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Collection
Prints and Drawings
45
Paintings and Sculpture
2
Creator
Varley, John, 1778–1842
15
Carter, John, 1748–1817
11
Girtin, Thomas, 1775–1802
7
Harraden, Richard Banks, 1778–1862
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Unknown artist
2
Alexander, William, 1767–1816
1
Anderson, William, 1757–1837
1
Angus, William, 1752–1821
1
Bonnor, Thomas, ca. 1740–ca. 1812
1
Cockburn, James Pattison, 1779–1847
1
Cozens, John Robert, 1752–1797
1
Edwards, Edward, 1738–1806
1
Ellice, Jane Lady, 1813–1864
1
Harley, George, 1791–1871
1
Malton, Thomas, 1726–1801
1
Rowlandson, Thomas, 1756–1827
1
Selwyn, H. C.
1
Smirke, Robert, 1752–1845
1
Smith, Joseph Clarendon, 1778–1810
1
Date
1796
333
1814
139
1785
104
1827
90
1960
83
1791
79
1790
74
1795
73
1800
71
1834
68
1818
65
1825
63
1820
56
1810
52
1799
51
1815
51
1830
48
1831
48
1792
47
1793
[remove]
47
1772
46
1812
46
1817
43
1835
43
1806
39
1811
39
1823
38
1829
37
1833
37
1836
37
1859
36
1797
35
1740
34
1775
34
1798
33
1807
33
1770
32
1789
32
1813
31
1819
31
1784
30
1804
30
1805
30
1822
30
1832
30
1912
30
1794
29
1821
29
1842
29
1755
28
1808
26
1845
26
1746
25
1816
25
1824
24
1860
24
1761
23
1754
22
1782
21
1809
21
1776
20
1786
20
1767
19
1802
19
1828
19
1863
19
1759
17
1762
17
1765
16
1801
16
1826
16
1887
16
1780
15
1788
15
1745
14
1751
14
1778
14
1787
14
1803
14
1839
14
1840
14
1864
14
1700
13
1773
13
1865
13
1890
13
1779
12
1837
12
1843
12
1871
12
1965
12
1717
11
1747
11
1760
11
1774
11
1861
10
1880
10
1968
10
1720
9
1736
9
On-site Access
Accessible by appointment in the Study Room
45
Not on view
2
Image Use
Free to Use
47
Image Available
Available
47
Classification
Drawings & Watercolors
43
Paintings
2
Prints
2
Creator Gender
male
[remove]
47
unknown
2
female
1
Collective Title
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Period
18th century
27
18th century-19th century
20
Materials & Techniques
graphite
37
wove paper
28
watercolor
27
laid paper
18
black ink
11
pens
7
gouache
5
black chalk
3
pen
3
scratching out
3
brown ink
2
etching (printing process)
2
gray wash
2
painting (technique)
2
board
1
canvas
1
card
1
cartridge paper
1
gray ink
1
gum
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
224
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
13
to
185
Work Type
drawing
41
watercolor
28
intaglio print
2
painting
2
Genre
architectural subject
32
landscape
20
cityscape
5
genre subject
5
marine art
3
military art
2
figure study
1
Subject Terms
architectural subject
32
trees
23
landscape
19
figures
11
buildings
8
clouds
8
river
8
houses
7
boats
6
cityscape
6
hills
6
bridge (built work)
5
castle
5
church
4
men
4
rivers
4
shore (landform)
4
sky
4
town
4
walking
4
more
Subject Terms
»
Associated Places
England
[remove]
47
United Kingdom
47
Europe
18
London
13
City of Westminster
11
Palace of Westminster
11
Thames
5
Greater London
4
Cambridge
3
Cambridgeshire
3
Kent
3
Northumberland
3
York
3
Barnard Castle
2
Battersea
2
Clare College
2
Durham
2
Norwich
2
Ouse
2
University of Cambridge
2
more
Associated Places
»
Associated People
Montagu, Edward, first earl of Sandwich (1625–1672), army and naval officer and diplomat
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
7
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
2
Thomas Girtin: Genius in the North (Harewood House Trust Ltd., 1999-03-09 - 1999-06-13)
2
All The Queen's Horses (National Horse Racing Museum, 2003-04-26 - 2003-08-23)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
1
The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
44
Yale Center for British Art, Bequest of Richard L. Purdy
1
Yale Center for British Art, Gift of R. W. Hutton and J. S. Cogswell
1
Yale Center for British Art, Paul Mellon Fund
1
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Creator Gender
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Date
1793
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England
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1
Robert Smirke, 1752–1845
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay
1793
Not on view
2
William Anderson, 1757–1837
Hussars Embarking at Deptford
1793
Not on view
3
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
4
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
5
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
6
John Varley, 1778–1842
On the Thames
undated
7
John Varley, 1778–1842
View of New Street, near London Bridge
undated
8
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
9
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
10
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
11
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
12
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
13
John Varley, 1778–1842
View of Rugged Coastline, Bamburgh, Northumberland
undated
14
John Varley, 1778–1842
Norwich
undated
15
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
16
James Pattison Cockburn, 1779–1847
Bishop's Bridge, Norwich
undated
17
John Varley, 1778–1842
Millbank
undated
18
Joseph Clarendon Smith, 1778–1810
Sand Pits, Hunsdon
undated
19
pupil of John Varley, 1778–1842
On the Thames
undated
20
John Varley, 1778–1842
View of York
undated
21
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
22
John Varley, 1778–1842
Barnard Castle, County Durham
undated
23
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
24
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
25
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
26
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
27
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
28
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
29
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
30
Thomas Girtin, 1775–1802
Flint Castle
ca. 1798
31
Thomas Girtin, 1775–1802
Harewood House, Yorkshire
ca. 1798
32
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1798
33
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
34
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
35
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
36
John Varley, 1778–1842
Ouse Bridge, York
undated
37
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
38
William Alexander, 1767–1816
The Dent de Lion, Margate, Kent
ca. 1798
39
John Varley, 1778–1842
Ludlow, Shropshire
undated
40
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
41
Thomas Girtin, 1775–1802
A Temple in Harewood Park
ca. 1798
42
Thomas Girtin, 1775–1802
Trees and Pond near Bromley, Kent
ca. 1798
43
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
44
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
45
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
46
unknown artist
A Barge on the Thames near Fulton
undated
47
Edward Edwards, 1738–1806
Barn Elmes
1793