Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 58

John Constable, 1776–1837

Hampstead Heath looking towards Harrow

1821 to 1822

Not on view

William Hogarth, 1697–1764

A Club of Gentlemen

ca. 1730

Not on view

Marco Ricci, 1676–1729

Rehearsal of an opera

ca. 1709

Not on view

Charles Brooking, 1723–1759

English Ships Under Sail in a Very Light Breeze

ca. 1752

Not on view

Charles Brooking, 1723–1759

English Ships Running before a Gale

before 1759

Not on view

Attributed to Benjamin Barker, 1776–1838

West Country Landscape

ca. 1810

Not on view

Marcus Gheeraerts the Younger, 1561–1635

Catherine Killigrew, Lady Jermyn

1614

Not on view

James Pollard, 1792–1867

Outside the Pike and Anchor Inn at Ponders End, Middlesex

1834

Not on view

John Linnell, 1792–1882

Evening, Bayswater

1818

Not on view

Attributed to John Nost I, before 1660–1711/1712

John Locke

ca. 1700

Not on view

Paul Sandby, 1731–1809

Romantic Landscape with Figures and a Dog

undated

Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Alfred Stevens, 1817–1875

Group of Figures, Child Begging in Center

undated

John James Barralet, 1747–1815

The Road to East Grinstead

Undated

Sir Richard Colt Hoare, 1758–1838

Convent at Valmontone. November 1790

1790

Jonathan Needham, active 1850–1874

Punt on a River

1862

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

James Bruce, 1730–1794

Plan of the circular temple at Baalbec

undated

James Bruce, 1730–1794

Back view of the same circular temple in its present state

undated

Ensign Caldwell, c.1800

Prince of Wales Island, Penang

undated

Samuel Austin, 1796–1834

Church of Notre Dame, Bruges

undated

Samuel Prout, 1783–1852

Coast Scene near Plymouth

undated

John Dixon, ca. 1740–1811

A Tigress

1773

Robert Morrison, active ca. 1791

Design for Court of Edinburgh University

1779

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827-1838

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827-1838

Print made by Thomas Girtin, 1775–1802

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

1803

John Kempshead, active 1808

Design for a Castellated Entrance

1808

John McKinlay, 19th century

Nuntons

undated

Peter Tillemans, 1684–1734

The Vale of Llangollen

undated

Hugh William "Grecian" Williams, 1773–1829

Taormina, Sicily

undated

Print made by Robert Brandard, 1805–1862

Dunstanborough Castle, Northumberland

1827-1838

Print made by J. C. Varrall, active 1815–1827

Malmsbury Abbey, Wiltshire

1827-1838

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Etched by Samuel Middiman, ca. 1750–1831

Temple of Jupiter Panhellenius

1828

Sir Richard Colt Hoare, 1758–1838

View at Valmontone. November 1790

1790

Thomas Malton, 1726–1801

Lleweney Bleach Works

1798

James Wyatt, 1746–1813

Cobham Hall, Kent: Full Size Drawing of Cross

1798

James Wyatt, 1746–1813

Cobham Hall, Kent: Cornice Full Size for the Chimney of the Dairy

1795

attributed to Francis Place, 1647–1728

Dunbar Castle and the Bass Rock

undated

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827-1838

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827-1838

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1827-1838

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1827-1838

Print made by Robert Wallis, 1794–1878

Cowes, Isle of Wight

1827-1838

Print made by Charles Westwood, active 1819–1838

Carisbrook Castle, Isle of Wight

1827-1838

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

1827-1838

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827-1838

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827-1838

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827-1838

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827-1838

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827-1838

Etched by Samuel Middiman, ca. 1750–1831

The Temple of Jupiter in the Island of Aegina

1828

Print made by Robert Wallis, 1794–1878

Lancaster from the Aqueduct Bridge

1827-1838

Daniel Lerpiniere, c.1745–1785

A Hunting Piece in the Hunting Hall at Houghton

1778

follower of John Varley, 1778–1842

Saint Peter's Church, Hereford, from Butcher's Row

1802

Edward William Cooke, 1811–1880

Old and New London Bridge

undated

Print made by James Tibbits Willmore, 1800–1863

Mercury and Argus

1841

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Print made by Robert Brandard, 1805–1862

Crossing the Brook

1842

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565

Theatrum Sive Coliseum Romanum

1538

Print made by Daniel Wilson, 1816–1892

Ancient Carthage - The Embarcation of Regulus

1840

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Thomas Girtin, 1775–1802

View of Pont Neuf, The Mint etc

1802

Print made by Thomas Girtin, 1775–1802

View of the Tuileries and Bridge taken from the Pont de la Concorde

1802

William Ward, 1766–1826

Sailors Conversation

1802

Thomas Vivares, c.1735–c.1790

Design of a Ruineous Bridge for the Garden at Sion

1778

James Caldwall, 1739–1819

Fete Champetre, 9 June 1774 (Inside of the Supper-Room)

1780

unknown artist

Returning from a Review...Paris

1802

R. F. Tringham

The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth

ca.1762

John Finlayson, 1730–1776

David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

1768

John Hall, 1739–1797

Untitled - Man in bearskin seated holding a shovel, two women in the center and a Roman on the right

1771

Isaac Johnson, 1754–1835

Survey of Tunstall Marshes

1753

Isaac Johnson, 1754–1835

The North or Great Barn Farm at Earlham

1753

Thomas Girtin, 1775–1802

Rochester, Kent: from the North

ca. 1790

Christian Friedrich Duttenhoffer, 1778–1846

Solitude

1802

Print made by John West Giles, active 1827–1865

Four Prize Wethers

1837

Isaac Cruikshank, 1764–1811

The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude

1797

Print made by Francis Jukes, 1747–1812

Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind

1802

William Ward Orville. Orville, a Brown Horse, foaled in 1799 was bred by Earl Fitzwilliam & was got by Byningbrough our of Evelina was got by Highflyer out of Termagant by Tantrum Regulus ...

William Ward, 1766–1826

Orville. Orville, a Brown Horse, foaled in 1799 was bred by Earl Fitzwilliam & was got by Byningbrough our of Evelina was got by Highflyer out of Termagant by Tantrum Regulus ..

1809

William Ward Sir David. Sir David a Brown Horse, bred by Lord Stowell, foaled in 1801 got by Trumpeter, his dam by Woodpecker, grand dam own Sister to Driver by Trentham, ...

William Ward, 1766–1826

Sir David. Sir David a Brown Horse, bred by Lord Stowell, foaled in 1801 got by Trumpeter, his dam by Woodpecker, grand dam own Sister to Driver by Trentham, ..

1809

William Ward, 1766–1826

Coaching: Two of His Majesty's State-Horses

1800

William Ward Selim. Selim, a Chesnut Horse, bred by His Grace the Duke of Queensberry, foaled in 1802 got by Buzzard, his Dam by Alexander, Grand Dam by Highflyer, Alfred, Engineer, bay Malton's Dam &tc., ...

William Ward, 1766–1826

Selim. Selim, a Chesnut Horse, bred by His Grace the Duke of Queensberry, foaled in 1802 got by Buzzard, his Dam by Alexander, Grand Dam by Highflyer, Alfred, Engineer, bay Malton's Dam &tc., ..

1809