Creator Gender: male / Date: 1780 - YCBA Collections Search Search Results

George Stubbs, 1724–1806

Greenland Falcon

1780

Not on view

George Stubbs, 1724–1806

Phaeton with a Pair of Cream Ponies and a Stable-Lad

between 1780 and 1784

Not on view

George Romney, 1734–1802

Sarah Phipps (née Peckham)

1780

Not on view

George Romney, 1734–1802

A Man Called Mr. Cross

ca. 1785

Not on view

George Morland, 1763–1804

Winter Landscape with Figures

ca. 1785

Not on view

Joseph Wright of Derby, 1734–1797

A Lake by Moonlight

1780 to 1782

Not on view

Joseph Wright of Derby, 1734–1797

William and Margaret from Percy's 'Reliques of Ancient English Poetry'

ca. 1785

Not on view

Joseph Wright of Derby, 1734–1797

Matlock Dale, looking toward Black Rock Escarpment

between 1780 and 1785

Not on view

Paul Sandby, 1731–1809

An Unfinished View of the West Gate, Canterbury

between 1780 and 1785

Not on view

Joseph Wright of Derby, 1734–1797

A Grotto in the Gulf of Salerno, Sunset

1780 to 1781

Not on view

Benjamin West, 1738–1820

Study of the Lamentation on the Dead Christ

ca. 1785

Not on view

Gilbert Stuart, 1755–1828

Colonel Isaac Barre

ca. 1785

Not on view

unknown artist

Brown Horse in a Hilly Landscape

ca. 1785

Not on view

Arthur William Devis, 1762–1822

Portrait of an Unknown Man with an Attendant

ca. 1785

Not on view

Thomas Luny, 1759–1837

A Packet Boat Under Sail in a Breeze off the South Foreland

1780

Not on view

Alexander Nasmyth, 1758–1840

Loch Awe, Argyllshire

ca. 1785

Not on view

James Tassie, 1735–1799

David Garrick

1780

Not on view

Josiah Wedgwood, 1730–1795

Horse Frightened by a Lion (Episode A)

modeled 1780

Not on view

George Stubbs, 1724–1806

Tygers at Play

1780

Joseph Mallord William Turner, 1775–1851

Fisherman's Cottage, Dover

ca. 1790s

George Romney, 1734–1802

John Henderson as Falstaff

1780

Richard Westall, 1765–1836

Wanstead House

undated

Paul Sandby, 1731–1809

James Gandon and Family

1780

Julius Tidd, active 1773–1779

A Bridal Pair (Figures copied from Hogarth's Rake's Progress)

1780

Paul Sandby, 1731–1809

Halfway House, Sadler's Wells

1780

Henry Tresham, 1751–1814

Playing at Dice, Trepani

between 1780 and 1790

Richard Westall, 1765–1836

A Landscape with a Portrait of a Lady, Full Length, Holding a Hat

undated

Thomas Hearne, 1744–1817

Goodrich Castle on the Wye

ca. 1785

unknown artist

Alcibiades and Timon

undated

William Lewin, 1747–1795

Warbler: Reed Wren

before 1790

William Lewin, 1747–1795

Jackdaw

before 1790

William Lewin, 1747–1795

Roller: Garrulous Roller

before 1790

Paul Sandby, 1731–1809

Group of Figures: A Dogfight

ca. 1785

William P. Sherlock, c.1780–1850

The Rape of Persephone

undated

George Shepheard, ca. 1770–1842

Shepheard, Field and Haughton (fighting)

undated

Jacob More, 1740–1793

Naples from Posillipo

1780's

Paul Sandby, 1731–1809

Italianate Landscape with Castle, Cascade and Anglers

between 1780 and 1790

Adam Callander, active 1780–1811

High Cliff Castle (Hants)

undated

John Downman, 1750–1824

Mrs. Ives of Catton

1780

Isaac Weld, 1774–1856

American Stage Wagon

undated

Edward Swinburne, 1765–1847

Dustanborough Castle

undated

Richard Westall, 1765–1836

Moses Bringing the Ten Commandments from Mount Sinai (Exodus 34:29)

before 1835

Richard Westall, 1765–1836

Jonah Cast Into the Sea (Jonah 1:15)

before 1835

Print made by Johann Jacobé, 1733–1797

Lord George Germain

1780

Print made by John Dean, 1754–1798

Elizabeth, Countess of Derby

1780

Print made by John Raphael Smith, 1752–1812

Louisa, Lady Stormont

1780

Print made by James Walker, 1748–1808

Mrs. Musters

1780

Print made by John Raphael Smith, 1752–1812

Henrietta Countess of Warwick

1780

Print made by Thomas Park, ca. 1760–1834

The Honorable Mrs. Watson

ca. 1785

Richard Westall, 1765–1836

Christ Appears to Mary Magdalene (John 20:13-14)

before 1836

Print made by Thomas Watson, 1743–1781

Mrs. Wilbraham

1780

Nicholas Pocock, 1740–1821

The Ranger, Private Ship of War, with her Prizes

1780

William Marlow, 1740–1813

Rochester

1780

James Miller, active 1773–1814

Fountain's Boarding School, Marylebone

1780

Robert Marris, 1750–1827

Waterfall near Lynton

1780

John Claude Nattes, 1765–1822

Blundeston near Lowestoft, Sussex

undated

unknown artist

Elevation of the Ordnance Office

after 1780

Richard Westall, 1765–1836

Greatheart's Battle with Grim

undated

unknown artist

Procession of the Protestant Association to Westminster

1780

Print made by James Basire, 1730–1802

Entree Royalle de la Reyne Mere du Royenes-Christien dans la Ville de Londres

1780

Francesco Bartolozzi, 1728–1815

Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC

1780

James Gillray, 1756–1815

John Bull Triumphant

1780

James Gillray, 1756–1815

A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..

1780

James Gillray, 1756–1815

Ah, Grant A Me Von Letel Bite

1780

Thomas Rowlandson, 1756–1827

Nap in the Country - Nap in Town

ca. 1785

James Sayer, 1748–1823

Impeachment Ticket

ca. 1785

James Stewart, 1791–1863

The Royal Ass

1780

Print made by John Couse, active 1753–1764

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..

between 1780 and 1815

Print made by unknown artist

A View of the City of Oporto

between 1780 and 1815

Print made by unknown artist

The Entrance into the Temple of the Sun in Palmira from the East

between 1780 and 1815

Print made by Thomas Bowles III, ca. 1712–1767

A View of Amsterdam on each side the Old Rampart as seen from the Harbor

between 1780 and 1815

Print made by Thomas Bowles III, ca. 1712–1767

A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket

between 1780 and 1815

Thomas Bowles III A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

Print made by Thomas Bowles III, ca. 1712–1767

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

between 1780 and 1815

unknown artist

A View of the Palace of Triano towards the Flower Garden

between 1780 and 1815

Print made by Thomas Bowles III, ca. 1712–1767

A View of Little St. Mark's Place at Venice to the Sea

between 1780 and 1815

Remi Parr A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

Print made by Remi Parr, 1743–after 1750

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

between 1780 and 1815