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Collection
Prints and Drawings
139
Paintings and Sculpture
7
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
65
Goodall, Edward, 1795–1870
22
Constable, John, 1776–1837
20
Lucas, David, 1802–1881
19
Schouten, Gerrit Jan, Born 1815
16
Wallis, Robert, 1794–1878
15
Smith, William R., active 1819–1851
11
Browne, Hablot Knight, 1815–1882
9
Hastings, Thomas Capt., 1778–1854
7
Cox, David, 1783–1859
4
Le, Keux Henry, 1787–1868
4
Radclyffe, William, 1780–1855
4
Pye, John, 1782–1874
3
Absolon, John, 1815–1895
2
DeWint, Peter, 1784–1849
2
Henshall, Josiah, 1806–1869
2
Hull, Edward, 1810–1877
2
Quilley, J. P., active 1828
2
Ansdell, Richard, 1815–1885
1
Brandard, Robert, 1805–1862
1
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Creator
»
Date
1791
716
1834
339
1867
255
1836
201
1826
189
1835
189
1827
183
1814
175
1800
171
1802
155
1830
[remove]
146
1825
138
1820
133
1833
129
1764
124
1767
122
1793
113
1775
107
1818
107
1784
98
1816
95
1832
94
1772
91
1745
88
1758
83
1792
79
1790
76
1837
75
1799
74
1829
71
1811
69
1801
68
1828
68
1795
66
1762
65
1841
65
1859
65
1808
64
1821
64
1805
62
1819
61
1847
60
1812
59
1810
58
1813
57
1823
57
1831
57
1789
55
1803
54
1822
52
1838
51
1783
49
1993
49
1786
48
1860
48
1776
47
1804
47
1845
47
1824
46
1857
46
1817
45
1850
44
2000
44
1774
43
1780
43
1815
43
1785
42
1782
41
1807
41
1778
40
1840
40
1755
38
1777
38
1797
38
1809
38
1851
38
2003
38
1839
37
1794
36
1992
34
1787
33
1788
33
1796
33
1880
33
1771
31
1861
31
1864
31
1896
31
1925
31
1996
29
1842
28
1855
28
1865
28
2002
28
1748
27
1844
27
1994
27
1746
26
1773
26
1846
26
On-site Access
Accessible by appointment in the Study Room
139
Not on view
7
Image Use
Free to Use
146
Image Available
Available
140
Unavailable
6
Classification
Prints
86
Drawings & Watercolors
53
Paintings
7
Creator Gender
male
[remove]
146
Collective Title
Rogers's Italy
49
English Landscape
8
Picturesque Views in England and Wales
8
English Landscape: Various Subjects of Landscape, Characteristic of English Scenery, from Pictures Painted by John Constable, R.A.
7
Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon
5
The Keepsake
3
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
2
Period
19th century
139
18th century
2
18th century-19th century
1
Materials & Techniques
wove paper
111
line engraving
55
etching (printing process)
52
watercolor
40
graphite
38
mezzotint
22
laid paper
17
gouache
12
black ink
11
brown ink
11
black chalk
8
chine collé
8
oil paint
7
painting (technique)
7
drypoint
6
pen
6
white gouache
6
gum arabic
4
canvas
3
brown wash
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
98
Unknown
5
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
107
Unknown
5
Work Type
intaglio print
85
drawing
44
watercolor
37
painting
7
relief print
2
frontispiece
1
Genre
landscape
[remove]
146
cityscape
15
sporting art
14
architectural subject
9
historical subject
9
marine art
9
military art
9
genre subject
6
animal art
5
literary theme
2
botanical subject
1
Subject Terms
landscape
38
trees
26
men
16
horses (animals)
14
sporting art
11
horseback riders
10
horseback riding
10
fence
9
hunt
9
hunters
9
hunting
9
lake
9
caricature
8
hills
8
landscape (representation)
8
river
8
cityscape
7
field
7
architectural subject
6
fields
6
more
Subject Terms
»
Associated Places
Europe
36
England
31
United Kingdom
30
Essex
8
Italy
7
Como, Lago di
6
Lombardy
6
Dedham
5
Greater London
5
Suffolk
5
Church of Saint Pierre-du-Marais
3
Château de Saumur
3
France
3
Great Britain
3
Hadleigh Castle
3
Hampstead
3
Loire
3
London
3
Maine-et-Loire
3
Pays de la Loire
3
more
Associated Places
»
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
6
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
4
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
3
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
English Romanticism (Center Gallery, Bucknell University, 1990-02-24 - 1990-04-08)
2
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
2
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
2
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
2
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
2
Charles Hullmandel and James Duffield Harding - A Study of the English Art of Drawing on Stone 1818-1850 (Smith College Museum of Art, 1982-04-15 - 1982-05-30)
