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1. Portrait Head of Samuel Palmer

Portrait Head of Samuel Palmer
Creator:
George Richmond, 1809–1896
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 3 3/8 inches (11 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Ploughman

The Ploughman
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1827
Materials & Techniques:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 3 11/16 x 5 1/2 inches (9.4 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Greater Sulphur Crested Cockatoo

Greater Sulphur Crested Cockatoo
Creator:
unknown artist
Date:
ca. 1832
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 21 3/8 x 15 1/8 inches (54.3 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

4. The Shepherd

The Shepherd
Creator:
Engraved by Welby Sherman, active 1827
Date:
between 1827 and 1836
Materials & Techniques:
Engraving on thick, slightly textured beige wove paper with beige chine collé
Dimensions:
Sheet: 12 7/8 x 11 9/16 inches (32.7 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Shepherd

The Shepherd
Creator:
Print made by George Richmond, 1809–1896
Date:
1827
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 8 15/16 x 6 9/16 inches (22.7 x 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Hare in a Landscape

Hare in a Landscape
Creator:
Newton Limbird Smith Fielding, 1799–1856
Date:
1827
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 6 1/4 inches (22.2 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery

A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
Creator:
James Ward, 1769–1859
Date:
1827
Materials & Techniques:
Black chalk and white chalk on medium, smooth, brown wove paper
Dimensions:
Sheet: 9 5/8 x 12 1/2 inches (24.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Mail Coach Behind Time

No cover image available
Creator:
Engraved by Henry Pyall, 1795–1833
Date:
1827
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection