Materials & Techniques: wove paper / Height [cm]: 39 - YCBA Collections Search Search Results

1. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red and black chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 20 1/2 inches (39.4 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Tiger Skeleton, Lateral View (Study for the key figure to Table IV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen and iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 x 20 1/4 inches (38.1 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Tiger Body, Lateral View (Outline drawing for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 1/8 inches (36.8 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Owl Standing, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 10 1/2 inches (39.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

6. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

7. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

8. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

9. Ship Aground, Brighton, with the Chain Pier Beyond

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1830
Materials & Techniques:: Watercolor, black ink, and gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A Sea Piece - A Rough Sea with a Fishing Boat

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1830
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 11 5/8 inches (20 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Winchelsea, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 10 1/2 inches (39.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. Weymouth

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1811
Materials & Techniques:: Watercolor, pen and brown ink and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 5/8in. (14.6 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Ciampolo the Barrator Tormented by the Devils (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "Enitharmon slept. ..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "Shot from the heights of Enitharmon..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "Now comes the night of Enitharmons joy!..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Famine (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. "Arise 'O Rintrah eldest born..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "Albions Angel rose upon the Stone of Night..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Plague (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "The shrill winds wake!..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Frontispiece, The Ancient of Days (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Title Page, Europe a Prophecy (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A Prophecy. "The deep of winter came..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. "In thoughts perturb'd they rose..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Serpent Attacking Buoso Donati (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Dante Striking against Bocca Degli Abati (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Spoiled Child, Scene III

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Spoiled Child, Scene V

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Shipping on a Stormy Day

Creator:: Samuel Owen, 1768–1857
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 11 13/16 inches (11.4 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Landscape with Horses, Farmer and Dog

Creator:: George Morland, 1763–1804
Date:: 1794
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 15 3/8 x 18 5/16 inches (39.1 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Spoiled Child, Scene I

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 20 1/8 inches (39 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Spoiled Child, Scene IV

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Traveling Potter Outside a Cottage

Creator:: Francis Wheatley, 1747–1801
Date:: 1798
Materials & Techniques:: Watercolor over graphite with gouache on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 x 19 1/8 inches (38.7 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Spoiled Child, Scene II

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 20 3/8 inches (39.1 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Sailor's Departure

Creator:: Nicholas Pocock, 1740–1821
Date:: ca. 1795
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 22 1/4 inches (39.4 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Temple of Jupiter and Minerva, Thugga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Arthur Gore, first Earl of Arran

Creator:: attributed to Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Black chalk, red chalk, white chalk on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 15 1/2 x 8 5/8 inches (39.4 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Monastery Mill

Creator:: George Cattermole, 1800–1868
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on thick, rough, beige wove paper
Dimensions:: Sheet: 15 5/16 × 11 3/8 inches (38.9 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Edinburgh Castle

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Maya Stela at Copan, Honduras

Creator:: Frederick Catherwood, 1799–1854
Date:: 1843
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, graphite, and scratching out on thick, moderately textured, cream wove paper, mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 7/16 × 21 5/8 inches (39.2 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Henry Schnakenberg

58. Two Men on a Country Road

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 7/16 x 12 9/16in. (44.3 x 31.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Landscape with Cottage and Figures on Horseback

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/2 x 20 9/16 inches (39.4 x 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Landscape with River and a Bridge

Creator:: William Green, 1760–1823
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, gum arabic, and stopping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 22 inches (40.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Landscape, Castle by a River

Creator:: William Green, 1760–1823
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 22 1/16 inches (40 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Stourhead, Wiltshire

Creator:: after Francis Nicholson, 1753–1844
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 22 1/2in. (39.4 x 57.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Vault of Helen and William Gates, Mrs. Helen Gardnor, Mr. Lewis Combrune and Mrs. Helen Combrune

