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Creator Gender male

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Period 19th century

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Subject Terms angel

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William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "To The Accuser who is The God of This World..." (Plate 19)
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
William Blake "At length for hatching ripe he breaks the shell" (Plate 8)
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
William Blake The Man Sweeping the Interpreter's Parlour
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
Augustus Welby Northmore Pugin Design for the Brass Eagle Lectern Base
Augustus Welby Northmore Pugin, 1812–1852
Design for the Brass Eagle Lectern Base
1846
Joseph Powell The Angel and Tobias (Number 7)
Joseph Powell, 1780–1834
The Angel and Tobias (Number 7)
1815
George Cruikshank Frontispiece: The Progress of a Midshipman
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
John Martin Pandemonium
Print made by John Martin, 1789–1854
Pandemonium
1831
Thomas Gaugain James Beattie, LL.D.
Print made by Thomas Gaugain, 1748–1812
James Beattie, LL.D
1805
Edward Burne-Jones Cupid and Psyche
Edward Burne-Jones, 1833–1898
Cupid and Psyche
ca. 1870
John Ruskin Doorhead of the Palazzo Contarini della Porta di Ferro
John Ruskin, 1819–1900
Doorhead of the Palazzo Contarini della Porta di Ferro
undated
unknown artist Two Designs for Ecclesiastical Niches
unknown artist
Two Designs for Ecclesiastical Niches
undated
Thomas Hartley Cromek School of St. Rocco, Venice, Study of Curved Decoration
Thomas Hartley Cromek, 1809–1873
School of St. Rocco, Venice, Study of Curved Decoration
ca. 1835
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
Valentine Green The Return of Tobias
Print made by Valentine Green, 1739–1813
The Return of Tobias
1805