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Date 1789

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George Garrard A Bay Horse Approached by a Stable-Lad with Food and a Halter
George Garrard, 1760–1826
A Bay Horse Approached by a Stable-Lad with Food and a Halter
1789
Not on view
George Morland A Party Angling
George Morland, 1763–1804
A Party Angling
1789
Not on view
Johann Heinrich Ramberg Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
Johann Heinrich Ramberg, 1763–1840
Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Not on view
George Morland The Anglers' Repast
George Morland, 1763–1804
The Anglers' Repast
1789
Not on view
George Stubbs Labourers
Print made by George Stubbs, 1724–1806
Labourers
1789
Joseph Mallord William Turner Villa in a Valley near Vietri sul Mare
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
Joseph Mallord William Turner Autumn Sowing of the Grain
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Laughing Song (Plate 28)
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake A Dream (Plate 4)
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake The Little Girl Found (Plate 6)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake Thel's Motto (Plate 1)
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake Night (Plate 16)
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Ecchoing Green (Plate 10)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
William Blake A Cradle Song (Plate 18)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake The Little Girl Found (Plate 22)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake Thel's Motto (Plate 1)
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
William Blake The Book of Thel
Prints made by William Blake, 1757–1827
The Book of Thel
1789
William Blake Original Wrapper to The Book of Thel
William Blake, 1757–1827
Original Wrapper to The Book of Thel
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
George Romney Group of Four Women Embracing
George Romney, 1734–1802
Group of Four Women Embracing
between 1789 and 1790
James Basire Distribution of His Majesty's Maundy Ante Chapel at Whitehall
James Basire, 1730–1802
Distribution of His Majesty's Maundy Ante Chapel at Whitehall
1789
James Gillray Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
Thomas Rowlandson Suitable Restrictions
Thomas Rowlandson, 1756–1827
Suitable Restrictions
1789
William O'Keefe Private Conference on the Meeting of P-L-M-N-T
William O'Keefe, active 1794–1807
Private Conference on the Meeting of P-L-M-N-T
ca. 1794
James Sayer Untitled (Seated Barrister)
James Sayer, 1748–1823
Untitled (Seated Barrister)
1789
James Sayer Neddy's Black Box, Containing what he does not value Three Shipps of a Louse
James Sayer, 1748–1823
Neddy's Black Box, Containing what he does not value Three Shipps of a Louse
1789
James Sayer The Regency Twelfth Cake not cut up, and All the People rejoiced and said "Long Live the King"
James Sayer, 1748–1823
The Regency Twelfth Cake not cut up, and All the People rejoiced and said "Long Live the King"
1789
James Sayer The Rights of the People, a Mis-Fire-at the Consitution ____
James Sayer, 1748–1823
The Rights of the People, a Mis-Fire-at the Consitution ____
1789
James Sayer To be seen at Mr J------n's Menagerie-----
James Sayer, 1748–1823
To be seen at Mr J------n's Menagerie-----
1789
Isaac Cruikshank The New Birth
Print made by Isaac Cruikshank, 1764–1811
The New Birth
1789
Francesco Bartolozzi Apollo and the Muses
Francesco Bartolozzi, 1728–1815
Apollo and the Muses
1789
William O'Keefe A-La-Mode
William O'Keefe, active 1794–1807
A-La-Mode
1789
James Sayer Barataria
James Sayer, 1748–1823
Barataria
1789
William Hinton The Rage
Print made by William Hinton, active 1779–1786
The Rage
ca. 1794
James Gillray The Funeral Procession of Miss Regency
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
James Gillray John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
James Gillray The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
Isaac Cruikshank Les Sacrefices Forces
Print made by Isaac Cruikshank, 1764–1811
Les Sacrefices Forces
1789
James Gillray Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
James Gillray The English Regency
James Gillray, 1756–1815
The English Regency
1789
Peter Simon Frances Isabella Keir Gordon
Peter Simon, 1750–1810
Frances Isabella Keir Gordon
1789
James Heath Wooginoos or Bruces Antidysenterica
James Heath, 1757–1834
Wooginoos or Bruces Antidysenterica
1789
James Heath Gaguedi
James Heath, 1757–1834
Gaguedi
1789
James Heath Walkuffa 1789
James Heath, 1757–1834
Walkuffa 1789
1789
James Heath Kolquall 1789
James Heath, 1757–1834
Kolquall 1789
1789
James Heath Cusso or Banksia Abissinica 1789
James Heath, 1757–1834
Cusso or Banksia Abissinica 1789
1789
James Heath Flower of the Banskia Abissinica 1789
James Heath, 1757–1834
Flower of the Banskia Abissinica 1789
1789
James Heath Wanzey
James Heath, 1757–1834
Wanzey
1789
James Heath Kuara 1789
James Heath, 1757–1834
Kuara 1789
1789
James Heath Rack 1789
James Heath, 1757–1834
Rack 1789
1789
James Heath Farek 1789
James Heath, 1757–1834
Farek 1789
1789
James Heath Ensete 1789
James Heath, 1757–1834
Ensete 1789
1789
James Heath Gaguedi
James Heath, 1757–1834
Gaguedi
1789
James Heath Ensete 1789
James Heath, 1757–1834
Ensete 1789
1789
Thomas Girtin Ruins on the Coast
Thomas Girtin, 1775–1802
Ruins on the Coast
undated
Thomas Girtin View of Lincoln Cathedral
Thomas Girtin, 1775–1802
View of Lincoln Cathedral
undated
Robert Dodd The Royal Dockyard at Chatham
Robert Dodd, 1748–1816
The Royal Dockyard at Chatham
1789
James Heath Sassa 1789
James Heath, 1757–1834
Sassa 1789
1789
John Chalon Study
Print made by John Chalon, 1738 – 1795
Study
1789-1790