Design for the Mechanics' Institution, Basingstoke: Elevation
undated
31
Sir George Hayter, 1792–1871
Kitchen: Interior, Stone Crouch
1822
32
James Ward, 1769–1859
A Stunted Oak
1822
33
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
34
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1822
35
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
36
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
37
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
38
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
39
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
40
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
41
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
ca. 1827
42
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
43
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
44
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
45
James Thomson, 1800–1883
Henry Bone, R. A
1822
46
John Bluck, active 1791–1831
The Quadrant, Regent Street
1822
47
unknown artist
Richmond, from the Duke of Buedeugh's Garden, Western Suburb
1822
48
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
49
Robert Smirke, 1752–1845
Olivia and Maria
1822
50
unknown artist
John Bunyan's Meeting House and the School connected therewith
1822
51
Bartholomew Howlett, 1767–1827
The Queen of Bohemia's Palace, or Crover House in Drury Lane; as it appeared in the Year 1800
1822
52
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
53
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
54
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
55
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
56
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
57
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
58
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
59
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
60
Sir David Wilkie, 1785–1841
Two Riders Seen from Behind, Oct. 10, 1822
1822
61
James Pollard, 1792–1867
Fox-Hunting [set of three of four]: 2.The find
1822
62
James Pollard, 1792–1867
Fox-Hunting [set of three of four]: 4.The Death
1822
63
James Pollard, 1792–1867
Shooting [a pair]: 2. Evening of the First of September
1822
64
James Pollard, 1792–1867
Shooting [set of six]: 3. Grouse Shooting
1822
65
James Pollard, 1792–1867
Shooting [set of six]: 2. Pheasant Shooting
1822
66
James Pollard, 1792–1867
Shooting [set of six]: 6. Packing up
1822
67
Print made by John Henry Robinson, 1796–1871
Paradise Lost, Book V
1822
68
Charles Heath, 1785–1848
Paradise Lost, Book VI
1822
69
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
70
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
71
William Heath, 1795–1840
A bit of a Row in the East, EVERY COCK on this own DUNGHILL, or the Legitimates come to the charge
1822
72
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
73
William Holl II, 1807–1871
Samuel Johnson with biography
undated
74
William Thomas Fry, 1789–1843
Thomas Moore, Esq
1822
75
Bartholomew Howlett, 1767–1827
Clerks-Well
1822
76
Joseph Lambert, active 1822
Gorleston, Suffolk
1822
77
Print made by unknown artist
Quae Genus on his Journey to London
1822
78
George Hollis, 1792–1842
Ombersley Church, Worcestershire, S.E
1822
79
George Harley, 1791–1871
Hungerford Stairs, Westminster
1822
80
Edward Scriven, 1775–1841
Benjamin West
1822
81
Matthew Dubourg, active 1786–1838
Stage Coach
1822
82
Charles Turner, 1774–1857
The Hampshire Hunt
1822
83
Henry Thomas Alken, 1785–1851
Foxhunting: The Meet
1822
84
Henry Thomas Alken, 1785–1851
Foxhunting: The Start
1822
85
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
86
William Bernard Cooke, 1778–1855
Lambeth Palace
1822
87
George Vincent, 1796–1832
A Gypsy, Encampment
1822
88
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
89
Print made by Henry Le Keux, 1787–1868
Heriot's Hospital
1822
90
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
91
Print made by Robert Wilkinson, 1758–1825
A Ground Plan of Bermondsey Abbey
1822
92
William Deeble, active 1814–1849
London Horse and Carriage Repository, Gray's Inn Road
1822
93
William Wise, Active 1823–1876
South View of London Street Dockhead and Plan of the Parish of St. Mary Magdalen, Bermondrey, Surrey
1822
94
unknown artist
View of the New Theatre Royal, Haymarket
1822
95
Anker Smith, 1759–1819
Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action