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Credit Line Yale Center for British Art, Paul Mellon Collection

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Height [cm] 39

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John Constable Osmington Village
John Constable, 1776–1837
Osmington Village
1816 to 1817
Not on view
John Constable Study of an Ash Tree
John Constable, 1776–1837
Study of an Ash Tree
between 1801 and 1803 or between 1810 and 1830
Not on view
George Stubbs Horse Attacked by a Lion (Episode C)
George Stubbs, 1724–1806
Horse Attacked by a Lion (Episode C)
between 1768 and 1769
Not on view
Richard Parkes Bonington Calais Jetty, France
Richard Parkes Bonington, 1802–1828
Calais Jetty, France
ca. 1824
On view at YUAG
Richard Banks Harraden Procession of Boats on the River Cam below Clare College, Cambridge
Richard Banks Harraden, 1778–1862
Procession of Boats on the River Cam below Clare College, Cambridge
early 19th century
Not on view
John Inigo Richards The Colosseum
John Inigo Richards, 1730/31?–1810
The Colosseum
1776
Not on view
John Inigo Richards Castel Sant'Angelo, Rome
John Inigo Richards, 1730/31?–1810
Castel Sant'Angelo, Rome
1776
Not on view
George Morland The Squire's Door
George Morland, 1763–1804
The Squire's Door
ca. 1790
Not on view
Lionel Edwards Taking out the Hounds
Lionel Edwards, 1878–1966
Taking out the Hounds
undated
Not on view
George Vincent A Harbor Scene in the Isle of Wight, Looking Towards the Needles
George Vincent, 1796–1832
A Harbor Scene in the Isle of Wight, Looking Towards the Needles
1824
Not on view
Canaletto The City from Near the Terrace of Somerset House
Canaletto, 1697–1768
The City from Near the Terrace of Somerset House
ca. 1750
Not on view
Canaletto Westminster from Near the Terrace of Somerset House
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
Lionel Constable Study of an Ash Tree
Lionel Constable, 1828–1887
Study of an Ash Tree
ca. 1851
Not on view
Lionel Constable Landscape with Wheatfield
Lionel Constable, 1828–1887
Landscape with Wheatfield
ca. 1850s
Not on view
George Chinnery George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
Related to George Chinnery, 1774–1852
George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
1801
Not on view
George Stubbs Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
George Stubbs Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Outline drawing for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline drawing for a key figure)
1795 to 1806
George Stubbs Owl Standing, Anterior View
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
William Hogarth The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
William Hogarth, 1697–1764
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
William Hogarth The First Stage of Cruelty: First, Children Torturing Animals
William Hogarth, 1697–1764
The First Stage of Cruelty: First, Children Torturing Animals
1751
William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
Joseph Mallord William Turner Ship Aground, Brighton, with the Chain Pier Beyond
Joseph Mallord William Turner, 1775–1851
Ship Aground, Brighton, with the Chain Pier Beyond
1830
Joseph Mallord William Turner A Sea Piece - A Rough Sea with a Fishing Boat
Joseph Mallord William Turner, 1775–1851
A Sea Piece - A Rough Sea with a Fishing Boat
1820 to 1830
Joseph Mallord William Turner Weymouth
Joseph Mallord William Turner, 1775–1851
Weymouth
ca. 1811
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake Satan Smiting Job with Sore Boils
Print made by William Blake, 1757–1827
Satan Smiting Job with Sore Boils
1825
William Blake Job and His Family Restored to Prosperity
Print made by William Blake, 1757–1827
Job and His Family Restored to Prosperity
1825
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake Title Page, Illustrations of The Book of Job
Print made by William Blake, 1757–1827
Title Page, Illustrations of The Book of Job
1825
William Blake Job and His Family
Print made by William Blake, 1757–1827
Job and His Family
1825
William Blake Ciampolo the Barrator Tormented by the Devils (Plate 2)
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "Now comes the night of Enitharmons joy!..." (Plate 7)
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake "Arise 'O Rintrah eldest born..." (Plate 9)
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake Frontispiece, The Ancient of Days (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
William Blake Title Page, Europe a Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Europe a Prophecy (Plate 2)
1794
William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
William Blake A Prophecy. "The deep of winter came..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
William Blake "In thoughts perturb'd they rose..." (Plate 11)
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
