Materials & Techniques: wove paper / Subject Terms: ruins / Classification: Prints

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by John Constable, 1776–1837

The Ruins of Netley Abbey

1826

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

Print made by William Blake, 1757–1827

My Son! My Son! (Plate 10)

1793

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

Christian Friedrich Duttenhoffer, 1778–1846

Solitude

1802

Print made by Edward Francis Finden, 1791–1857

Bacharach on the Rhine

1832

John Greig, active 1803–1853

Dudley Castle from the Court

1810

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

Henry Griffiths, 1835–1849

Inverlochy Castle, Invernesshire

1836

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

William Ellis, 1747–1810

The House of William Russell, Esq., Showell Green: English and French Text

1792

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Frederick Landseer Maur Griggs, 1876–1938

Maur's Farm

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938

Stepping Stones

1915

Print made by John Sell Cotman, 1782–1842

Lakenham, near Norwich

ca. 1808

Robert Dixon, 1780–1815

Beeston Priory, Beeston Regis

between 1810 and 1811

Robert Dixon, 1780–1815

The Greyfriars Tower, Lynn, as it appeared 1801

between 1810 and 1811

Louis Haghe, 1806–1885

Thornbury Castle, Gloucestershire

between 1823 and 1835

Print made by Richard Earlom, 1743–1822

Landscape with Ruins

1817

Print made by Richard Earlom, 1743–1822

A Study, with Ancient Ruins

1810

Print made by Frederick Landseer Maur Griggs, 1876–1938

Carnagh

1915

Print made by Charles William Cain, 1893–1962

Ctesiphon Arch

1921

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by James H. Kernot, 1802–1858

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by James C. Allen, active 1821–1831

Aldborough

1819-1826

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by David Lucas, 1802–1881

Castle Acre Priory

1830 to 1831

Print made by James Clark, 19th century

Cowdray Ruins

1824

Robert Dixon, 1780–1815

The Black Tower Norwich

between 1810 and 1811

Robert Dixon, 1780–1815

West Tower, Wymondham Church

1810

Robert Dixon, 1780–1815

Remains of the Priory, Beeston Regis

1810

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

William Byrne, 1743–1805

A View in the Villa Madama, near Rome, called II Teatro

1765

William Byrne, 1743–1805

Untitled

1765

Print made by Richard Parkes Bonington, 1802–1828

Ancienne Tour Près de Lanark

1826

Print made by Richard Parkes Bonington, 1802–1828

Ancienne Porte a Stirling

1826

Print made by Richard Parkes Bonington, 1802–1828

Ruines de Château d'Arlay

1827

Print made by Miriam Garratt

Souvenir of Coventry

1942

Print made by Richard Parkes Bonington, 1802–1828

Vue Generale des Ruines du Château d'Arlay

1827

Print made by Richard Parkes Bonington, 1802–1828

Tour aux Archives a Vernon

1824

Paul Sandby, 1731–1809

Views in the Levant: The Sacred Cave of Archidamus

ca. 1785

Print made by Miriam Garratt

Coventry Cathedral Service, Good Friday, 1943

after 1943

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Thomas Girtin, 1775–1802

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

1802

Print made by Thomas Medland, 1755–1823

Ruins of St. Paul Covent Garden

1795

Print made by Edward Francis Finden, 1791–1857

Bacharach on the Rhine

1832-1834

Print made by Richard Parkes Bonington, 1802–1828

Lillebonne - Château d'Harcourt

1824

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

Print made by Letitia Byrne, 1779–1849

Bolton Abbey, Yorkshire

1809

Print made by John Greig, active 1803–1853

Keep of Dudley Castle

1810

Frederick James Havell, 1801–1840

Lincoln from the Castle

ca. 1836

Print made by Edward Francis Finden, 1791–1857

Bacharach on the Rhine

1832-1834

Print made by John Le Keux, 1783–1846

Plate XXVII: St Stephen's Chapel, Looking East, Westminster

ca. 1836

Print made by Morgan Dennis, 1892–1960

Muckross Abbey, Killarney

undated

Print made by John Sell Cotman, 1782–1842

Church of L'Ery, near Pont-de-l'Arche

1820

John Doyle ('H.B.') A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

Print made by John Doyle ('H.B.'), 1797–1868

A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

1847

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Frederick Mackenzie, 1788–1854

View of St Stephen's Chapel as it appeared after the Fire in October 1834

1843

Print made by Robert William Billings, 1813–1874

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

1835

Print made by Robert Spence, 1871–1964

George Fox Comes to London After the Great Fire

between 1890 and 1911

Print made by John Thomas Smith, 1766–1833

Cotton Garden, Westminster

1804

Print made by unknown artist

Flower Garden Porch at Farnley

1814

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by Robert William Billings, 1813–1874

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Print made by Sir Frank William Brangwyn, 1867–1956

The Headless Christ

1910

Print made by James H. Kernot, 1802–1858

Jumma Musjid, Mandoo

1834

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

1874

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Sir David Young Cameron, 1865–1945

The Meuse [Belgian Set: No. 4]

1907

Print made by unknown artist

The Bay of Baiae - Apollo and the Sibyl

between 1852 and 1856

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

Print made by Thomas Abiel Prior, 1809–1886

The Bay of Baiæ, Apollo and the Sibyl

1873

Bradshaw & Blacklock, active ca.1850

Scottish Scenes. Albanian Scenes

after 1850

Edmund Turrell, active 1835–1860

The Temple of Aphaia at Aegina: Sections

1828

Print made by Oliver Hall, 1869–1957

St. Martin's Bridge, Toledo

undated

Charles Robert Cockerell, 1788–1863

The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

1860

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Materials & Techniques wove paper

Subject Terms ruins

Classification Prints

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Materials & Techniques wove paper

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