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Collection
Prints and Drawings
33
Creator
Hastings, Thomas Capt., 1778–1854
16
Turner, J. M. W. (Joseph Mallord William), 1775–1851
7
Lupton, Thomas Goff, 1791–1873
4
Bonington, Richard Parkes, 1801–1828
3
Pernot, Francois Alexandre, 1793–1865
3
le, Villain François, active 1824–1835
3
Goodall, Edward, 1795–1870
2
Bell, John, 1811–1895
1
Blake, William, 1757–1827
1
Chinnery, George, 1774–1852
1
Etching, Club, active 1838–1885
1
Read, David Charles, 1790–1851
1
Reynolds, Joshua, Sir, 1723–1792
1
Scott, David, 1806–1849
1
Sibson, Thomas, 1817–1844
1
Thackeray, William Makepeace, 1811–1863
1
Turner, Charles, 1774–1857
1
Unknown artist
1
Wallis, Robert, 1794–1878
1
Date
1833
101
1835
98
1792
86
1834
82
1827
52
1748
33
1826
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33
1739
32
1808
32
1823
30
1857
27
1749
26
1772
25
1802
24
1810
24
1730
23
1745
23
1867
22
1789
21
1790
21
1825
21
1793
19
1803
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1811
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18
1768
17
1762
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1784
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1820
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1764
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1786
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1791
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1828
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1780
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0
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1824
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1897
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1984
6
1700
5
1735
5
1744
5
1746
5
1754
5
1759
5
1777
5
On-site Access
Accessible by appointment in the Study Room
33
Image Use
Free to Use
33
Image Available
Available
32
Unavailable
1
Classification
Drawings & Watercolors
20
Prints
13
Creator Gender
male
[remove]
33
unknown
1
Collective Title
Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon
16
The Ports of England
4
Vues pittoresques de l'Ecosse, d'après nature
3
The Literary Souvenir
2
For the Sexes: The Gates of Paradise, Copy G
1
Provincial Antiquities and Picturesque Scenery of Scotland
1
Period
19th century
33
Materials & Techniques
wove paper
26
graphite
17
mezzotint
5
line engraving
4
chine collé
3
etching (printing process)
3
lithography
3
brown ink
2
laid paper
2
pen
1
pens
1
scraping
1
stipple engraving
1
watercolor
1
Height [cm]
Height [cm] range begin
–
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Current results range from
7
to
41
Width [cm]
Width [cm] range begin
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Current results range from
4
to
51
Work Type
drawing
19
intaglio print
10
planographic print
3
watercolor
1
Genre
landscape
25
architectural subject
7
cityscape
6
marine art
6
genre subject
3
literary theme
2
historical subject
1
religious and mythological subject
1
sporting art
1
still life
1
Subject Terms
men
5
landscape
4
architectural subject
3
hill
3
hills
3
cityscape
2
clouds
2
horses (animals)
2
landscape (representation)
2
park
2
river
2
sailboat
2
stones
2
town
2
trees
2
arch
1
baby
1
birds
1
bodies
1
bone
1
more
Subject Terms
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Associated Places
United Kingdom
5
Scotland
3
England
2
London
2
North Yorkshire
2
Richmond
2
Richmond Hill
2
Richmond Park
2
Thames
2
Asia
1
China
1
Glen Finglas
1
Killin
1
Killin, Loch
1
Lanark
1
Macau
1
Perth
1
Perth and Kinross
1
South Lanarkshire
1
Stirling
1
more
Associated Places
»
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
30
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
1
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Creator Gender
male
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Date
1826
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Width [cm]
23
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1
Print made by William Blake, 1757–1827
"The Traveller hasteth in the Evening" (Plate 16)
1826
2
David Charles Read, 1790–1851
A View of Salisbury Cathedral
between 1826 and 1866
3
Print made by Thomas Goff Lupton, 1791–1873
Scarborough
1826
4
Print made by Thomas Goff Lupton, 1791–1873
Scarborough
1826
5
Print made by Thomas Goff Lupton, 1791–1873
Scarborough
1826
6
William Makepeace Thackeray, 1811–1863
A Mail Coach in a Hilly Landscape
undated
7
Print made by Edward Goodall, 1795–1870
Richmond Hill
1826
8
Print made by Charles Turner, 1774–1857
Crying Forfeits
c.1826
9
Print made by Edward Goodall, 1795–1870
Richmond Hill
1826-1832
10
Capt. Thomas Hastings, 1778–1854
Wootton Bridge, Isle of Wight
between 1826 and 1830
11
Capt. Thomas Hastings, 1778–1854
Sketch of Houses Near the Shore, Isle of Wight
between 1826 and 1830
12
Capt. Thomas Hastings, 1778–1854
Sketch of Plants and a Milestone from Nature, 3 June 1826
1826
13
Capt. Thomas Hastings, 1778–1854
Near Saint Lawrence, Isle of Wight
1826
14
Capt. Thomas Hastings, 1778–1854
Within Carisbrooke Castle Grounds, Isle of Wight
between 1826 and 1830
15
Print made by Richard Parkes Bonington, 1802–1828
Lac de Killin
1826
16
Capt. Thomas Hastings, 1778–1854
In Lord Yarborough's Park, Appuldurcombe, Isle of Wight
1826
17
Capt. Thomas Hastings, 1778–1854
Near Saint Lawrence, Isle of Wight, December 1826
1826
18
Capt. Thomas Hastings, 1778–1854
Sketch of Cottages in the Trees
between 1826 and 1830
19
Capt. Thomas Hastings, 1778–1854
Sketch of a Cottage by the River with a Windmill in the Distance
between 1826 and 1830
20
Capt. Thomas Hastings, 1778–1854
Near Whippingham
between 1826 and 1830
21
Capt. Thomas Hastings, 1778–1854
Sketch of a Road Descending to the Shore with Docked Ships
between 1826 and 1830
22
Capt. Thomas Hastings, 1778–1854
Mr. Ward's Old Summer House, Isle of Wight
between 1826 and 1830
23
Capt. Thomas Hastings, 1778–1854
Sketch of Mr. Ward's Summer House, Isle of Wight
between 1826 and 1830
24
Capt. Thomas Hastings, 1778–1854
Sketch of an Estate House near the Shore, Isle of Wight
between 1826 and 1830
25
Capt. Thomas Hastings, 1778–1854
Sketched Landscape with Castle in the Distance
between 1826 and 1830
26
Capt. Thomas Hastings, 1778–1854
A Fir Tree on the Way from East Cowes
between 1826 and 1830
27
Print made by John Bell, 1811–1895
The City of the Pestilence
between 1826 and 1852
28
Print made by Richard Parkes Bonington, 1802–1828
Ancienne Tour Près de Lanark
1826
29
Print made by Richard Parkes Bonington, 1802–1828
Glenfinlas
1826
30
Print made by Robert Wallis, 1794–1878
1826
31
Print made by Thomas Goff Lupton, 1791–1873
Scarborough
1826
32
Pupil of George Chinnery, 1774–1852
East End of the Preya Grande, Macao
between 1826 and 1852
33
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross
ca. 1831