Elysium and Tartarus or the State of Final Retribution
1791
9
William Ellis, 1747–1810
Hackney
1791
10
William Dickinson, 1746–1823
The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian
1791
11
Samuel William Reynolds, 1773–1835
A Young Lady
ca. 1796
12
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
13
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
14
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
15
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
16
John Jones, ca. 1745–1797
Mrs. Jordan in the Character of Hypolita
1791
17
George Morland, 1763–1804
Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc
1791-1795
18
Print made by John Jones, ca. 1745–1797
Caroline, Duchess of Marlborough
1791
19
Print made by Thomas Cheesman, 1760–1834/35
Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
1791
20
George Morland, 1763–1804
Set of Five: Studies of Children, a Dog, a Cat, etc
1791-1795
21
Print made by Charles Wilkin, 1750–1814
Lady Cockburn and Children
1791
22
Print made by John Young, 1755–1825
Mrs. Bunbury
1791
23
Print made by John Young, 1755–1825
Mrs. Gwyn
1791
24
John Jones, ca. 1745–1797
The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ..
1791
25
Print made by John Keyse Sherwin, c.1751–1790
Mary Isabella, Duchess of Rutland
1791
26
Print made by John Jones, ca. 1745–1797
The Roguish Boy
1791
27
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
28
Print made by Richard Earlom, 1743–1822
A Brewhouse Yard
1791
29
John Jones, ca. 1745–1797
Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I
1791
30
John Keyse Sherwin, c.1751–1790
Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
1791
31
John Keyse Sherwin, c.1751–1790
Mary Isabella Manners (née Somerset), Duchess of Rutland
1791
32
John Jones, ca. 1745–1797
Sylvia
1791
33
Alfred William Warren, active 1791–1809
George Horne D.D. Late Lord Bishop of Norwich
undated
34
Thomas Prattent, active 1780–1810
Newcastle House, Clerkenwell Close
1791
35
Jacob C. Schnebbelie, 1760–1792
Painting on the South Side Severts Tomb
1791
36
Page, fl. 1784–1803
Taming...Act III, Scene I
1791
37
George Morland, 1763–1804
Set of Five: Studies of Laborers
1791-1795
38
George Morland, 1763–1804
Set of Five: Five studies of Peddlers
1791-1795
39
George Morland, 1763–1804
Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc
1791-1795
40
Print made by John Raphael Smith, 1752–1812
Madona col Bambino
1791
41
Print made by John Jones, ca. 1745–1797
Lady Gertrude Fitzpatrick as Sylvia
1791
42
Print made by Joseph Grozer, ca. 1755–1798
The Honorable Miss Harris
1791
43
Print made by Francesco Bartolozzi, 1728–1815
Peniston, William, and Frederick James Lamb: The Affectionate Brothers
1791
44
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
45
Print made by Charles Knight, 1743–c.1826
Miss Farren
1791
46
J. Barlow, active 1791
Merchant of Venice, Act III, Sc. I
1791
47
John Jones, ca. 1745–1797
Rear Admiral Sir Charles Douglas
1791
48
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
49
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
50
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
51
Philip Dawe, ca.1750–ca.1790
Evening at Rest
1791
52
Charles Rosenberg, active 1790–1820
Mr. H. Angelo's Fencing Academy
1791
53
John William Edy, 1760–1820
A View of Albion Mill on Fire
1791
54
Francesco Bartolozzi, 1728–1815
Concert Ticket: Grand Professional Concert
1791
55
John Thomas Smith, 1766–1833
Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
1791
56
Print made by Francesco Bartolozzi, 1728–1815
Miss Gunning
ca. 1796
57
Print made by Marino Bovi, Italian, 1758–ca.1805
Lady Sinclair
1791
58
Isaac Cruikshank, 1764–1811
The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho
1791
59
John Raphael Smith, 1752–1812
A Widow - Une Veuve
1791
60
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
61
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
62
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
63
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
64
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
65
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
66
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
67
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
68
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
69
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
70
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
71
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
72
William Dent, active 1784–1793
Black Carlo's White Bust, or, The Party's Plenipo in Catherine's Closet
1791
73
William Dent, active 1784–1793
Grand and Effectual Attack in the Baltic
1791
74
William Dent, active 1784–1793
Election Expenses paid under the Rose, or, The Faithful and Blessed Performance of a Promising Treasurer, and Moderate Secretary - Addressed to those who feel the weight of excessive taxes in general, and the independent electors of Westminster ...
1791
75
William Dent, active 1784–1793
An Alarming Anniversary!!! or, King's Champion and 'Squire, Alamode Don Quixote and Sancho, taking a peep at the [Crown] and [Anchor]
1791
76
Isaac Cruikshank, 1764–1811
The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett
1791
77
Print made by unknown artist
Ride for Ride - A Concise Answer to Burke's Pamphlet
1791
78
Print made by Thomas Rowlandson, 1756–1827
An Imperial Stride!
1791
79
Isaac Cruikshank, 1764–1811
Symptoms of Affection, Or - A Specimen of Martial Prowess
1791
80
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
81
Richard Newton, 1777–1798
Summer Amusement at Farmer G-----'s Near Windsor
1791
82
Richard Newton, 1777–1798
French Discernment; or, a Bumling Discovery!
1791
83
Isaac Cruikshank, 1764–1811
Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!
ca. 1796
84
William Dent, active 1784–1793
The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers
1791
85
Francesco Bartolozzi, 1728–1815
Contemplation
1791
86
Francesco Bartolozzi, 1728–1815
Hebe
1791
87
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
88
Bastiaen Stopendael, 1636/7–c.1708
Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Published 1791
89
Print made by Frederick George Byron, 1764–1794
The Volcano of Opposition
1791
90
Thomas Rowlandson, 1756–1827
Bardolph Badger'd Or the Portland Hunt
1791
91
Richard Newton, 1777–1798
A Sketch from Highlife
1791
92
Print made by Isaac Cruikshank, 1764–1811
The Wrangling Friends or Opposition in Disorder
1791
93
Isaac Cruikshank, 1764–1811
Self Murder or the Wolf Tried and Convicted on his own Evidence
1791
94
Attributed to Isaac Cruikshank, 1764–1811
Saint Catharine and St. George
1791
95
William Hincks, 1752–1797
Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
1791
96
James Gillray, 1756–1815
Les Trois Magots
1791
97
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
98
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
99
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard