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John Smith, D.D.F.S.A.
Creator:
George Siegmund Facius, 1750–1804
Date:
1797
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 11/16 × 12 5/8 inches (42.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Absent Father or the Sorrows of War
Creator:
William Nutter, 1754–1802
Date:
1797
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 13 7/8 x 11 5/8in. (35.2 x 29.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash
Creator:
John Raphael Smith, 1752–1812
Date:
1797
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 15/16 × 11 7/8 inches (40.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Apsley House and Piccadilly ... from Hyde Park Corner
Creator:
Frederick Nash, 1782–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 11 3/4in. (18.1 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Haymakers in a Field
Creator:
George Robert Lewis, 1782–1871
Date:
undated
Materials & Techniques:
Watercolor and graphite, with scratching out on Thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 x 11 15/16in. (20.3 x 30.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Right Honourable Charlotte Viscountess St. Asaph
Creator:
Print made by Charles Wilkin, 1750–1814
Date:
1797
Materials & Techniques:
Stipple engraving (proof without letters) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/16 × 11 5/8 inches (43.3 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Parent Restor'd or the Blessings of Peace
Creator:
William Nutter, 1754–1802
Date:
1797
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 14 x 11 5/8in. (35.6 x 29.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Old Man of the Sea
Creator:
Print made by Charles Warren, 1767–1823
Date:
ca. 1802
Materials & Techniques:
Etching and line engraving with chine collé on wove paper
Dimensions:
Image: 5 x 3 3/4in. (12.7 x 9.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Old Bridge in Devon
Creator:
Thomas Girtin, 1775–1802
Date:
between 1797 and 1801
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Frigate Awaiting a Pilot
Creator:
William Anderson, 1757–1837
Date:
1797
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 11 3/4 inches (20 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South Side of Catfield Church, Norfolk
Creator:
follower of John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 11 5/8 inches (18.7 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1797
Materials & Techniques:
Aquatint, stipple engraving and mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 11 13/16 inches (40 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection