve, the Rainbow

1837

Print made by William Miller, 1796–1882

Sandy Knowe, or Smailholm Tower

1839

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

Print made by Edward Goodall, 1795–1870

The Alps at Daybreak

1834

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. II

1834

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. II

1834

Print made by Robert Brandard, 1805–1862

Jedburgh Abbey

1834

Print made by Edward Goodall, 1795–1870

Johnnie Armstrong's Tower

1834

Print made by Robert Wallis, 1794–1878

Kelso

1834

Print made by James Tibbits Willmore, 1800–1863

Lochmaben Castle

1834

Print made by James Tibbits Willmore, 1800–1863

Lochmaben Castle

1834

Print made by Edward Goodall, 1795–1870

Caerlaverock Castle

1834

Print made by Edward Goodall, 1795–1870

HMS Bellerophon, Plymouth Sound

1835

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1834

Print made by John Horsburgh, 1791–1869

Bemerside

1834

Print made by John Horsburgh, 1791–1869

Bemerside

1834

Print made by John Horsburgh, 1791–1869

Bemerside

1834

Print made by John Horsburgh, 1791–1869

Mayburgh

1834

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1834

Print made by John Cousen, 1804–1880

The Temptation on the Mountain

1835

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