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Collection
Prints and Drawings
12
Creator
Stubbs, George, 1724–1806
11
Weld, Isaac, 1774–1856
1
Date
1745
49
1790
26
1789
18
2000
17
1803
15
1802
13
1795
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12
1760
9
1791
9
1748
8
1758
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1772
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1996
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1775
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1785
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1755
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1816
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1818
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1827
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1820
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1767
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1847
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1965
3
1749
2
1754
2
1763
2
1766
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1773
2
1779
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1786
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1792
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1799
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1804
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1833
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1840
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1906
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1940
2
1968
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1991
2
1581
1
1719
1
1735
1
1738
1
1743
1
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1
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1750
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1753
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1756
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1759
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1
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1801
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1807
1
1809
1
1813
1
1814
1
1817
1
1821
1
1823
1
1824
1
1828
1
1839
1
1844
1
1848
1
1850
1
1852
1
1855
1
1864
1
1866
1
On-site Access
Accessible by appointment in the Study Room
12
Image Use
Free to Use
12
Image Available
Available
12
Classification
Drawings & Watercolors
12
Creator Gender
male
[remove]
12
Collective Title
A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl
11
Period
18th century-19th century
11
18th century
1
Materials & Techniques
graphite
12
wove paper
11
iron gall ink
3
pen
3
Japanese paper
1
brown wash
1
laid paper
1
red chalk
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
33
to
65
Width [cm]
54
[remove]
12
Work Type
drawing
12
Genre
figure study
10
anatomical study
1
landscape
1
Subject Terms
tigers
11
anatomical study
10
anatomy
10
figure study
10
tiger
10
tail (hanging)
8
cat (domestic cat)
6
side
6
animal
4
skeleton
4
ribs
2
body
1
ribs, groin
1
Exhibition History
George Stubbs in the Collection of Paul Mellon: a Memorial Exhibition (Yale Center for British Art, 1999-04-30 - 1999-09-05)
4
George Stubbs (1724-1806) Tate Gallery (Tate Britain, 1984-10-17 - 1985-01-06)
3
George Stubbs (1724-1806) Tate Gallery (Yale Center for British Art, 1985-02-13 - 1985-04-07)
3
George Stubbs in the Collection of Paul Mellon: a Memorial Exhibition (Virginia Museum of Fine Arts, 2000-02-14 - 2000-05-15)
3
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
2
William Hunter and the Anatomy of the Modern Museum (Yale Center for British Art, 2019-02-14 - 2019-05-20)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
An Introduction to George Stubbs (MK Gallery, 2019-10-11 - 2020-01-26)
1
An Introduction to George Stubbs (National Horse Racing Museum, 2019-06-27 - 2019-09-29)
1
Fearful of Symmetry: The Art of George Stubbs, painter of the Enlightenment (Hall & Knight Ltd., 2000-01-20 - 2000-02-28)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
12
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Creator Gender
male
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Date
1795
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Width [cm]
54
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1
George Stubbs, 1724–1806
Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
between 1795 and 1806
2
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
1795 to 1806
3
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
4
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
5
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
6
George Stubbs, 1724–1806
Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
1795 to 1806
7
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
8
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline drawing for a key figure)
1795 to 1806
9
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Finished Study for Table IV)
between 1795 and 1806
10
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
11
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
12
Isaac Weld, 1774–1856
View of Niagara Falls with the Falls in the Background, Right, and Landscape with Houses in the Foreground
between 1795 and 1797