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Collection
Prints and Drawings
17
Creator
Ward, James, 1769–1859
7
Hills, Robert, 1769–1844
3
Hoppner, John, 1758–1810
3
Kingsbury, Henry, active 1750–1780
2
Collings, Samuel, active 1784–1795
1
Scratch, Annibal, active 1791
1
Smith, John, 1749–1831
1
Spencer, Lavinia Bingham, 1762–1831
1
Ward, William, 1766–1826
1
White, Charles, active 1784
1
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1827
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1784
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On-site Access
Accessible in the Study Room
17
Image Use
Free to Use
17
Image Available
Available
17
Classification
Drawings & Watercolors
12
Prints
5
Creator Gender
male
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17
female
1
Period
18th century-19th century
10
18th century
7
Materials & Techniques
laid paper
10
graphite
9
wove paper
7
gray wash
4
watercolor
4
mezzotint
3
brown wash
2
black chalk
1
black ink
1
brown ink
1
charcoal
1
pens
1
red chalk
1
stipple engraving
1
white chalk
1
Height [cm]
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52
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41
Work Type
drawing
11
watercolor
7
intaglio print
4
Genre
genre subject
7
animal art
5
figure study
3
architectural subject
2
landscape
2
portrait
1
sporting art
1
still life
1
Subject Terms
genre subject
6
animal art
3
horses (animals)
3
landscape
3
sporting art
3
architectural subject
2
farm
2
fence
2
skeleton
2
trees
2
agriculture
1
animals
1
barn
1
basket
1
beams
1
boar
1
bulls (animals)
1
byre (cattle shed)
1
cart
1
cattle
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Associated Places
England
3
United Kingdom
3
Derbyshire
1
Europe
1
Harrow
1
Kent
1
Matlock
1
Exhibition History
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
13
Yale Center for British Art, Paul Mellon Fund
4
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Creator Gender
male
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Date
1784
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Width [cm]
31
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1
John Warwick Smith, 1749–1831
Matlock High Tor
1784
2
James Ward, 1769–1859
Sea Breaking on Stony Cliffs at Left
undated
3
James Ward, 1769–1859
Head of a Tiger
undated
4
James Ward, 1769–1859
A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
5
James Ward, 1769–1859
Sir Charles Blunt at the Death of the Boar
undated
6
James Ward, 1769–1859
A Farmhand Riding Side-saddle, Carrying an Urn
undated
7
Print made by Henry Kingsbury, active 1750–1780
Girl and Pigeons
1784
8
Print made by William Ward, 1766–1826
Elizabeth, Countess of Mexborough
1784
9
Print made by Charles White, active 1784
Le Moment de la Reflexion
1784
10
James Ward, 1769–1859
A Farm Cart
undated
11
James Ward, 1769–1859
A Human Skeleton
undated
12
Robert Hills, 1769–1844
Budds Green, Kent
undated
13
Annibal Scratch, active 1791
The Temple of Purity; or, Master Billy Pit-i-full's Introduction
1784
14
Print made by Henry Kingsbury, active 1750–1780
Girl and Pigeons
1784
15
Samuel Collings, active 1784–1795
A Querulous Committee Meeting
undated
16
Robert Hills, 1769–1844
A Farm at Harrow
undated
17
Robert Hills, 1769–1844
A Cow Byre
undated