1
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
Crown Pictorial - Art and the British Monarchy (Yale Center for British Art, 1990-12-05 - 1991-02-17)
1
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
1
Romantic Watercolor : Exhibition Watercolors & Technique (Yale Center for British Art, 2002-10-10 - 2003-01-05)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
134
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)
6
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
Yale Center for British Art, Gift of the Estate of Roberta A. Kendall
1
Yale Center for British Art, Yale Art Gallery Collection, University Purchase
1
Yale Center for British Art, Yale University Art Gallery Collection
1
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Creator Gender
male
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Date
1830
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1
Francis Danby, 1793–1861
A View across the Artist's Garden from his House at Exmouth, Devonshire
mid-19th century
Not on view
2
John Sell Cotman, 1782–1842
Drainage Mills in the Fens, Croyland, Lincolnshire
ca. 1835
Not on view
3
Peter DeWint, 1784–1849
Landscape study at sunset
ca. 1835
Not on view
4
Peter DeWint, 1784–1849
Landscape with Chestnut Tree
ca. 1835
Not on view
5
Attributed to George Sidney Shepherd, 1784–1862
The Serpentine, Hyde Park
mid-19th century
Not on view
6
Nicholas Condy, 1793–1857
The Victualling Office, Plymouth
ca. 1835
Not on view
7
James Arthur O'Connor, 1792–1841
A Wooded River Landscape with Mother and Child
1830
Not on view
8
John Constable, 1776–1837
Dedham Vale from Langham
between 1830 and 1831
9
Print made by John Pye, 1782–1874
Tivoli
1830
10
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1830
11
Print made by Robert Wallis, 1794–1878
Banditti
1830
12
Print made by Edward Goodall, 1795–1870
Perugia
1830
13
Print made by Edward Goodall, 1795–1870
Florence
1830
14
Print made by Edward Goodall, 1795–1870
Galileo's Villa
1830
15
Print made by Henry Le Keux, 1787–1868
Aosta
1830
16
Print made by Henry Le Keux, 1787–1868
Aosta
1830
17
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard II (The Dead-House)
1830
18
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard
1830
19
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard
1830
20
Print made by W. R. Smith, active 1819–1851
Hannibal Passing the Alps
1830
21
Print made by Robert Wallis, 1794–1878
William Tell's Chapel
1830
22
Print made by Robert Wallis, 1794–1878
St. Maurice
1830
23
Print made by Robert Wallis, 1794–1878
A Farewell - Lake of Como, II
1830
24
Print made by W. R. Smith, active 1819–1851
Hannibal Passing the Alps
1830
25
Print made by Edward Goodall, 1795–1870
Galileo's Villa
1830
26
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
27
Print made by Edward Goodall, 1795–1870
Florence
1830
28
Print made by Robert Wallis, 1794–1878
Saumur
1830
29
Capt. Thomas Hastings, 1778–1854
South East Bastion of Carisbrooke Castle, 14 June 1830
1830
30
Print made by David Lucas, 1802–1881
Noon
1830
31
Print made by David Lucas, 1802–1881
A Mill
1830
32
John Thomas Smith, 1766–1833
Vale of Health - Hampstead
1830
33
Print made by Robert Wallis, 1794–1878
Saumur
1830
34
James Duffield Harding, 1798–1863
Naples from the Strada Nouva, Nov.26, 1830
1830
35
James Wilcox, active 1830
Buckingham Palace from St. James's Park
1830
36
Gerrit Jan Schouten, Born 1815
Boschbeek & Groenendaal: View from Turret towards Haarlem and Zaandam
undated
37
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View from Turret towards Kamperlaan, Heernstede and Amsterdam
undated
38
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View from Turret towards Kamerlaan, Heernstede and Amsterdam
undated
39
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View from Turret towards fin du Haarlemmesmeer, Leiden, Bennenbrock, and Hillegom
undated
40
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View from Turret towards Alsmeer and Haarlemmesmeer
undated
41
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View from Turret towards Haarlem and Zaandam
undated
42
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View from Turret towards Alsmeer and Haarlemmesmeer
undated
43