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Memorial to William Earsby also to Edmund Guesham from Fulham Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 5/8 inches (38.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Memorial to Loilliam and Ann Frohock from Stoke Newington Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 11 1/8 inches (39.1 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Memorial to Thomas Parsons, his Wife Mary and their Daughters, Ann Hamill and Mary Baunton form Stoke Newington Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 10 7/8 inches (39.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Brass Plate for unidentified Woman from Stoke Newington Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Memorial to Gideon and Frances Guichenet and their Daughter Sarah also to Silvester Cote

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 × 10 7/8 inches (38.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Sixty-six Guns: Single Frigate

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/4 × 16 5/16 inches (38.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

70. Single Hermaphrodite Brig, Stern Forward

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 15 3/16 × 17 inches (38.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

71. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 5/16 × 20 1/2 inches (38.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

72. Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 3/8 × 21 1/8 inches (39.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

73. Sunshine of Love

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1837
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/8 x 13 7/8 inches (44.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. William Shakespeare

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1849
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/4 x 17 1/8 inches (56.5 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. Bantam Cock and Farmpails

Creator:: James Sowerby, 1756–1822
Date:: 1820
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 8 7/8 inches (38.7 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Study for The Wedding Feast of Sir Degrevaunt

Creator:: Edward Burne-Jones, 1833–1898
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 1/4 × 17 7/8 inches (38.7 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 3/8 inches (39.1 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Edinburgh from Leith Harbour

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Line engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Memorial to Edward Smyth, Elizabeth Smyth, Mary Smyth, Elizabeth Barry and Mary Savoy of Acton Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 11 inches (38.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Front View of the Throne of the Late Tippoo Siltaun in the Laul Mahaul Palace of Seringapatan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 × 8 1/4 inches (38.6 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Memorials to Francis Wilkson and John and Eluzay Hewitt from Feltham Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 11 1/4 inches (38.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart.

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1833
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 21 3/4 × 17 1/2 inches (55.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. Julia, Lady Peel

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1832
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 11/16 x 14 3/8 inches (45 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Solvitur Acris Hyems

Creator:: John Richard Wequelin, 1849–1927
Date:: undated
Materials & Techniques:: Gray wash, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 9 1/8 inches (39.4 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

85. Hurstmonceux Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 1/4 inches (38.7 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Miss Sarah Price

Creator:: Print made by James Watson, 1740–1790
Date:: 1770
Materials & Techniques:: Mezzotint (first state) on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/4 × 11 3/8 inches (38.7 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. The Right Honourable Lady Charlotte Campbell

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1799
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 3/16 inches (39.4 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Louise von Hartefeld

Creator:: Print made by Johann Gerhard Huck, ca. 1759–1811
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 11 11/16 inches (39.1 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Mrs. Wodhull

Creator:: Richard Houston, ca. 1721–1775
Date:: 1772
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 11 inches (38.7 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Pheasant Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/16 x 20 13/16 inches (38.5 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Inn Yard at Calais

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Nautch Dancers

Creator:: Print made by Charles William Cain, 1893–1962
Date:: ca. 1925
Materials & Techniques:: Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 19 1/16 inches (39.3 x 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

93. Principal Front of the Bank of England

Creator:: Thomas Malton, 1726–1801
Date:: 1790
Materials & Techniques:: Hand colored etching on slightly textured, medium, gray wove paper
Dimensions:: Sheet: 15 1/4 × 20 9/16 inches (38.7 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A Cognocenti Contemplating ye Beauties of ye Antique

Creator:: Print made by James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching, hand-colored on moderately thick, smooth, cream wove paper mounted on green card
Dimensions:: Sheet: 15 3/8 × 10 11/16 inches (39 × 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara and Max Wilk, Yale BA 1941

95. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 10 5/8 inches (39.4 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Landscape: India

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 16 7/8 × 23 3/8 inches (42.9 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

97. Henry Tresham, Esq. R. A.

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1814
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 × 12 5/16 inches (38.6 × 31.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Interior of a Rom in Samlesbury Hall; Lancashire

