Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Fund / Associated People: Pomona - YCBA Collections Search Search Results

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Fund

Associated People Pomona

1. Pomona - The Goddess of Orchards

Pomona - The Goddess of Orchards

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 13/16 × 10 1/4 inches (35.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Vertumnus and Pomonae

Vertumnus and Pomonae

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1690 and 1703
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 3/4 × 9 1/16 inches (29.8 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Vertumnus and Pomonae

Vertumnus and Pomonae

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1690 and 1703
Materials & Techniques:: Mezzotint with touches of gouache on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/2 × 8 11/16 inches (29.2 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Vertumnus et Pomona

Vertumnus et Pomona

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 x 14 3/16 inches (51.5 x 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Pomona

No cover image available

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680-1690s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 10 1/16 inches (34.6 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund