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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
6
Creator
Girtin, Thomas, 1775–1802
6
Harraden, Richard Banks, 1778–1862
2
Lewis, Frederick Christian the Elder, 1779–1856
2
Girtin, James, ca. 1780–after 1820
1
Harraden, James, active 1801–1814
1
Date
1803
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6
1835
6
1787
1
1789
1
On-site Access
Accessible by appointment in the Study Room
6
Image Use
Free to Use
6
Image Available
Available
6
Classification
Prints
5
Drawings & Watercolors
1
Creator Gender
male
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6
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
4
Period
19th century
6
Materials & Techniques
aquatint
5
etching (printing process)
3
wove paper
2
hand coloring
1
soft-ground etching
1
watercolor
1
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Work Type
intaglio print
5
drawing
1
Genre
architectural subject
6
cityscape
5
landscape
1
Subject Terms
architectural subject
6
bridge (built work)
6
river
6
cityscape
5
boats
1
buildings
1
cottages
1
houses
1
landscape
1
water mill
1
Associated Places
Charenton-le-Pont
6
Europe
6
France
6
Marne
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6
Pont de Charenton-le-Pont
6
Val-de-Marne
6
Île-de-France
6
Paris
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
6
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male
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1803
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Marne
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1
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
2
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
3
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
4
Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
5
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
6
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803