Landscape with Deer under "The Beggar's Oak", Dagot's Park..
between 1820 and 1830
Not on view
3
George Chinnery, 1774–1852
Men Round the Food Vendor’s Stall
after 1825
Not on view
4
Thomas Woolner, 1825–1892
William Charles Wentworth
1854
Not on view
5
Thomas Woolner, 1825–1892
Sir Charles Nicholson
1854
Not on view
6
Francis Danby, 1793–1861
Oberon and Titania
1837
7
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
8
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
9
Print made by Samuel Palmer, 1805–1881
The Vine
1852
10
John Constable, 1776–1837
Brighton Beach Looking West
undated
11
John Constable, 1776–1837
Flowers in a Pitcher
undated
12
John Constable, 1776–1837
View near Arundel
between 1834 and 1835
13
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
14
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
1820 to 1826
15
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
1820 to 1826
16
Print made by Joseph Mallord William Turner, 1775–1851
Catania, Sicily
ca. 1825
17
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
18
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
between 1820 and 1826
19
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
between 1820 and 1826
20
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
21
Edward Lear, 1812–1888
Near Mesghouneh
1867
22
Edward Lear, 1812–1888
Howatke
1867
23
Edward Lear, 1812–1888
Lago di Como, Brienno?
1867
24
Edward Lear, 1812–1888
Beni Eddeir
1867
25
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
26
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
27
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
28
Patrick Nasmyth, 1787–1831
Cloud Study
undated
29
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
30
Print made by unknown artist
Little Devil's Bridge
between 1816 and 1820
31
Print made by Robert Brandard, 1805–1862
Between Quilleboeuf and Villequier
1834
32
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
33
Print made by James C. Allen, active 1821–1831
Orford Castle and Church
ca. 1830
34
Print made by James Baylis Allen, 1803–1876
Falls of the Rhine
1832
35
George Frederick Prosser, active 1828–1868
The Deep-Dene. The Seat of Thomas Hope, Esq
undated
36
Richard Parkes Bonington, 1802–1828
Trees and a Cottage by a River
1827
37
Isaac Shaw, active 1830
The Viaduct over the Sankey Canal
ca. 1830
38
George Cruikshank, 1792–1878
Devoted Wife
undated
39
Thomas Sully, 1783–1872
Hints for Composition by Varley - 1805
1805
40
Le Blond & Co., 1819–1894
Elymas Smitten Blind
41
Print made by William Daniell, 1769–1837
John Hoole
1810
42
Anthony Cardon, 1772–1813
Admiral William Sidney Smith and The Seige of Acre
1804
43
Sir Robert Smirke the younger, 1781–1867
The Street of the Monte de Capucins, Lyon
1802-1804
44
Sir Robert Smirke the younger, 1781–1867
Malta
1802-1804
45
Sir Robert Smirke the younger, 1781–1867
Premuda, Yugoslavian Landscape, Opposite, Ancona
1802-1804
46
Sir Robert Smirke the younger, 1781–1867
Interior of the Holy Chapel of Loretta
1802-1804
47
Sir Robert Smirke the younger, 1781–1867
Premuda
1802-1804
48
Sir Robert Smirke the younger, 1781–1867
Study of Fontana Maggiore in Perugia
1802-1804
49
Sir Robert Smirke the younger, 1781–1867
Sketch of the High Alter of the Church of, Il Redentore
1802-1804
50
Sir Robert Smirke the younger, 1781–1867
Monument in the Garden of the Villa Altichiero Near Padua
1802-1804
51
Sir Robert Smirke the younger, 1781–1867
Palace in Padua
1802-1804
52
Robert Dixon, 1780–1815
The Black Tower Norwich
between 1810 and 1811
53
Robert Dixon, 1780–1815
Cottage at Diss
1811
54
Robert Dixon, 1780–1815
The Greyfriars Tower, Lynn, as it appeared 1801
between 1810 and 1811
55
Robert Dixon, 1780–1815
West Tower, Wymondham Church
1810
56
Robert Dixon, 1780–1815
Sketch at Mulbarton
between 1810 and 1811
57
Robert Dixon, 1780–1815
Remains of the Priory, Beeston Regis
1810
58
Robert Dixon, 1780–1815
Beeston Priory, Beeston Regis
between 1810 and 1811
59
Print made by Abraham Wivell, 1786–1899
James Northcote
1819
60
Print made by William Miller, 1796–1882
Dryburgh Abbey
1833
61
Print made by William Miller, 1796–1882
Norham Castle - Moonrise
1834
62
Henry R. Cook, active 1802–1849
Lieutenant General, Henry Paget, the Earl of Uxbridge
1813
63
Sir Robert Smirke the younger, 1781–1867
Study of a Bridge
1802-1804
64
Sir Robert Smirke the younger, 1781–1867
The Fitting Up of the Medal Room in the Arsenal, Venice
1802-1804
65
Sir Robert Smirke the younger, 1781–1867
Entrance Gateway into the City of Perugia
1802-1804
66
Sir Robert Smirke the younger, 1781–1867
Small Harbor at the Island of Premuda
1802-1804
67
Sir Robert Smirke the younger, 1781–1867
Sketch of an Ornate Doorway, With Columns, and Sculpture
1802-1804
68
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
69
Anthony Cardon, 1772–1813
Sir Ronald Craufurd Ferguson, M.P
1810
70
Print made by William Say, 1768–1834
Brougham Castle, near the Junction of the Rivers Eamont and Lowther
1823 to 1827
71
Print made by Thomas Goff Lupton, 1791–1873
Warkworth Castle on the River Coquet
1823 to 1827
72
Print made by Thomas Goff Lupton, 1791–1873
Warkworth Castle on the River Coquet
1823 to 1827
73
John Mallows Youngman, 1817–1899
Untitled
1879
74
Sir Francis Grant, 1803–1878
Study of a Hound, Running
undated
75
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
76
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
77
Michael Angelo Hayes, 1811–1880
The Band of the 23rd Fusiliers
1838
78
Henry Thomas Alken, 1785–1851
Horse and Dog
undated
79
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
80
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
81
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
82
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
83
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
84
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
85
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
86
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
87
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
88
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
89
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
90
John Frederick Tayler, 1802–1889
Six Foxhounds Resting
undated
91
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
92
George Chinnery, 1774–1852
Studies of Horses with Chinese Grooms, and a Dog, Nov. 10, 1840