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Credit Line Yale Center for British Art, Paul Mellon Collection

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Francis Smith The Grand Vizier giving Audience to the English Ambassador
Francis Smith, active 1763–1780
The Grand Vizier giving Audience to the English Ambassador
ca. 1760
Not on view
unknown artist An Allegory of the Tudor Succession: The Family of Henry VIII
unknown artist
An Allegory of the Tudor Succession: The Family of Henry VIII
ca. 1590
Not on view
John Wootton George I at Newmarket, 4 or 5 October, 1717
John Wootton, 1682–1764
George I at Newmarket, 4 or 5 October, 1717
ca. 1717
Not on view
John Francis Rigaud Captain Vincenzo Lunardi with his Assistant George Biggin, and Letitia Anne Sage (née Hoare), in a Balloon
John Francis Rigaud, 1742–1810
Captain Vincenzo Lunardi with his Assistant George Biggin, and Letitia Anne Sage (née Hoare), in a Balloon
1785
Not on view
Henry Singleton The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird
Henry Singleton, 1766–1839
The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird
ca. 1800
Not on view
Sir David Wilkie Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo
Sir David Wilkie, 1785–1841
Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo
ca. 1819
Not on view
Philippe-Jacques de Loutherbourg The Great Fire of London
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
Sir James Thornhill Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach
Attributed to Sir James Thornhill, 1675–1734
Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach
ca. 1720
Not on view
Benjamin West Paetus and Arria
Benjamin West, 1738–1820
Paetus and Arria
1766
Not on view
Augustus Leopold Egg The Life of Buckingham
Augustus Leopold Egg, 1816–1863
The Life of Buckingham
undated, exhibited 1855
Not on view
Sir James Thornhill Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
Attributed to Sir James Thornhill, 1675–1734
Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
ca. 1718
Not on view
Robert Smirke The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis
Robert Smirke, 1752–1845
The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis
ca. 1792
Not on view
George Jones The Passing of the Great Emancipation Act
George Jones, 1786–1869
The Passing of the Great Emancipation Act
ca. 1829
Not on view
Augustus Leopold Egg The Death of Buckingham
Augustus Leopold Egg, 1816–1863
The Death of Buckingham
undated, exhibited 1855
Not on view
James Pollard The Last of the Mail Coaches at Newcastle upon Tyne
James Pollard, 1792–1867
The Last of the Mail Coaches at Newcastle upon Tyne
1848
Not on view
John Martin The Bard
John Martin, 1789–1854
The Bard
ca. 1817
Not on view
unknown artist Restoration Procession of Charles II at Cheapside
unknown artist
Restoration Procession of Charles II at Cheapside
mid-18th century
Not on view
Peter Gaspar Scheemakers Cleopatra
Peter Gaspar Scheemakers, 1691–1781
Cleopatra
ca. 1723
Not on view
John Nost I John Locke
Attributed to John Nost I, before 1660–1711/1712
John Locke
ca. 1700
Not on view
William Blake Title Page, For Children. The Gates of Paradise (Plate 2)
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
William Blake The Traveller Hasteth in the Evening (Plate 16)
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
William Blake What is Man!, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
William Blake I Found Him Beneath a Tree (Plate 3)
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
William Blake Help! Help! (Plate 12)
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake The Angel (Plate 40)
Print made by William Blake, 1757–1827
The Angel (Plate 40)
1794
William Blake A Standard Bearer Fainting in the Routed Battle (Design 87)
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
William Blake "Fear to stop, and shame to fly..." (Design 91)
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake Earth's Answer (Plate 35)
Print made by William Blake, 1757–1827
Earth's Answer (Plate 35)
1794
William Blake Songs of Experience, Title Page (Plate 33)
Print made by William Blake, 1757–1827
Songs of Experience, Title Page (Plate 33)
1794
William Blake Introduction (Plate 34)
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
William Blake A Little Boy Lost (Plate 43)
Print made by William Blake, 1757–1827
A Little Boy Lost (Plate 43)
1794
William Blake A Little Girl Lost (Plate 44)
Print made by William Blake, 1757–1827
A Little Girl Lost (Plate 44)
1794
William Blake My Pretty Rose Tree (Plate 47)
Print made by William Blake, 1757–1827
My Pretty Rose Tree (Plate 47)
1794
William Blake The Little Girl Found (Plate 22)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake London (Plate 39)
Print made by William Blake, 1757–1827
London (Plate 39)
1794
William Blake A Poison Tree (Plate 41)
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake The Chimney Sweeper (Plate 45)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 45)
1794
William Blake Songs of Experience, Frontispiece (Plate 32)
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
William Blake The Clod & the Pebble (Plate 36)
