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Materials & Techniques wove paper

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Height [cm] 33

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Width [cm] 25

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Frederick Henry Evans Borrowdale
Frederick Henry Evans, 1853–1943
Borrowdale
ca. 1885
John Raphael Smith Proverbs, Chapter VII, verses 7, 10, 13
Print made by John Raphael Smith, 1752–1812
Proverbs, Chapter VII, verses 7, 10, 13
1780
John Skinner Prout Isola Bella, Lago Maggiore
John Skinner Prout, 1806–1876
Isola Bella, Lago Maggiore
undated
Augustus Edwin John Gwen John, Ida Nettleship and Ursula Tyrwhitt
Augustus Edwin John, 1878–1961
Gwen John, Ida Nettleship and Ursula Tyrwhitt
ca. 1899
Peter DeWint Greenwich
pupil of Peter DeWint, 1784–1849
Greenwich
undated
John Sell Cotman Upwell Rectory, Norfolk
John Sell Cotman, 1782–1842
Upwell Rectory, Norfolk
1816
Henry Le Keux Borthwick Castle
Print made by Henry Le Keux, 1787–1868
Borthwick Castle
1819
Daniel Lysons Memorial to George and Elizabeth MacKenzie from Kensngton Church
Attributed to Daniel Lysons, 1762–1834
Memorial to George and Elizabeth MacKenzie from Kensngton Church
between 1796 and 1811
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Declaring His Love to Miss Thornhill
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
Augustus Edwin John Self Portrait
Augustus Edwin John, 1878–1961
Self Portrait
ca. 1897
unknown artist Lord Henry Brougham, 1st Baron Brougham and Vaux
unknown artist
Lord Henry Brougham, 1st Baron Brougham and Vaux
ca. 1830
Henri Edmond Cross Male Nude
Henri Edmond Cross, 1856–1910
Male Nude
1894
James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
William Ward Her Royal Highnes the Princess Elizabeth
Print made by William Ward, 1766–1826
Her Royal Highnes the Princess Elizabeth
1801
unknown artist Archery
Print made by unknown artist
Archery
1794
Bernard Lens II The Four Elements
Print made by Bernard Lens II, 1659–1725
The Four Elements
undated
Benedictus Antonio van Assen John Hamilton Mortimer
Print made by Benedictus Antonio van Assen, active 1788–died 1817
John Hamilton Mortimer
1810
Richard Parkes Bonington Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
Richard Parkes Bonington Rue du Gros Horloge
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros Horloge
1824
John Faber the Younger Joanni Wootton
John Faber the Younger, ca. 1695–1756
Joanni Wootton
1730
Philip Dawe The Letter Woman
Print made by Philip Dawe, ca.1750–ca.1790
The Letter Woman
ca. 1769
unknown artist The Hall, Bermondsey Abby
unknown artist
The Hall, Bermondsey Abby
1820
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
Samuel Freeman Mamma at Romps
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
Francesco Bartolozzi Dr. John Fothergill
Print made by Francesco Bartolozzi, 1728–1815
Dr. John Fothergill
1782
Francesco Bartolozzi The Daughters of Guercino
Print made by Francesco Bartolozzi, 1728–1815
The Daughters of Guercino
1772
Thomas Cundy Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans
1827
John Samuel Hayward Newlyn, October 15, 1807
John Samuel Hayward, 1778–1822
Newlyn, October 15, 1807
1807
James Bourne Matlock Tor
James Bourne, 1773–1854
Matlock Tor
ca. 1800
Charles Williams The Finishing Kick Out of the Privy Council
Print made by Charles Williams, active 1796–1830
The Finishing Kick Out of the Privy Council
1805
Arthur Willmore Melrose Abbey
Print made by Arthur Willmore, 1814–1888
Melrose Abbey
ca. 1850
David Simson At Tunbridge
David Simson, 1803–1874
At Tunbridge
1863
Samuel Cousins Countess Grosvenor
Print made by Samuel Cousins, 1801–1887
Countess Grosvenor
1833
Paul Adolphe Rajon John Stuart Mill
Print made by Paul Adolphe Rajon, 1842–1888
John Stuart Mill
1874
Frederick Landseer Maur Griggs Syde
Print made by Frederick Landseer Maur Griggs, 1876–1938
Syde
1936