William Blake The Serpent Attacking Buoso Donati (Plate 5)
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
William Blake Dante Striking against Bocca Degli Abati (Plate 7)
Print made by William Blake, 1757–1827
Dante Striking against Bocca Degli Abati (Plate 7)
1827
William Blake Europe. A Prophecy
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Lewis Vaslet The Spoiled Child, Scene III
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
Lewis Vaslet The Spoiled Child, Scene V
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
Benjamin West Design for a Wall of the Chapel of Revealed Religion
Benjamin West, 1738–1820
Design for a Wall of the Chapel of Revealed Religion
ca. 1780
Canaletto The City of Westminster from Near the York Water Gate
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
Sir James Thornhill Design for Ceiling Walls and Staircase
Sir James Thornhill, 1675–1734
Design for Ceiling Walls and Staircase
between 1712 and 1713
Samuel Owen Shipping on a Stormy Day
Samuel Owen, 1768–1857
Shipping on a Stormy Day
undated
George Morland Landscape with Horses, Farmer and Dog
George Morland, 1763–1804
Landscape with Horses, Farmer and Dog
1794
John Hoppner Portrait Study of a Young Man, possibly Frank Issom
attributed to John Hoppner, 1758–1810
Portrait Study of a Young Man, possibly Frank Issom
undated
James Wyatt Cobham Hall, Kent: Drawing for Wall Decoration
James Wyatt, 1746–1813
Cobham Hall, Kent: Drawing for Wall Decoration
ca. 1790
Charles Gore Herstmonceux
Charles Gore, 1729–1807
Herstmonceux
1787
Lewis Vaslet The Spoiled Child, Scene I
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
Lewis Vaslet The Spoiled Child, Scene IV
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
Francis Wheatley Traveling Potter Outside a Cottage
Francis Wheatley, 1747–1801
Traveling Potter Outside a Cottage
1798
Lewis Vaslet The Spoiled Child, Scene II
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
Richard Wilson The Arbra Sacra on the Banks of Lake Nemi
Richard Wilson, 1713/4–1782
The Arbra Sacra on the Banks of Lake Nemi
between 1754 and 1756
Nicholas Pocock The Sailor's Departure
Nicholas Pocock, 1740–1821
The Sailor's Departure
ca. 1795
James Bruce Plan of three quarters of the amphitheatre at El Djem with descriptive notes
James Bruce, 1730–1794
Plan of three quarters of the amphitheatre at El Djem with descriptive notes
undated
James Bruce Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
James Bruce, 1730–1794
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
undated
James Bruce XIVI Theatre at Ain Tunga Thignica
James Bruce, 1730–1794
XIVI Theatre at Ain Tunga Thignica
undated
James Bruce Temple at Thignica Modern, Ain Tunga now totally Destroyed
James Bruce, 1730–1794
Temple at Thignica Modern, Ain Tunga now totally Destroyed
undated
James Bruce Sketch of Temple Ruins
James Bruce, 1730–1794
Sketch of Temple Ruins
ca. 1768
James Bruce Corinthian Temple at Assuras
James Bruce, 1730–1794
Corinthian Temple at Assuras
undated
James Bruce XXIV Lybian Mausoleum at Dougga
James Bruce, 1730–1794
XXIV Lybian Mausoleum at Dougga
undated
James Bruce Temple of Jupiter and Minerva, Thugga
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
undated
James Bruce XXII Side View of Temple at Dougga
James Bruce, 1730–1794
XXII Side View of Temple at Dougga
undated
James Bruce Tomb de la Chretienne/ Juba and Cleopatra
James Bruce, 1730–1794
Tomb de la Chretienne/ Juba and Cleopatra
ca. 1769
James Bruce Cisterns at Carthage
James Bruce, 1730–1794
Cisterns at Carthage
undated
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
James Basire II A View of Worcester College &c.
Print made by James Basire II, 1769–1822
A View of Worcester College &c
1804
Paul Sandby Arthur Gore, first Earl of Arran
attributed to Paul Sandby, 1731–1809
Arthur Gore, first Earl of Arran
undated
James Bruce Plan of one quarter of the amphitheatre at El Djem showing seating tiers
James Bruce, 1730–1794
Plan of one quarter of the amphitheatre at El Djem showing seating tiers
undated
James Bruce Elevation of Amphitheatre of El Djem entitled "Isrus"
James Bruce, 1730–1794
Elevation of Amphitheatre of El Djem entitled "Isrus"
undated
James Bruce Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
James Bruce, 1730–1794
Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
undated
James Bruce Rocks
James Bruce, 1730–1794
Rocks
ca. 1769
Luigi Balugani Hagenia abyssinica (Bruce) J.F. Gmel. : finished drawing
Luigi Balugani, 1737–1770
Hagenia abyssinica (Bruce) J.F. Gmel. : finished drawing
undated
James Bruce Temple of Jupiter and Minerva, Thugga
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
undated
George Cattermole A Monastery Mill
George Cattermole, 1800–1868
A Monastery Mill
undated
James Basire II View of Oxford from the South Side of Heddington Hill
Print made by James Basire II, 1769–1822
View of Oxford from the South Side of Heddington Hill
1808