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
William Blake Holy Thursday (Plate 38)
Print made by William Blake, 1757–1827
Holy Thursday (Plate 38)
1794
William Blake The Human Abstract (Plate 46)
Print made by William Blake, 1757–1827
The Human Abstract (Plate 46)
1794
William Blake Nurses Song (Plate 37)
Print made by William Blake, 1757–1827
Nurses Song (Plate 37)
1794
William Blake The Fly (Plate 48)
Print made by William Blake, 1757–1827
The Fly (Plate 48)
1794
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
William Blake Earth (Plate 5)
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
William Blake At Length for Hatching Ripe He Breaks the Shell (Plate 8)
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
William Blake Fear & Hope Are -- Vision (Plate 15)
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Simpson The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860
William Simpson, 1823–1899
The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860
ca. 1860
William Simpson Elephant Battery
William Simpson, 1823–1899
Elephant Battery
1864
Sir James Thornhill The House of Commons
Sir James Thornhill, 1675–1734
The House of Commons
after 1731
Anthony Pasquin Caricature of the Introduction of the Duke of Württemberg (afterwards King Frederick I) to George III and Queen Charlotte previous to his Marriage with Charlotte, Princess Royal of England
Anthony Pasquin, 1763–1818
Caricature of the Introduction of the Duke of Württemberg (afterwards King Frederick I) to George III and Queen Charlotte previous to his Marriage with Charlotte, Princess Royal of England
undated
Sir James Thornhill The Sermon on the Mount
Sir James Thornhill, 1675–1734
The Sermon on the Mount
undated
Edward Francis Burney Mary, Queen of Scots
Edward Francis Burney, 1760–1848
Mary, Queen of Scots
undated
Lewis Vaslet The Spoiled Child, Scene VI
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
Thomas Wyck Newgate Prison, the Fire of London
Thomas Wyck, 1616–1677
Newgate Prison, the Fire of London
undated
Ramsay Richard Reinagle Hercules Resting
Ramsay Richard Reinagle, 1775–1862
Hercules Resting
undated
Anthony Walker Britannia in Distress
Anthony Walker, 1726–1765
Britannia in Distress
1756
George Moutard Woodward The Royal Rush Light
George Moutard Woodward, ca. 1760–1809
The Royal Rush Light
1798
William Miller Killiecrankie
Print made by William Miller, 1796–1882
Killiecrankie
1836
Daniel Lysons Monument to Jennett Hamilton, Chelsea Church
Daniel Lysons, 1762–1834
Monument to Jennett Hamilton, Chelsea Church
between 1796 and 1811
William Miller Killiecrankie
Print made by William Miller, 1796–1882
Killiecrankie
1836
Daniel Lysons Monuments to Mrs. Rebecca Cassamajor and Thoma Spateman, Chiswick Church
Daniel Lysons, 1762–1834
Monuments to Mrs. Rebecca Cassamajor and Thoma Spateman, Chiswick Church
between 1796 and 1811
Daniel Lysons Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church
Daniel Lysons, 1762–1834
Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church
between 1796 and 1811
Daniel Lysons Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church
Daniel Lysons, 1762–1834
Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church
between 1796 and 1811
James Tibbits Willmore Destruction of Both Houses of Parliament
Print made by James Tibbits Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
Daniel Lysons Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church
Daniel Lysons, 1762–1834
Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church
between 1796 and 1811
Daniel Lysons Memorial to Mrs. Hester Hill and Mr. Thomas Hill, Chelsea Church
Daniel Lysons, 1762–1834
Memorial to Mrs. Hester Hill and Mr. Thomas Hill, Chelsea Church
between 1796 and 1811
Robert Wallis William Tell's Chapel
Print made by Robert Wallis, 1794–1878
William Tell's Chapel
1830
James Tibbits Willmore Destruction of Both Houses of Parliament
Print made by James Tibbits Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
James Bruce No. 2. A. Table of Hieroglyphics found at Axum
James Bruce, 1730–1794
No. 2. A. Table of Hieroglyphics found at Axum
1771
James Bruce No.1 A Table of Hieroglyphics found at Axum
James Bruce, 1730–1794
No.1 A Table of Hieroglyphics found at Axum
1771
Antonio Verrio James II Receiving the Mathematical Scholars of Christ's Hospital
Studio of Antonio Verrio, ca. 1639–1707
James II Receiving the Mathematical Scholars of Christ's Hospital
undated
James Bruce Bruce at the Source of the Blue Nile
James Bruce, 1730–1794
Bruce at the Source of the Blue Nile
undated
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
Daniel Lysons Tomb of Gregory Lovell and his Wife Anne, Harlington Church
Daniel Lysons, 1762–1834
Tomb of Gregory Lovell and his Wife Anne, Harlington Church
between 1796 and 1811
Daniel Lysons Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church
Daniel Lysons, 1762–1834
Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church
between 1796 and 1811
Daniel Lysons Brass Plate Monument for John Stockton, West Wickham Church
Daniel Lysons, 1762–1834
Brass Plate Monument for John Stockton, West Wickham Church
between 1796 and 1811