Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
5
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
6
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
7
George Stubbs, 1724–1806
Dorking Hen, Lateral View
1795 to 1806
8
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
9
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
10
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
11
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
12
George Stubbs, 1724–1806
Fowl Skeleton, Lateral View
1795 to 1806
13
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
1795 to 1806
14
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
15
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
16
attributed to Joseph Mallord William Turner, 1775–1851
The Hurries: Coal Boats Loading, Whitehaven
ca. 1795
17
Edward Lear, 1812–1888
St. Giulio, Orta, 26 September 1837
1837
18
Edward Lear, 1812–1888
Balgrate. 14. October. 1837
1837
19
Edward Lear, 1812–1888
La Cava, 20 July 1838
1838
20
Edward Lear, 1812–1888
Genezzano, 17 May 1838
1838
21
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
1866
22
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
23
Print made by William Blake, 1757–1827
The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
1827
24
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
25
Print made by William Blake, 1757–1827
The Pit of Disease: The Falsifiers (Plate 6)
1827
26
Print made by William Blake, 1757–1827
The Baffled Devils Fighting (Plate 3)
1827
27
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
28
attributed to John Middleton, 1826–1856
Woodland Scene with a Path Across a Stream
undated
29
Attributed to J. Pearson, active 1860
Near Goudhurst, Kent
1860
30
James Bruce, 1730–1794
Studies of Two Men
undated
31
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
32
Print made by James C. Allen, active 1821–1831
Dunbar
1824
33
Print made by James C. Allen, active 1821–1831
Dunbar
1824
34
James Ward, 1769–1859
Landscape with a Farm and Cornstalks
ca. 1803
35
Isaac Weld, 1774–1856
Two Women in Colorful Costume
ca. 1816
36
unknown artist
Market Hill, Cambridge
ca. 1895
37
Sir Robert Smirke the younger, 1781–1867
Remains of the Temple of Jupiter in the Plains of Nemea, Greece
1803
38
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Interior of a Theatre
1912
39
unknown artist
One of Eleven Designs for Houses and Shops
ca. 1800
40
Print made by Sir Frank Short, 1857–1945
The Temple of Jupiter in the Island of Aegina
1920
41
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
42
Print made by John Browne, 1741–1801
Evening
ca. 1797
43
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
44
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
45
John Grant, Died 1873
Rocket Practice in the Marshes
1845
46
Print made by Remi Parr, 1743–after 1750
The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds
undated
47
Print made by Paul Fourdrinier, 1698–1758
Sweet William's Farewell to Black Eyed Susan
undated
48
James Pollard, 1792–1867
Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
undated
49
William Henry Davis, active 1803–1849
Ultima, One of Lord Maynard's Mares
1815
50
Henry Thomas Alken, 1785–1851
The Death: Huntsman Holding Fox Aloft
undated
51
Henry Thomas Alken, 1785–1851
The Night Riders of Nacton: The Finish. Nacton Church and Village
undated
52
Henry Thomas Alken, 1785–1851
Foxhunting: Gone to Ground
undated
53
style of Sir Edwin Henry Landseer, 1802–1873
A Dappled Horse in a Stable
undated
54
James Pollard, 1792–1867
Snipe Shooting
undated
55
Henry Thomas Alken, 1785–1851
The St. Leger, Doncaster: Preparing to Start
undated
56
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
57
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
58
Print made by Paul Fourdrinier, 1698–1758
A Sea Engagement between the English and Algerines
ca. 1743
59
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
60
Cecil Charles Windsor Aldin, 1870–1935
Full Cry
undated
61
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
62
Henry Thomas Alken, 1785–1851
The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner
undated
63
unknown artist
The Race
ca. 1850
64
William Evans of Bristol, 1809–1858
The 'Royal' Coach Outside the White Lion Inn
ca. 1845
65
Samuel Howitt, 1756–1822
Racing Scene
1792
66
Possibly James Pollard, 1792–1867
The Derby Day: Tits and Trampers on the Road to Epsom
undated
67
George Morland, 1763–1804
Fallen Horse and Rider, The Hunt Disappearing Left
undated
68
Thomas Rowlandson, 1756–1827
A Race on the Knavesmire at York
undated
69
Henry Thomas Alken, 1785–1851
Grouse Shooting
undated
70
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
71
Thomas Malton the Younger, 1748–1804
Banqueting House, Whitehall
undated
72
Henry Thomas Alken, 1785–1851
The Night Riders of Nacton: The Last Field near Nacton Heath
undated
73
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
74
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
75
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
76
Print made by Thomas Gainsborough, 1727–1788
Travellers by a Clump of Trees in a Rocky Landscape with Stream
undated
77
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
78
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
79
Mary Newton Severn, 1832–1866
Edith Forster
ca. 1862
80
Mary Newton Severn, 1832–1866
Ella Forster
ca. 1862
81
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
82
Print made by Caroline Watson, 1760–1814
The Tempest, Act V, Scene I
1795
83
James Gillray, 1756–1815
Le Coup de Maitre
1797
84
George C. Finden, 1811–1885
A Mythological Battle
1853
85
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
86
John Buckler FSA, 1770–1851
Title Page: Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr
undated
87
unknown artist
The Adelphi Buildings
undated
88
John Buckler FSA, 1770–1851
Title page for: Drawings of Droitwich and its Environs
undated
89
Print made by William Walcot, 1874–1943
The Library of San Marco, Venice
1920
90
Print made by Thomas Allom, 1804–1872
The Ceremony of Opening London Bridge, August 1, 1831
undated
91
Print made by Francesco Bartolozzi, 1728–1815
Juvenis auscultans seni de divinis admonenti
1764
92
Print made by Remi Parr, 1743–after 1750
The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
undated
93
Lionel Edwards, 1878–1966
The Lodge Gate
1922
94
Richard Thomas Underwood, 1772–1835
The Chapel at Wakefield Bridge, Yorkshire
undated
95
James Ward, 1769–1859
The Vale of Llangollen
undated
96
Cornelius Varley, 1781–1873
Study of Small Fishing Vessel on Shore
undated
97
Emeric Essex Vidal, 1791–1861
A Dance in Jamaica
undated
98
Alfred Stevens, 1817–1875
Decorative Design with Heads of a Cat, Hare and Goose