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Collection
Prints and Drawings
490
Creator
Bruce, James, 1730–1794
320
Borra, Giovanni Battista, 1713–1770
92
Gilpin, William, 1724–1804
30
Taylor, Isaac, 1730–1807
23
Swaine, Francis, 1730–1782
5
Gore, Charles, 1729–1807
3
Hogarth, William, 1697–1764
3
Cozens, Alexander, 1717–1786
2
Paine, James, 1717–1789
2
Adam, James, 1732–1794
1
Deacon, James, c. 1728–1750
1
Gainsborough, Thomas, 1727–1788
1
Hadley, J., active 1730–1758
1
Heckel, Augustin, 1690–1770
1
Jefferys, William, 1730–ca. 1805
1
Ross, Thomas, active from 1753
1
Sandby, Paul, 1731–1809
1
Sanderson, John, active 1730; died 1774
1
Slater, Joseph, c. 1750– died after 1789
1
Date
1791
895
1749
534
1745
[remove]
490
1802
435
1796
410
1771
392
1800
334
1804
333
1867
329
1772
322
0
298
1832
279
1790
271
1775
264
1784
251
1795
251
1826
243
1793
229
1748
223
1792
214
1767
211
1768
209
1752
207
1764
205
1799
200
1785
197
1814
188
1945
183
1827
175
1789
163
1839
162
1818
161
1820
158
1836
154
1773
153
1797
149
1870
132
1770
129
1817
127
1825
126
1830
126
1787
125
1807
122
1758
121
1835
118
1794
117
1968
117
1877
116
1805
110
1780
105
1854
101
1815
99
1855
99
1846
98
1755
96
1788
95
1811
94
1813
94
1717
93
1763
93
1738
91
1765
91
1801
91
1910
91
1803
90
1782
89
1786
89
1810
87
1798
86
1812
85
1808
82
1777
81
1831
80
1740
79
1834
79
1778
78
1762
77
1774
77
1783
76
1841
74
1819
73
1828
73
1829
73
1823
72
1781
71
1868
71
1833
70
1806
69
1869
68
1821
67
1760
66
1893
62
1705
61
1809
58
1822
58
1840
58
1843
58
1838
52
1700
51
1730
51
On-site Access
Accessible by appointment in the Study Room
490
Image Use
Free to Use
489
Under Certain Circumstances
1
Image Available
Available
445
Unavailable
45
Classification
Drawings & Watercolors
265
Drawing & Watercolors-Architectural
225
Creator Gender
male
[remove]
490
Collective Title
Thirty-five Watercolor Drawings of Fish, Birds, Flowers, and Plants
33
Thirty-five Watercolor Drawings of Fish, Birds, Flowers, Plants
2
Thirty-five Watercolour Drawings of Fish, Birds, Flowers, and Plants
1
Period
18th century
457
18th century-19th century
27
19th century
6
Materials & Techniques
graphite
446
laid paper
418
black ink
237
gray wash
221
watercolor
102
brown ink
95
gouache
67
wove paper
66
pen
44
red pencil
41
brown wash
21
gray ink
14
yellow wash
12
orange wash
5
blue wash
3
ground (material)
2
red chalk
2
red ink
2
vellum (skin)
2
etching (printing process)
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
98
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
133
Work Type
drawing
[remove]
490
watercolor
305
frontispiece
6
Genre
architectural subject
236
landscape
82
animal art
63
figure study
51
botanical subject
34
genre subject
32
cityscape
14
religious and mythological subject
14
literary theme
9
marine art
9
portrait
8
historical subject
3
sporting art
3
military art
1
Subject Terms
architectural subject
236
landscape
78
animal art
70
trees
64
mountains
61
hills
39
animals
38
birds
37
deer
37
ruins
37
fish
36
flowers (plants)
36
plants
36
taxonomy (discipline)
36
columns
34
temple
23
capitals
22
scale (rule)
22
site plan
20
buildings
18
more
Subject Terms
»
Associated Places
Asia
56
Turkey
53
Ege kiyilari
42
Izmir Ili
12
Paestum
12
Denizli Ili
11
Israel
11
Italy
9
Marmara
9
Mugla Ili
8
Europe
7
Manisa Ili
7
Sardis
7
Jerusalem
6
Laodicea
6
Yerushalayim, Mehoz
6
Lazio
5
Pamukkale
5
Pergamon
5
Roma
5
more
Associated Places
»
Associated People
Robin Hood
1
Exhibition History
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
6
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
5
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
4
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
3
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
3
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
3
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
1
Seascapes - Marine Paintings and Watercolors from the U Collection (Yale Center for British Art, 2009-05-28 - 2009-08-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
