Creator Gender: male / Date: 1833 - YCBA Collections Search Search Results

1. Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1833 and 1834
Materials & Techniques:: Oil on canvas
Dimensions:: 35 5/8 x 47 9/16 inches (90.5 x 120.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2. Boat Building near Dinan, Brittany

Creator:: Francis Danby, 1793–1861
Date:: ca. 1838
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 9 1/4 x 11 3/4 inches (23.5 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A Wooded Landscape

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: 1833
Materials & Techniques:: Oil on artist's board mounted on panel
Dimensions:: 16 1/2 × 12 3/8 inches (41.9 × 31.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. 'Margrave' with James Robinson Up

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 26 x 38 inches (66 x 96.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Interior of the British Institution (Old Master Exhibition, Summer 1832)

Creator:: Alfred Joseph Woolmer, 1805–1892
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/4 x 36 1/4 inches (71.8 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Suffolk Hunt: Going to Cover near Herringswell

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The Suffolk Hunt: Gone Away

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 inches (27.9 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. The Suffolk Hunt: Full Cry

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. William Massey-Stanley driving his Cabriolet in Hyde Park

Creator:: John Ferneley, 1782–1860
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 43 1/2 x 62 1/2 inches (110.5 x 158.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Chichester Cathedral

Creator:: Joseph Francis Gilbert, 1792–1855
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 24 9/16 x 37 7/16 inches (62.4 x 95.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. The Suffolk Hunt : The Death

Creator:: John Frederick Herring, 1795–1865
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 inches (27.9 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. The English Brig 'Norval' before the Wind

Creator:: William Clark, 1803–1883
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 19 7/8 x 29 5/8 inches (50.5 x 75.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. The Summer Bower, Derwent Water

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 7 inches (22.9 x 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. The Colonnade of Queen Mary Court, Greenwich

Creator:: James Holland, 1799–1870
Date:: 1833
Materials & Techniques:: Oil on panel
Dimensions:: 9 7/8 × 14 1/8 inches (25.1 × 35.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Dolwyddelan

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 7 inches (22.9 x 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. The Well of St. Keyne

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 6 3/4 inches (22.9 x 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. View from Mr. Southey's House, Keswick

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 7 inches (22.9 x 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Waterloo

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 6 3/4 inches (22.9 x 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. St. Michael's Mount, Cornwall

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 6 3/4 inches (22.9 x 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off

Creator:: William Daniell, 1769–1837
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 27 x 42 inches (68.6 x 106.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Prize Cattle in a Landscape

Creator:: Thomas Weaver, 1774–1843
Date:: 1833
Materials & Techniques:: Oil on canvas
Dimensions:: 28 × 36 inches (71.1 × 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of John A. Robbins in memory of Faith Robbins
On View:: Not on view

22. A Greek Boxer Waiting His Turn

Creator:: Joseph Gott, 1786–1860
Date:: ca. 1838
Materials & Techniques:: Marble
Dimensions:: Overall: 20 1/2 x 16 1/2 x 9 1/2 inches (52.1 x 41.9 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

23. The Timber Wain

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 6 5/16 inches (12.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Weald of Kent

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Study for "The Shearers"

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Frame: 19 5/16 × 15 7/8 × 1 1/16 inches (49 × 40.3 × 2.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

27. Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

28. The Distressed Poet

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

29. Country Inn Yard

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

30. None

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

31. The Invasion, Plate II, England

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

32. The Invasion, Plate II, England

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

33. Marriage à la Mode, Plate I, The Contract

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

34. Industry and Idleness, Plate VII, The Idle 'Prentice Returned from Sea, and in a Garret with a Prostitute

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

35. Industry and Idleness, Plate VIII, The Industrious 'Prentice Grown Rich, and Sheriff of London

Creator:: after William Hogarth, 1697–1764
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

36. Tours - Looking Backwards

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

37. Monaco at Sunset from the Southwest

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1838
Materials & Techniques:: Watercolor and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 7 3/8 inches (14 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Fortified Rock of Monaco from the East

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1838
Materials & Techniques:: Watercolor, gouache, pen and brown ink and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Westminster Bridge and the Abbey

Creator:: Thomas Hollis, 1818–1843
Date:: 1833
Materials & Techniques:: Watercolor over graphite with some scraping on wove paper
Dimensions:: Sheet: 4 1/2 x 8 7/8in. (11.4 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Street Scene in Granada on the Day of the Bullfight

Creator:: John Frederick Lewis, 1804–1876
Date:: 1833
Materials & Techniques:: Watercolor, white gouache, black chalk, red chalk, graphite and gum with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 11 3/8 inches (43.2 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Rescue of Lot

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Hartwell, Buckinghamshire

Creator:: Cornelius Varley, 1781–1873
Date:: 1833
Materials & Techniques:: Brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 21 1/16 inches (36.4 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Burial of Sarah

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown ink and brown wash on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 13/16 inches (9.8 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Bryant Edward Duffay, 1833, Oct. 19th

Creator:: Bryant Edward Duffay
Date:: 1833
Materials & Techniques:: Graphite, black chalk, and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 13 5/16 × 9 5/16 inches (33.8 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Beaugency

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Parnassus and Castalian Spring

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 13/16 × 7 7/16 inches (24.9 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Scio (Fontana de Melek, Mehmet Pasha)

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 8 3/4 inches (28.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Castellated Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Line engraving, third state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 4 inches (16.8 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Nantes