Creator:: John Buckler FSA, 1770–1851
Date:: 1814
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. West Highland Heifer Kyloe

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 x 22 5/8 inches (48.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

Height [cm] 39

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1. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

2. Tiger Skeleton, Lateral View (Study for the key figure to Table IV)

3. Tiger Body, Lateral View (Outline drawing for a key figure)

4. Owl Standing, Anterior View

5. The First Stage of Cruelty: Children Torturing Animals

6. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

7. The Fourth Stage of Cruelty: The Reward of Cruelty

8. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

9. Ship Aground, Brighton, with the Chain Pier Beyond

10. A Sea Piece - A Rough Sea with a Fishing Boat

11. Winchelsea, Sussex

12. Weymouth

13. 'Swift on His Downy Pinion Flies from Woe' (Page 1)

14. 'His hand the good man fastens on the skies' (Page 86)

15. 'If angels tremble, 'tis at such a sight' (Page 93)

16. 'The vale of death! that hush'd cimmerian vale' (Page 54)

17. Ciampolo the Barrator Tormented by the Devils (Plate 2)

18. 'The thunder, if in that the Almighty dwells' (Page 80)

19. 'His hand the good man fastens on the skies' (Page 86)

20. Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)

21. "Enitharmon slept. ..." (Plate 10)

22. "Shot from the heights of Enitharmon..." (Plate 17)

23. "Now comes the night of Enitharmons joy!..." (Plate 7)

24. Famine (Plate 8)

25. "Arise 'O Rintrah eldest born..." (Plate 9)

26. The Christian Triumph; Title Page

27. Night the First. On Life, Death and Immortality; Title Page

28. 'We censure nature for a span too short' (Page 23)

29. "Albions Angel rose upon the Stone of Night..." (Plate 12)

30. Plague (Plate 13)

31. "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)

32. "The shrill winds wake!..." (Plate 6)

33. Frontispiece, The Ancient of Days (Plate 1)

34. Title Page, Europe a Prophecy (Plate 2)

35. "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

36. A Prophecy. "The deep of winter came..." (Plate 5)

37. "In thoughts perturb'd they rose..." (Plate 11)

38. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

39. "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)

40. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

41. The Serpent Attacking Buoso Donati (Plate 5)

42. Dante Striking against Bocca Degli Abati (Plate 7)

43. 'Behold him, when past by; what then is seen' (Page 25)

44. The Spoiled Child, Scene III

45. The Spoiled Child, Scene V

46. Shipping on a Stormy Day

47. Landscape with Horses, Farmer and Dog

48. The Spoiled Child, Scene I

49. The Spoiled Child, Scene IV

50. Traveling Potter Outside a Cottage

51. The Spoiled Child, Scene II

52. The Sailor's Departure

53. Temple of Jupiter and Minerva, Thugga

54. Arthur Gore, first Earl of Arran

55. A Monastery Mill

56. Edinburgh Castle

57. Maya Stela at Copan, Honduras

58. Two Men on a Country Road

59. Landscape with Cottage and Figures on Horseback

60. Landscape with River and a Bridge

61. Landscape, Castle by a River

62. Stourhead, Wiltshire

63. Vault of Helen and William Gates, Mrs. Helen Gardnor, Mr. Lewis Combrune and Mrs. Helen Combrune

64. Memorial to William Earsby also to Edmund Guesham from Fulham Church

65. Memorial to Loilliam and Ann Frohock from Stoke Newington Church

66. Memorial to Thomas Parsons, his Wife Mary and their Daughters, Ann Hamill and Mary Baunton form Stoke Newington Church

67. Brass Plate for unidentified Woman from Stoke Newington Church

68. Memorial to Gideon and Frances Guichenet and their Daughter Sarah also to Silvester Cote

69. Sixty-six Guns: Single Frigate

70. Single Hermaphrodite Brig, Stern Forward

71. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

72. Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan:

73. Sunshine of Love

74. William Shakespeare