1
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Vancouver Art Gallery, 1997 - 1997-06-15)
1
William Hogarth (1697-1764) (Fondazione Giorgio Cini, 1989-08-26 - 1989-11-12)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
465
Yale Center for British Art, Paul Mellon Fund
23
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Creator Gender
male
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Date
1745
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drawing
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1
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
2
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
3
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
4
James Bruce, 1730–1794
Elevation of Front of most entire Temple at Baalbec
undated
5
James Bruce, 1730–1794
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
undated
6
James Bruce, 1730–1794
Internal Order of the Cell of the most entire Temple at Baalbec
undated
7
James Bruce, 1730–1794
Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples
undated
8
James Bruce, 1730–1794
Plan of the Temple at Baalbec
undated
9
James Bruce, 1730–1794
Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec
undated
10
James Bruce, 1730–1794
Temple at Baalbec: Detailed drawing of a Doorway
undated
11
James Bruce, 1730–1794
Temple at Baalbec: Three Temples amongst other Ruins
undated
12
James Bruce, 1730–1794
Temple at Baalbec: Sheet of Sketches of Columns
undated
13
James Bruce, 1730–1794
Finished Drawing of Unidentified Palladian Mansion
undated
14
James Bruce, 1730–1794
Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State
undated
15
James Bruce, 1730–1794
Veduta di Tunga
undated
16
James Bruce, 1730–1794
XIVI Theatre at Ain Tunga Thignica
undated
17
James Bruce, 1730–1794
Temple at Thignica Modern, Ain Tunga now totally Destroyed
undated
18
James Bruce, 1730–1794
Fragments of Architecture at Temple of Thignica Ain Tunga
undated
19
James Bruce, 1730–1794
Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga
undated
20
James Bruce, 1730–1794
Architectural Detail of Cornice of Temple at Thignica Modern Ain Tunga
undated
21
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
22
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
23
James Bruce, 1730–1794
Quadrifrontal Arch, Tripoli
undated
24
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
25
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
26
James Bruce, 1730–1794
Plate XV Back of Temple at Sheitla [sic]
undated
27
James Bruce, 1730–1794
Left Corinthian Temple at Suttetula Modern Sheitla
undated
28
James Bruce, 1730–1794
Centre Composite Temple Suttetula Modern Sheitla
undated
29
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
30
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
31
James Bruce, 1730–1794
Right Corinthian Temple at Suttetula Modern Sheitla
undated
32
James Bruce, 1730–1794
The Medrassen [sic] Pl. V
undated
33
James Bruce, 1730–1794
Triumphal Arch of Hieron of Temples Sheitla
undated
34
James Bruce, 1730–1794
Trajans Arch, Makter
undated
35
James Bruce, 1730–1794
Architectural Details of Arch at Makther
undated
36
James Bruce, 1730–1794
Lower Arch at Makther on Back
undated
37
James Bruce, 1730–1794
Details of Lower Arch Mactar, Modern Makther
undated
38
James Bruce, 1730–1794
Details of Plinth and Entablature of Lower Arch at Mactar, Modern Makther
undated
39
James Bruce, 1730–1794
Lower Arch at Mactor Modern Makther set in a Landscape
undated
40
James Bruce, 1730–1794
XVLL Arch at Makther
undated
41
James Bruce, 1730–1794
Architectural Details of Pedestal Column and Entablature and Pediment Makther
undated
42
James Bruce, 1730–1794
Elevation of Pedestal Entablature and Pediment of Triumphal Arch at Makther
undated
43
James Bruce, 1730–1794
XLX Lower Arch at Makther Details of Cornice
undated
44
James Bruce, 1730–1794
Tucca Terebinthina; Title Page
undated
45
James Bruce, 1730–1794
Elevation and Plan of Trajan's Arch at Makther; erso: Elevation of Pedestal and Entablature of Trajan's Arch
