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Collection
Prints and Drawings
34
Creator
Borra, Giovanni Battista, 1713–1770
30
Bruce, James, 1730–1794
2
Gilpin, William, 1724–1804
1
Paine, James, 1717–1789
1
Date
1745
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34
1767
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1855
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1764
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1793
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1720
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1765
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1819
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1690
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1838
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1848
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1915
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1918
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1927
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1712
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1715
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1746
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1758
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On-site Access
Accessible by appointment in the Study Room
34
Image Use
Free to Use
34
Image Available
Available
34
Classification
Drawing & Watercolors-Architectural
31
Drawings & Watercolors
3
Creator Gender
male
[remove]
34
Period
18th century
34
Materials & Techniques
graphite
33
laid paper
33
black ink
30
gray wash
30
brown ink
11
watercolor
4
gray ink
2
brown wash
1
wove paper
1
Height [cm]
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55
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Current results range from
20
to
55
Work Type
drawing
34
watercolor
33
Genre
architectural subject
31
landscape
6
cityscape
2
religious and mythological subject
2
Subject Terms
columns
[remove]
34
architectural subject
31
capitals
16
friezes
11
ruins
11
temple
11
moldings
10
scale (rule)
9
theater
8
ancient Greek
7
mountains
7
Ionic
6
arches
6
landscape
6
Corinthian order
5
Roman
5
entablature
5
entablatures
5
site plan
5
trees
5
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Subject Terms
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Associated Places
Turkey
24
Asia
23
Ege kiyilari
21
Denizli Ili
7
Izmir Ili
4
Mugla Ili
4
Pamukkale
4
Aphrodisias
3
Aydin Ili
3
Laodicea
3
Marmara
3
Milâs
3
Pergamon
3
Sakarya
3
Israel
2
Jerusalem
2
Kidron Valley
2
Manisa Ili
2
Priene
2
Sardis
2
more
Associated Places
»
Exhibition History
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
1
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
1
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
34
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1
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
2
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
3
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
4
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
5
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
6
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
7
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
8
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
9
Giovanni Battista Borra, 1713–1770
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
10
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
11
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
12
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
13
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
14
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
15
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
16
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
17
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
18
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
19
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
20
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
21
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
22
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
23
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
24
Giovanni Battista Borra, 1713–1770
Sepolcro di Zagaria
ca. 1750
25
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
26
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
27
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
28
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
29
James Bruce, 1730–1794
St. Agnes (after Domenichino)
undated
30
James Bruce, 1730–1794
St Agnes (after Domenichino)
undated
31
James Paine, 1717–1789
Design for a Church: Elevation of the West Front
ca. 1750
32
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
33
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
34
Rev. William Gilpin, 1724–1804
Landscape with Classical Building at Left
between 1745 and 1748