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View from Turret towards Lissse, Leidsche Vaart and the Sea
undated
44
Gerrit Jan Schouten, Born 1815
Boxchbeek & Gorenendaal: View from Turret towards Lisse, Leidsche Vaart and the Sea
undated
45
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View towards Leidschevaart and Zantvoort
undated
46
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View towards Leidschevaart and Zantvoort
undated
47
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View from Turret towards the Dunes and Spenrode
undated
48
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View from Turret towards fin du Haarlemmesmeer, Leiden, Bennenbrock, and Hillegom
undated
49
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View from Turret towards the Dunes and Spenrode
undated
50
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View from Turret towards Posthuis, Blanchisferies, Haarlem and Zantvaard
undated
51
Gerrit Jan Schouten, Born 1815
Boschbeek & Gorenendaal: View from Turret towards Posthuis, Blanchisferies, Haarlem and Zantvaard
undated
52
Print made by John Pye, 1782–1874
Tivoli
1830
53
Print made by Robert Wallis, 1794–1878
Banditti
1830
54
Print made by Edward Goodall, 1795–1870
Perugia
1830
55
Print made by William Radclyffe, 1780–1855
Salisbury, Wiltshire
1830
56
Print made by William Radclyffe, 1780–1855
Salisbury, Wiltshire
1830
57
Print made by Robert Wallis, 1794–1878
A Farewell - Lake of Como, II
1830
58
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1830
59
Print made by Robert Wallis, 1794–1878
Banditti
1830
60
Print made by Edward Goodall, 1795–1870
Perugia
1830
61
Print made by Edward Goodall, 1795–1870
Galileo's Villa
1830
62
Print made by Edward Goodall, 1795–1870
Galileo's Villa
1830
63
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
64
Print made by Edward Goodall, 1795–1870
Florence
1830
65
Print made by W. R. Smith, active 1819–1851
Hannibal Passing the Alps
1830
66
Print made by W. R. Smith, active 1819–1851
Hannibal Passing the Alps
1830
67
Print made by Henry Le Keux, 1787–1868
Aosta
1830
68
Print made by W. R. Smith, active 1819–1851
Hannibal Passing the Alps
1830
69
Print made by W. R. Smith, active 1819–1851
Hannibal Passing the Alps
1830
70
Print made by Edward Goodall, 1795–1870
The Lake of Geneva
1830
71
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
72
Isaac Shaw, active 1830
Chat Moss
undated
73
John Absolon, 1815–1895
Trees by a Pool
Undated
74
Print made by Edward Calvert, 1799–1883
The Return Home
1830
75
Capt. Thomas Hastings, 1778–1854
West Cowes, Isle of Wight
1830
76
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1830
77
Print made by David Lucas, 1802–1881
Weymouth Bay, Dorsetshire
1830
78
Print made by David Lucas, 1802–1881
Noon
1830
79
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard II (The Dead-House)
1830
80
Print made by Edward Goodall, 1795–1870
Galileo's Villa
1830
81
Hablot Knight Browne, 1815–1882
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
82
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
83
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
84
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
85
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
undated
86
Edward Hull, 1810–1877
Foxhunting at Melton Mowbray, 1835: The Cream of the Thing
ca. 1835
87
Print made by Robert Wallis, 1794–1878
Virginia Water, No. 1
1830
88
Print made by Robert Wallis, 1794–1878
Virginia Water, No. 2
1830
89
Print made by David Lucas, 1802–1881
View on the Orwell
1830
90
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
91
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
92
Print made by David Lucas, 1802–1881
A Mill
1830
93
Print made by David Lucas, 1802–1881
Castle Acre Priory
1830 to 1831
94
Print made by David Lucas, 1802–1881
A Dell, Helmingham Park, Suffolk
1830
95
Hablot Knight Browne, 1815–1882
Point-to-Point Racing
undated
96
David Cox, 1783–1859
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
97
Print made by John Pye, 1782–1874
Tivoli
1830
98
Print made by Edward Goodall, 1795–1870
Perugia
1830
99
Print made by Robert Wallis, 1794–1878
Banditti
1830
100
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1830
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