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Materials & Techniques wove paper

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Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Paul Sandby The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
Peter DeWint Building a Hayrick
Peter DeWint, 1784–1849
Building a Hayrick
undated
Michael Angelo Hayes The Band of the 23rd Fusiliers
Michael Angelo Hayes, 1811–1880
The Band of the 23rd Fusiliers
1838
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Henry Thomas Alken Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
Henry Thomas Alken Knight Falling From His Horse at a Squire's Tilt
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Thomas Rowlandson How to Vault in the Saddle
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
Thomas Rowlandson Picking Mulberries
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
James McNeill Whistler The Long Gallery, Louvre
James McNeill Whistler, 1834–1903
The Long Gallery, Louvre
1894
Frederick Landseer Maur Griggs The Quay
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
Thomas Shotter Boys Notre Dame, Paris
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
Samuel Howitt The Village Inn
Samuel Howitt, 1756–1822
The Village Inn
1798
Edmund Thomas Parris Studies of Figures: Women, Tradespeople, etc.
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
Walter Geikie Edinburgh Castle and Horse Fair
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
George Morland A Hop Kiln
George Morland, 1763–1804
A Hop Kiln
1795
George Morland A Man Lifting a Trunk, Two studies on one sheet
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
Thomas Rowlandson Dr. Syntax Made Free of the Cellar
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
Paul Sandby Bayswater - London
Paul Sandby, 1731–1809
Bayswater - London
undated
Edward Francis Burney Boarding the Ferry
Edward Francis Burney, 1760–1848
Boarding the Ferry
undated
Cornelius Varley Ship Study
Cornelius Varley, 1781–1873
Ship Study
1823
Michael "Angelo" Rooker Clare Castle, Suffolk
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
Richard Parkes Bonington Les Pendus
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
Bradshaw & Blacklock Hampton Court
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
Spencer Frederick Gore Cave of the Golden Calf: Study of Musicians and Animals
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
George Cruikshank London. A Street: 'Henry IV Part II,' Act II, Scene I
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
Georg Goldberg "Antony and Cleopatra," Act III, Scene XI
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
Robert Dixon The Late Entrance to Ber Street, Norwich
Robert Dixon, 1780–1815
The Late Entrance to Ber Street, Norwich
1810
Richard Parkes Bonington Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
Charles William Cain Shortened Canvas
Print made by Charles William Cain, 1893–1962
Shortened Canvas
undated
Charles William Cain Before the Breeze
Print made by Charles William Cain, 1893–1962
Before the Breeze
undated
Charles William Cain The Canoe Builders
Print made by Charles William Cain, 1893–1962
The Canoe Builders
undated
David Allan Patie Rebukes Roger
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808
John Corner Sir Godfrey Kneller
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
Thomas Rowlandson 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
Thomas Rowlandson, 1756–1827
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
between 1809 and 1811
Thomas Rowlandson Soldiers in St. James Park
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
Thomas Rowlandson Labourers at Rest
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
Thomas Rowlandson An Artist's Studio
Thomas Rowlandson, 1756–1827
An Artist's Studio
1814
Thomas Rowlandson Dr. Syntax Copying the Wit of the Window
Thomas Rowlandson, 1756–1827
Dr. Syntax Copying the Wit of the Window
between 1809 and 1812
Thomas Rowlandson Crowd by a Gibbet
Thomas Rowlandson, 1756–1827
Crowd by a Gibbet
undated
Thomas Rowlandson Comforts of Bath: The Pump Room
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
Thomas Rowlandson Comforts of Bath: The Concert
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
Thomas Rowlandson Comforts of Bath: The Ball
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
Richard Dadd Eastern Letter Writer
Richard Dadd, 1817–1886
Eastern Letter Writer
1863
Thomas Girtin Boat Building
Thomas Girtin, 1775–1802
Boat Building
ca. 1799
Alfred Diston View of part of Realesco de abasco from the road to la Cruz Santa
Alfred Diston, active 1818–1829
View of part of Realesco de abasco from the road to la Cruz Santa
1818
John Warwick Smith The Slate Quarries at Bron Llwyd
John Warwick Smith, 1749–1831
The Slate Quarries at Bron Llwyd
undated
Thomas Girtin Cottage near Newcastle, Northumberland
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
Thomas Rowlandson Dr. Syntax with Kitty Cowslip
Thomas Rowlandson, 1756–1827
Dr. Syntax with Kitty Cowslip
1821
Thomas Rowlandson Time and Death and Goody Barton
Thomas Rowlandson, 1756–1827
Time and Death and Goody Barton
undated
Thomas Rowlandson Comforts of Bath: Gouty Persons Fall on Steep HIll
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
Thomas Rowlandson Outside the Greengrocer's Shop
Thomas Rowlandson, 1756–1827
Outside the Greengrocer's Shop
between 1805 and 1810
Joshua Cristall Arcadian Shepherds by a Pool
Joshua Cristall, 1768–1847
Arcadian Shepherds by a Pool
undated
Richard Dadd Family Portraits
Richard Dadd, 1817–1886
Family Portraits
1838
John Sell Cotman Cader Idris from the Mawddach Estuary above Barmouth
John Sell Cotman, 1782–1842
Cader Idris from the Mawddach Estuary above Barmouth
ca. 1802
William Alexander A View of the Coast of China
William Alexander, 1767–1816
A View of the Coast of China
undated