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Line engraving, (First Published State) on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 16 1/8 × 9 inches (41 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Walls of Rome (Tomb of Caius Sestus)

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Blois

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Line engrving, Engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Field of Waterloo from Hougoumont

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured white wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Caudebec

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Line engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

Creator:: Edward Duncan, 1803–1882
Date:: 1833
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Ducks on a Pond

Creator:: Newton Limbird Smith Fielding, 1799–1856
Date:: 1833
Materials & Techniques:: Watercolor, pen and black ink, brown ink, graphite, gum arabic, and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 2 1/2 × 4 inches (6.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Orleans

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Line engraving, Engraver's proof on moderatly thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 10 5/8 × 16 1/8 inches (27 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Palais at Blois

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 5/8 inches (42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

Creator:: Print made by Charles Jameson Grant, active 1830–1852
Date:: 1833
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 15 13/16 inches (27.8 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Bindman

68. The Horse Guards From the Bridge, St. James's Park

Creator:: Joseph Murray Ince, 1806–1859
Date:: 1833
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 15/16 × 13 1/4 inches (20.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. St. Sophia, Constantinople

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving, third state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/2 × 4 1/16 inches (16.5 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Hermitage Castle

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. From Our House in East Cowes, Sunday Evening, 12 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Pen and brown ink on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 7 5/8 inches (15.6 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. In Crewkerne Church Yard, June 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Crewkerne Abbey, 24 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 9 1/4 inches (33 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Ruins of Crewkerne Abbey, May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Church of Saint Bartholomew, Crewkerne

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. In Bradley Vale, 30 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. In Bradley Vale, May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Entrance of Bradley Vale, 29 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. In Bradley Vale, 29 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 5/8 inches (23.5 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Holne Chase Bridge and River, 30 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 1/8 inches (23.8 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. In Bradley Vale, May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Holne Chase near Ashburton, 30 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Holne Chase Bridge

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. In Bradley Vale, 29 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Holne Chase, May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Orleans

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

87. Beaugency

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

88. Palais de Blois

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

89. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 10 9/16 inches (17.3 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

90. Tours

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

91. St. Julian's, Tours

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, (First Published State) on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

92. Rietz, near Saumur

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

93. Scene on the Loire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 10 9/16 inches (17.6 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

94. Le Havre

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1833
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

95. Rouen, Looking Down the River

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

96. Holne Chase, 30 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Holne Chase, 30 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Holne Bridge, 30 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Sketch of Trees and Hills above the Barton Farm House, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Holne Chase on the Dart, 30 May 1833

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1833
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Creator Gender male

Date 1833

Search Results

1. Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore

2. Boat Building near Dinan, Brittany

3. A Wooded Landscape

4. 'Margrave' with James Robinson Up

5. Interior of the British Institution (Old Master Exhibition, Summer 1832)

6. The Suffolk Hunt: Going to Cover near Herringswell

7. The Suffolk Hunt: Gone Away

8. The Suffolk Hunt: Full Cry

9. William Massey-Stanley driving his Cabriolet in Hyde Park

10. Chichester Cathedral

11. The Suffolk Hunt : The Death

12. The English Brig 'Norval' before the Wind

13. The Summer Bower, Derwent Water

14. The Colonnade of Queen Mary Court, Greenwich

15. Dolwyddelan

16. The Well of St. Keyne

17. View from Mr. Southey's House, Keswick

18. Waterloo

19. St. Michael's Mount, Cornwall

20. Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off

21. Prize Cattle in a Landscape

22. A Greek Boxer Waiting His Turn

23. The Timber Wain

24. The Weald of Kent

25. Study for "The Shearers"

26. Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice

27. Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute

28. The Distressed Poet

29. Country Inn Yard

30. None

31. The Invasion, Plate II, England

32. The Invasion, Plate II, England

33. Marriage à la Mode, Plate I, The Contract

34. Industry and Idleness, Plate VII, The Idle 'Prentice Returned from Sea, and in a Garret with a Prostitute

35. Industry and Idleness, Plate VIII, The Industrious 'Prentice Grown Rich, and Sheriff of London

36. Tours - Looking Backwards

37. Monaco at Sunset from the Southwest

38. The Fortified Rock of Monaco from the East

39. Westminster Bridge and the Abbey

40. A Street Scene in Granada on the Day of the Bullfight

41. The Rescue of Lot

42. Hartwell, Buckinghamshire

43. Burial of Sarah

44. Bryant Edward Duffay, 1833, Oct. 19th

45. Beaugency

46. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

47. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

48. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

49. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

50. Parnassus and Castalian Spring

51. Scio (Fontana de Melek, Mehmet Pasha)

52. The Castellated Rhine

53. Nantes

54. The Walls of Rome (Tomb of Caius Sestus)

55. Blois

56. The Field of Waterloo from Hougoumont

57. Amboise

58. Caudebec

59. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

60. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

61. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

62. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

63. Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire

64. Ducks on a Pond

65. Orleans

66. Palais at Blois

67. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

68. The Horse Guards From the Bridge, St. James's Park

69. St. Sophia, Constantinople

70. Hermitage Castle

71. From Our House in East Cowes, Sunday Evening, 12 May 1833

72. In Crewkerne Church Yard, June 1833

73. Crewkerne Abbey, 24 May 1833

74. Ruins of Crewkerne Abbey, May 1833