undated
46
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
undated
47
James Bruce, 1730–1794
Man Playing a Harp
undated
48
James Bruce, 1730–1794
St. Agnes (after Domenichino)
undated
49
James Bruce, 1730–1794
Obelisk at Axum Erected As Is Supposed by Ptolemy Evergetes
undated
50
James Bruce, 1730–1794
Plan and Section of the Mikeas or Kiosc with the Pillar Where on Is Measured the Daily Increase of the Nile During Inundation
undated
51
James Bruce, 1730–1794
Noble Arab of the Tribe Beni-Koreish of the Family Harb at Beder-Hunein
undated
52
James Bruce, 1730–1794
St Agnes (after Domenichino)
undated
53
James Bruce, 1730–1794
Kefla Abay, High Priest of the Nile
undated
54
James Bruce, 1730–1794
Young Woman of Loheia in Arabia Felix of the Tribe Beni-Koreish
undated
55
James Bruce, 1730–1794
Studies of a Dhow
undated
56
James Bruce, 1730–1794
Studies of Ceremonial Weaponry
undated
57
James Bruce, 1730–1794
Man on Horseback Throwing a Spear
undated
58
James Bruce, 1730–1794
Man on Horseback with Bird
undated
59
James Bruce, 1730–1794
Boats in a Harbour
undated
60
James Bruce, 1730–1794
Man on Horseback Carrying a Spear
undated
61
James Bruce, 1730–1794
Man on Horseback Approaching a Seated Man
undated
62
James Bruce, 1730–1794
Six Studies of a Man on Horseback Carrying Weapons
undated
63
James Bruce, 1730–1794
Studies of Warriors on Horseback
undated
64
James Bruce, 1730–1794
Study of Two Women, One Carrying a Plate
undated
65
James Bruce, 1730–1794
Study of Two Men
undated
66
James Bruce, 1730–1794
Woodage Asahel Wearing Ceremonial Headband
undated
67
James Bruce, 1730–1794
Woodage Asahel and Kefla Yasous with Ceremonial Equipment
undated
68
James Bruce, 1730–1794
Study of a Nude Male Sitting
undated
69
James Bruce, 1730–1794
Kefla Yasous with Horse and Ceremonial Equipment
undated
70
James Bruce, 1730–1794
Graphite Sketch of Two Unidentified Birds
undated
71
James Bruce, 1730–1794
An Eagle
undated
72
James Bruce, 1730–1794
Studies of Camels Kneeling
undated
73
James Bruce, 1730–1794
Study of a Coin
undated
74
James Bruce, 1730–1794
One Side of a Coin with Inscription
undated
75
James Bruce, 1730–1794
Studies of Legs, Arms and Hands
undated
76
James Bruce, 1730–1794
A Vase
undated
77
James Bruce, 1730–1794
A Three-Faced Urn
undated
78
James Bruce, 1730–1794
Elevation of Ruined Temple
undated
79
James Bruce, 1730–1794
Decorative Border For Title Page
undated
80
James Bruce, 1730–1794
Decorative Wall Designs
undated
81
James Bruce, 1730–1794
Parts of Mechanical Device
undated
82
James Bruce, 1730–1794
Studies of Two Male Heads Wearing Turbans
undated
83
James Bruce, 1730–1794
Weighing Scale
undated
84
James Bruce, 1730–1794
St. Michael Geesh
undated
85
James Bruce, 1730–1794
Mechanical Device
undated
86
James Bruce, 1730–1794
Sketch of Man, Woman and Child
undated
87
James Bruce, 1730–1794
Slight graphite sketch of ruins of Hieron of Temples at Shietla
undated
88
James Bruce, 1730–1794
Pl. VIII Temple of Jupiter at Tebessa
undated
89
James Bruce, 1730–1794
Pl. IX Arch of Caracalla at Tebessa
undated
90
James Bruce, 1730–1794
Entrance to Hieron of Temple of Shietla
undated
91
James Bruce, 1730–1794
Arch of Caracalla at Tebessa and many measured plans and elevations
undated
92
James Bruce, 1730–1794
Sketches of architectural detail of temple at Baalbec
undated
93
James Bruce, 1730–1794
Plan of upright of the Tabernacle above the Niche of Temple at Baalbec
undated
94
James Bruce, 1730–1794
Plan of temple at Baalbec
undated
95
James Bruce, 1730–1794
Upright of the Niche at the Temple at Baalbec
undated
96
James Bruce, 1730–1794
Section of arches and stairs of the temple at Baalbec
undated
97
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
98
James Bruce, 1730–1794
Elevation and plan of part of Temples at Baalbec
undated
99
James Bruce, 1730–1794
Plan of part of the temple at Baalbec
undated
100
James Bruce, 1730–1794
Plan of the great temple of Baalbec and of Portico and Courts leading to it
undated
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